Currently comprised of founding members Michael Goodwin, a member of the OBN IIIs and eeetsFEATS; Chris “Anton” Stevenson, a member of Spray Paint, Dikes of Holland and When Dinosaurs Ruled the Earth; Marley Jones, a member of the OBN IIIs and Sweet Talk; and Victor Ziolkowski, a member of Skeleton and Nosferatu, the Austin, TX-based punk quartet PLAX can trace its origins to last year, when founding member Goodwin approached his longtime friend Stevenson and current OBN IIIs bandmate Jones about the possibility of forming an outsider punk band that would defy all conventional expectations while being inspired by the likes of Wire and Dawn of Humans. The band’s founding trio quickly went to work writing songs for a demo — they eventually wrote 9 — but they felt were still in need of a vocalist to complete the project. At the time Marley was collaborating with David and Victor Ziolkowksi, the founding members and frontman of Skeleton, a constantly evolving project featuring the Ziolkowski Brothers and a rotating cast of collaborators and friends. And as the story goes, Stevenson and Marley approached Victor Ziolkowski to contribute his vocals, and when he agreed, the project’s lineup was finalized.
By the end of last July, the newly formed quartet had played their first show with New Orleans punk act Patsy and they quickly followed that by playing with a number of national touring Texas-based bands including Crooked Bangs, Institute and Army and others — and building upon the buzz they were receiving, the band went on a January 2017 tour throughout Texas. And although Stevenson has recently relocated to Melbourne, Australia, the band has continued writing and recording; in fact, as you’ll hear on “Boring Story” the first single off the quartet’s forthcoming full-length debut Clean Feeling, the band specializes in the sort of scuzzy, garage punk that would be at home on Goner Records or on Castle Face Records, complete with slashing power chords and punchily delivered vocals. Arguably, “Boring Story” is one of the most mosh pit worthy songs I’ve listened to in several months — and it reminds me of the sort of music I’d hear in countless dive bars and dank DIY spaces.