New Audio: JOVM Mainstays Heaters Return with Their Most Ambitious and Expansive Song to Date

Over the past few years, I’ve written quite a bit about the Grand Rapids, MI-based psych rock quartet HEATERS. Formed back in 2014, the Grand Rapids-based quartet began to make a name for themselves with the release of a handful of homemade EPs, a couple of split records and an attention grabbing appearance on Stolen Body‘s Vegetarian Meat psych rock compilation. Building upon a growing profile, the band’s Solstice EP was released through Dizzybird Records and they quickly followed that up within the following year with the “Mean Green” 7 inch and their full-length debut Holy Water Pool both of which were released through renowned, Brooklyn-based indie label Beyond Is Beyond Records.  And with each of those efforts, the band receive greater and greater acclaim — as well as a growing international profile — for a spacey, motorik-like take on West Coast, 60s psych rock and garage rock.

Now, as you may recall, after the release of their sophomore effort Baptistina the band went through a massive lineup change in which the band’s founding members Nolan Krebs and Joshua Korf are currently paired with newest recruits Ryan Hagan and Ben Taber. And interestingly enough “Seance,” the first single off the band’s forthcoming third album Matterhorn retains the gorgeously shimmering guitar lines, propulsive, motorik-like groove and enveloping sound that first caught the attention of this site and the rest of the blogosphere; however, there’s a noticeably different energy and vibe to the proceedings — simply put, “Seance” reveals a band with a swaggering self-assuredness within what arguably may be their most expansive and ambitious songwriting.

Matterhorn‘s second and latest single “Thanksgiving II” continues in a similar vein as its predecessor as it features the band’s propensity for crafting tight, motork grooves paired with shimmering guitar lines and ethereal vocals and while the song may arguably be the most trance-inducing and the largest, most arena rock friendly song they’ve written and released to date, the song slowly unfurls to reveal its creators’ ambitious and expansive songwriting, complete with a lysergic, power chord-based coda.