Comprised of Boston, MA-born, New York-based composer and songwriter Jake Zavracky and Vancouver Island, BC-born, New York-based Elizabeth LeBaron, the New York-based dream pop duo The Dream Eaters can trace their origins back to 2015. After playing and touring in obscurity in several bands both in his hometown of Boston and New York, Jake Zavracky decided to give up the musician’s life, and for a period of time he was working in a Brooklyn dive bar, when he met Elizabeth LeBaron, another bartender, who had recently relocated to New York. Discovering that they were both musicians, they found an instant connection and began collaborating together — although initially, Zavracky had written songs for LeBaron to sing. However, upon the realization that their harmonies helped to create a wholly unique sound, that draws from dream pop, shoegaze, psych pop, folk and rock, they recognized that they needed to write and perform as a unit.
Initially writing and performing as Jake And Elizabeth, Zavracky and LeBaron saw a rapidly growing profile; however, as they began to further refine their sound, they felt that they needed to rebrand themselves, eventually performing as The Dream Eaters. And in fact, 2016 saw the release of their self-produced, debut EP as The Dream Eaters, Five Little Pills — and interestingly enough, the EP proved to be precursor of the bare-bone production and sparse yet hauntingly gorgeous sound of “Dead On The Inside,” the first single off the duo’s soon-to-be released full-length debut, We Are A Curse. Thematically speaking, the duo notes that the song focuses on coming unmoored and getting lost, and walking around with the realization that you’re living in a murky, anxious and unforgiving dream, evoking what many of us feel living in this surreal political climate; and while being a gorgeous and understated protest song, there’s an underlying sense of resolve and determination to survive and overcome the dark days ahead.
As far as the single, sonically speaking, the duo pairs LeBaron’s lilting and effortless vocals with gently strummed folk-like guitar and chiming percussion with a soaring hook which displays the duo’s stunning harmonizing. And while bearing a resemblance to Moonbabies’ Wizards on the Beach, the song manages to sound as though it draws from Nick Drake and Crosby, Stills, and Nash-era folk.