Featuring Superhuman Happiness‘ founding members Stuart Bogie, Eric Biondo, along with Andrea Diaz (a.k.a. Dia Luna); producer and multi-instrumentalist Ian Hersey, a former member of Rubblebucket; and Brain Bisordi (percussion), the Brooklyn-based experimental pop act TOUCH/FEEL can trace its origins to when Superhuman Happiness’ primary trio, had convened to write material for what they thought would be the band’s third full-length effort. And as the trio explains in press notes, while they had already begun to be known for crafting a sound based around bright and mischievous harmonies and driving, funky polyrhythms, the newer material turned out to be the complete inverse, as the material took on much darker melodies and harmonies with slower, heavier rhythms. The lyrics they began writing with that new sound focused on death, destruction and transformation as being a necessary part of the cycle of existence, drawing some thematic influence from the Egyptian Book of the Dead, the Tarot, re-runs of Unsolved Mysteries and the renewed sense of urgency that countless folks across the country felt after this past Presidential election. The project’s founding trio of Bogie, Biondo and Diaz then enlisted Ian Hersey and Byran Bisordi to join their new project, as the founding trio felt that both Hersey and Bisordi helped bring a rough edge to the proceedings that makes the music feel raw and alive, “and more like chamber music in the sense that we are playing to each other, and striving to engage each other like a string quartet would — without backing tracks or whatever to regulate the music to a clock.”
The project draws from a wild variety of influences including early Peter Gabriel, Sade, the Kronos Quartet, Fela Kuti and Kraftwerk, sonically as you’ll hear on the project’s debut single “ASHES/GOLD,” Diaz’s husky crooning ethereally floats over a slick production featuring processed drums, analog synths, filtered bass guitar, saxophone, flute and trumpet — and while still bearing a resemblance to the sound that won them attention with Superhuman Happiness, the track is a mid tempo track, full of plaintive, unresolved longing and ambiguous and murky emotions.
From what I understand live, the material is meant to take the audience through 9 specific movements, much like a chamber music group balancing composition and improvisation and incorporating dancers and a degree of performance art. TOUCH/FEEL’s first live set is on March 4, 2017 at National Sawdust — and based on what the band describes, it sound be a spectacle.