Now, if you’ve been frequenting this site over the past three or four years, you may recall that I’ve written a handful of posts featuring the Chicago, IL-based psych rock band Secret Colours. When the band released their self-titled debut and their sophomore album Peach, the band’s initial lineup was a sextet; however, by the time they went into the studio to record Positive Distractions Part 1 and Positive Distractions Part 2, the band went through a massive lineup change that left Tommy Evans (vocals, guitar) and Justin Frederick (drums) as the only members remaining from the original lineup. The duo of Evans and Frederick recruited two long-time Chicago music scene friends Eric Hehr (bass) and Mike Novak (bass) to fill out the band’s second lineup. Naturally, as a quartet, the band went through a decided change in sonic direction, partially out of necessity, and partially as a result of being artists, who do evolve as life pushes them forward; in fact, the band most likely recognized that they had two responses — strip down previously perceived excesses or find an inventive way to recreate their sound with fewer members.
Some time has passed since I’ve written about them, and as it turns out the band has gone through yet another lineup change — and while Evans and Novak have remained, the band has two new members Max Brink (bass) and Matt Yeates (drums), and with their newest lineup the band find themselves subtly pushing their sound in new directions with their latest full-length effort Dream Dream; in fact, the band’s sound draws from psych rock but also from guitar pop and garage rock. And as you’ll hear on their jaunty and jangling new single “Changes in Nature,” the band pairs Evans falsetto with shimmering, pedal effected guitars, a strutting bass line and propulsive drumming with a soaring, rousingly anthemic hook — and this shouldn’t be surprising as the soon is a swooning and sweetly urgent love song, along the lines of XTC‘s “Mayor of Simpleton” but with a subtly lysergic vibe.