New Audio: LCD Soundsystem Return with 2 Tracks off Forthcoming and Highly-Anticipated New Album

 

Brooklyn-based indie rock act LCD Soundsystem was founded by frontman, multi-instrumentalist, producer, DJ and DFA Records co-founder James Murphy in 2002, and along with acts like The Rapture, Yeah Yeah Yeahs, Bloc Party, Radio 4, Liars, and lengthy list of others are considered pioneers of a dance punk act renaissance that saw its height at the early part of this century. Interestingly enough, LCD Soundsystem may arguably be one of most critically and commercially successful acts of their era — 2005’s eponymous full-length debut, which featured their most successful single “Daft Punk Is Playing At My House” was nominated by a Grammy for Best Dance Recording with the album also being nominated for Best Electronic/Best Dance Album.  With a growing national and international profile, Nike commissioned the band to write and record a workout-inspired album — 45:33 — as part of Nike+ Original Run series and they followed that up with their 2007 critically acclaimed sophomore album Sound of Silver, which was also nominated for a Grammy for Best Electronic/Dance Album. 2010’s This Is Happening was the band’s most commercially successful, as it was also their first Top 10 album in the States; however, by the next year, the band announced that it would be breaking up and celebrating with a series of farewell shows at Madison Square Garden and Terminal 5 — with the events of the final show chronicled in the documentary Shut Up and Play the Hits and was released as a live album, 2014’s The Long Goodbye.

After LCD Soundsystem broke up, Murphy and the members of the band went on to pursue a number of creative and business pursuits — with Murphy being the among the busiest in the band. Over the years Murphy has continued his production and sound engineering work, working with Arcade Fire during the Reflektor sessions, created a special set of remixes from the 2014 US Open, based on the actual sounds and events of matches and remixed David Bowie‘s “Love Is Lost,” for an expanded edition of the legendary artist’s The Next Day. He also occasionally DJ’d, including an incredible set to close out DFA Records’ 12th Anniversary Party at Grand Prospect Hall.  As far as other pursuits, Murphy participated in Canon’s Project Imaginat10n, which invited 5 different celebrities and personalities to direct short films based on pictures uploaded by photographers and other creatives around the world to their website — and the result was his first directorial effort, “Little Duck,” set in Japan. And interestingly enough, with the assistance of Blue Bottle Coffee founder James Freeman, Murphy released his own blend of espresso and a few years later, Murphy opened a critically applauded restaurant in Williamsburg. Though Murphy publicly stated that LCD Soundsystem’s breakup allowed him the time and ability to pursue a wild array of projects in a way he had never before, he also missed being in a band. Interestingly, towards the end of 2015 there were rumblings that the members of LCD Soundsystem were considering a series of reunion shows for the major festival circuit — and those rumors went wild when the members of the band released “Christmas Will Break Your Heart” ironically enough on Christmas, the first single they released in over 5 years.

After the release of “Christmas Will Break Your Heart,” Murphy and his bandmates confirmed a reunion tour, with appearances at several major music festivals, and a new album, which is slated for release sometime this year. Now, if you’ve been following the blogosphere, you know that Murphy and company had a series of hometown shows to open The Bowery Presents‘ newest venue, Brooklyn Steel and those live shows included two new singles, which will make appearances on the band’s new album — the atmospheric, Berlin Trilogy-era Bowie meets Roxy Music “Call The Police,” which features Murphy’s archly ironic and cynical lyrics and nods a bit at This Is Happening and their incredible cover of Harry Nilsson‘s “Jump Into The Fire” and “American Dream,” a slow-burning track featuring shimmering synths but subtly nods at “New York I Love You But You’re Bringing Me Down,” thanks in part to Murphy’s dramatic crooning, Certainly for fans, who have been waiting for new material for the past 18 months, it’ll give them a good hint of what they might expect from the new album, while also suggesting that the band has continued forward as though they never broke up.