New Audio: Kauf Returns with a Moody, 80s Inspired Synth Pop Single

Earlier this year, I had written about Los Angeles, CA-born and based producer and multi-instrumentalist Ronald Kaufman, who began his solo, electronic music recording project Kauf after several experimental rock bands split up — and an eventual return back to his hometown. Kaufman received international attention for the release of his critically applauded As Much Again through Cut Copy‘s Dan Whitford’s highly-regarded indie dance/indie electro pop label Cutters Records. And adding to a growing internationally recognized profile, Kaufman toured with Cut Copy,   Maribou State and others, as well released remixes of the work of PoliçaThe Big Pink and Public Service Broadcasting and others.

Regrowth, Kaufman’s forthcoming full-length debut is slated for a 2017 release and thematically the album’s material reportedly will focus on exploring the small fractures that come about within one’s closest relationships — the ones that have long been there; but have been willfully or ignored or conveniently missed until a situation in which you’re forced to try to repair the relationship before it shatters. And unsurprisingly, as a result the material also focuses on the denial and doubt that can blind and distract you from relationships issues. The album’s first single “Through the Yard” bore a resemblance to Zonoscope-era Cut Copy as the song possessed an ethereal tropicalia — shimmering synths are paired with sweaty, tropical beats and Kaufman’s plaintive and yearning vocals in a song that evokes a sweaty and lingering fever dream full of regret and doubt.

 

 

The album’s latest single “Pacify” is a lush and slickly produced single consisting of shimmering and twinkling synths, swirling and undulating electronics, a sinuous guitar and bass lines paired with Kaufman’s plaintive vocals in a song that describes a relationship, in which every bitter sentiment and feeling has been revealed in a nasty fight  — and it does so with an accuracy in a mid tempo song that sounds as though it could have been released in 1984 while drawing from I Love You It’s Cool-era Bear in Heaven and others.

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