New Audio: Brighton’s Thyla Returns with a Neurotic and Anthemic New Single

Last year, I had written a bit about the Brighton, UK-based indie rock band, Thyla, and as you may recall the band can trace its origins to when its founding trio of Millie Duthie, Danny Southwell and Dan Hole met back in 2015 while attending college. Quickly bonding over shared musical interests, Duthie, Southwell and Hole formed the band — but with the addition of the band’s newest member, Mitch Dutch, the band began to reimagine their sound and aesthetic, before writing and recording  some new, attention grabbing material, centered around a distaste of what they felt is the stale and boring state of the British recording industry.

Not only have they furthered Brighton’s growing reputation across the UK for producing some of England’s best and hottest, up-and-coming bands, they’ve played with the likes of Dream WifeLuxury DeathMatt Maltese, YonakaHusky Loops and Lazy Day.  Adding to a growing profile, the members of Thyla have been spotlighted alongside Pale Waves, Nilüfer Yanya, and Sorry in NME‘s 100 Essential Acts for 2018, and this year, they’ve shared bills with Sunflower Bean, INHEAVEN and Fickle Friends. Additionally, BBC Radio 1’s Huw Stephens named the band one of his Alternative Tips for 2018 — and that interestingly enough coincides with a headlining spot at BBC’S Biggest Weekend Fringe and a set at The Great Escape Festival.

Produced by Macks Faulkron and mixed by Alex Newport, Thyla’s latest single “Blame” may arguably be one of the more arena rock/festival circuit rock friendly singles they’ve released to date, as the song is centered around angular guitar and bass chords played through a generous amount of reverb, thundering and propulsive drumming and a rousing, anthemic hook meant to evoke the anxious frenzy of neurosis and crippling self-consciousness. As the band explains “‘Blame’ is a about the uncharacteristic choices people make when they’re trying to be like someone else, for the sake of someone else, at a cost to themselves. It’s a neurotic frenzy of guitars with self conscious lyrics about the state of paralysis jealously puts you in; blind anger with no real solution.”

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