New Audio: JOVM Mainstays Beach House Return with a Gorgeous and Atmospheric Single from Forthcoming Album

Comprised of Victoria Legrand (organ, vocals) and Alex Scally (guitar, vocals), the  Baltimore-based indie rock act Beach House have released a handful of critically and commercially successful albums, including 2015’s Depression Cherry and Thank Your Lucky Stars, which were written and recorded within a two-and-a-half year period between 2012-2014 — and while being individual efforts, they’re meant to be viewed as closely related companion pieces, as metaphorically being two sides of the same coin, as they built upon similar themes and a related, overall sound centered around sparse and atmospheric arrangements of organ, guitar and Legrand’s ethereal vocals.

Much like countless bands before them, Legrand and Scally have written and recorded a large number of songs throughout their career, some of which have been played live or released that for whatever reason just didn’t quite fit their album-based material. Over the years, some of those songs have proven to be increasingly difficult to find and listen to, and to accommodate their fans, they released B-Sides and Rarities, a 14 track compilation of songs that they’ve recorded and released that just didn’t make their albums, and two previously unreleased singles “Chariot” and “Baseball Diamond,” recorded during the Depression Cherry and Thank Your Lucky Stars sessions. As a music journalist and fan, B-side compilations can offer a revealing look into a band’s creative and editorial processes as they write and record an album.

Interestingly, the Baltimore-based dream pop duo will be releasing a new album later this spring through Sub Pop Records in North America, Bella Union Records in Europe and Mistletone Records in Australia and New Zealand, and the as yet untitled album’s first single “Lemon Glow” will further cement the duo’s reputation for crafting tender yet atmospheric material centered around Legrand’s ethereal vocals but this particular track is a bit more jangling and finds the duo (to my ears at least) subtly drawing from shoegaze as it possesses an equally subtle cosmic glow.

 

 

 

 

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