New Audio: Kool Keith Dan The Automator and DJ Qbert Revive Dr. Octagon for Surreal and Satirical First Single in Over 20 Years

Known as a co-founder of renowned and legendary hip-hop act Ultramagnetic MCs and for a lengthy and uncompromising solo career in which he has taken up a number of aliases and personas, while collaborating with an array of emcees and producers, Kool Keith is arguably one of hip-hop’s most idiosyncratic and eccentric personalities and artists — and throughout his incredibly prolific recording career, he has continually perfected and expanded upon his inimitable flow, full of surreal and fantastical tangents, grimly violent and nightmarish imagery, sexual and pop cultural references while effortlessly and frequently switching perspectives, moods and points of view within the same song.

Now, if you’ve been frequenting this site, you know that I’ve written quite a bit about Kool Keith and his various solo releases, reissues and collaborations but interestingly, the imitable emcee along with collaborators Dan The Automator and DJ Qbert have teamed to revive his alter ego Dr. Octagon 20+ years after the critically applauded, revolutionary debut effort  Dr. Octagonecologyst. “Octagon Octagon,” the first single from the trio’s long-awaited Dr. Octagonecologyst follow up, Moosebumps: an exploration into modern day horripilation is a bit of a return to form for the trio — but possessing a frenzied urgency that could only come from marathon 24-hour recording sessions at Dan The Automator’s studio.  And while reprising a lecherous and hopelessly incorrigible character with his off-kilter and imitable flow, the new single is arguably one of the smartest and most absurd yet satirical commentaries on capitalism, branding and advertising, as Kool Keith’s Dr. Octagon reveals himself as shamelessly opportunistic, putting his name to tampons, rice and beans, gasoline and anything else he could — even if it was ridiculous, because why not? Sonically, Kool Keith — er Dr. Octagon’s flow is paired with a minimalist production that manages to be both menacing and surreal, emphasizing the character’s surrealistic flow while featuring twinkling keys and DJ Qbert’s incredible scratching.

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