Although they’ve had a number of lineup changes over the years, the Athens, GA-based quartet Maserati, currently comprised of Coley Dennis (guitar), Matt Cherry (guitar). Chris McNeal (bass) and Mike Albanese (drums), have developed a reputation for a sound that draws heavily from post-rock, psych rock and prog rock since their formation back in 2000. Over the last few years, the band has increasingly been pursuing a sound that meshes elements of space rock, krautrock and psych rock with a retro-futuristic leaning.
The band’s forthcoming album Rehumanizer slated for an October 30 release through Brooklyn-based label Temporary Residence, Ltd. marks the first album that the band completely self-produced, as well as an effort in which the band openly employed technology as a songwriting tool.
As a result, Rehumanizer’s first single “End of Man” meshes a trippy motorik groove comprised of cascades of buzzing and shimmering synths, forcefully propulsive drumming and angular guitar chords played through layers of reverb and delay pedals paired with vocals fed through vocoder to craft a song that sounds inspired by Kraftwerk, Hawkwind and The Sword simultaneously. The album’s second single “Rehumanizer II” meshes propulsive and undulating synths, angular guitar chords reminiscent of A Flock of Seagulls‘ “I Ran ” and U2‘s “Wire,” and four-on-the-floor drumming to craft a furious and tense composition that clearly draws equally from 80s synth pop as it does from krautrock, complete with a chugging motorik groove. Both tracks are taut yet incredibly cinematic, as though they should be part of the soundtrack of a post apocalyptic, sci-fi thriller.