Category: indie rock

Formed back in 2002 and comprised of Nashville, TN-based sibling duo Jake and Jamin Orral, JEFF The Brotherhood have developed a reputation for a sound and overall aesthetic that’s been influenced by jazz, black metal, hard rock, the films of Werner Herzog, the choreography of Kate Bush and the rivers of their home state. And over the past decade the duo have played well over 1,000 shows across North America, New Zealand and elsewhere, touring to support 11 full-length albums, as well as creating a number of related zines, puppets and videos among other things.

 

The duo’s forthcoming effort Zone is an experimental rock album that was recorded and co-produced by Collin Dupuis in a converted warehouse dubbed Club Roar and is the last part of a spiritual trilogy of albums that began with 2009’s Heavy Days and 2011’s critically applauded We Are The Champions, and it features a guest appearance from Bully’s Alicia Bognanno. Zone’s first single “Punishment”isa trippy prog rock-leaning track that begins with a lengthy garage, psych rock intro before turing into a towering squall of power chords and feedback with one of the most impressive guitar solos I’ve heard this year; naturally, the song confirms the duo’s long-held reputation for crafting anthemic and trippy songs with rapid tempo changes, blistering solos and driving rhythms and blistering guitar work.
 

 

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At the end of last month, I wrote about the Leeds, UK-based indie rock/post-punk trio Cowtown. Comprised of David Michale Shields (drums), Hilary Knott (bass, keys and vocals) and Johnathan Nash (guitar,vocals), the British trio have over the course of three full-length albums have developed a reputation for  angular, super caffeinated post-punk that draws from Gang of Four, DEVO, Talking Heads, much like “Motivational Speaker,” the first single off the band’s forthcoming album Paranormal Romance slated for an August 19, 2016 release through Athens, GA-based HHBTM Records in the US and Sheffield, UK-based label Audacious Art Experiment.

Clocking in at 92 seconds, Paranormal Romance‘s second and latest single “Tweak” sounds as though it were indebted to the Ramones and 90s alt rock, as the the trio pairs propulsive and thundering drumming with blistering power chords and an anthemic and infectious “oh oh oh” at the hook that you can imagine a crowded and sweaty bunch of kids yelling lustily while moshing — and with a youthful abandon.

New Video: The Girl Power Visuals for Gothic Tropic’s “Stronger”

Perhaps best known as a touring and session guitarist for Charli XCX and BØRNS, Los Angeles, CA-based guitarist and vocalist Cecilia Della Peruti is also the creative mastermind behind up-and-coming act Gothic Tropic, a band whose New Wave-leaning sound is indebted to the likes of the Go-Gos The B52s and others as angular and punchy guitar chords are paired with a propulsive rhythm section, Peruti’s sultry vocals and an infectious hook as you’ll hear on their latest single “Stronger.”

Interestingly, the recently released music video cuts between footage of Peruti and her backing band performing the song in a studio and splices it with footage of a series of badass, confident women doing their thing, which naturally will instill the fact that the song is a modern feminist anthem about inner strength and resolve, determination and empowerment. You go, girl, indeed.

Comprised of Phenomenal Handclap Band‘s Daniel Collas (keyboards, production) and Morgen Phalen (vocals guitar) and members of Stockholm, Sweden-based bands Dungen and The Amazing, indie psych pop act Drakkar Nowhere can trace their origins to when Collas and Phalen had been making music in the kitchen of a rented apartment in Stockholm. And in a relatively short period of time, Collas and Phalen’s kitchen-based music project caught the attention of the members of Dragen and The Amazing, who then joined the project to flesh out its sound, a sound that’s largely influenced by cosmic jazz, soul, jazz fusion, prog rock and psych pop among others — while being influenced by their direct surroundings, including the forests that surround the Bagarmossen and Midsommarkransen neighborhoods of Stockholm.

“How Could That Be Why?,” is the first single off the band’s forthcoming self-titled effort slated for a September 23, 2016 release through Beyond Beyond Is Beyond Records — and the shuffling and trippy single has the band pairing twisting and turning synths and keyboards, a sinuous bass line, an infectious sense of melody  to craft a song that sounds as though it could have been released in 1973. And in some way, the song naturally reminds me a bit of Collas and Phalen’s work with Phenomenal Handclap Band as well as Shawn Lee‘s collaborations with AM and Tim “Love” Lee with a subtle nod to Afrobeat — but with a subtle, cosmic glow at its core.

 

 

 

 

 

 

 

New Video: The Playful Visuals for Teeth and Tongue’s New Wave-Leaning “Dianne”

“Dianne,” the first single off the Melbourne-based quartet’s forthcoming album Give Up On Your Health reveals a band that has gone through a change in sonic direction — with the band taking up an angular, dance floor friendly New Wave/post-punk sound reminiscent of Blondie, Yeah Yeah Yeahs’ It’s Blitz! and Dirty Ghosts as the Australian band pairs angular guitar chords, ambient synths, a propulsive rhythm section and anthemic hook with Cornelius’ sultry vocals. Lyrically, the song describes a character that went through something traumatic when she was small, and it’s an event that not only lingers but finds ways to reverberate in every aspect of her life — and Cornelius does so with a novelist’s attention to psychological detail and rapidly changing mental states of a troubled teen/young woman.

The recently released music video features the members of the band playing and goofing off in what clearly appears to be a young woman’s bedroom and it evokes both a playfulness and a brooding darkness that’s just starting to brew.

New Video: Hanging out with Twin River in Europe for “Settle Down”

Conceived as the brainchild of founding members and primary songwriters Courtney Ewan and Andy Bishop, the members of the Vancouver, BC-based garage pop/indie rock quintet Twin River has expanded upon their sound throughout their first few recorded efforts — with 2012’s Rough Gold EP possessing a swooning and swaying sound and their full-length debut Should The Light Go Out had the band stepping up the tempo quite a bit; however, “Settle Down,” the second single off the band’s sophomore full-length effort Passing Shade reveals that the band has refined their sound yet again — with the material leaning towards the reverb-heavy, shimmering and jangling guitar pop of The Smiths, complete with thoughtful and earnest lyrics and some stunningly gorgeous guitar work.

The recently released music video captures some of the members of the band driving through Europe, presumably while on tour and features them goofing off and exploring with a sense of awe and wonder.

With the 2015 release of their debut EP, Couch Surfin’ USA, Highstown, NJ-based quartet YJY, comprised of Ricky Lorenzo, Tim Fitzpatrick, Dave Sachs and Steve Sachs received praise from The Deli Magazine, Philadelphia, Speak into My Good Eye, You Don’t Know Jersey, Impose Magazine, CoolDad Music, and they were nominated for 3 Asbury Music Awards for a sound that the band’s Steve Sachs has described as being influenced by a lot of surf rock — namely, The Beach Boys, Wavves, Real Estate and others.

Building upon the buzz the band has received regionally, the New Jersey-based quartet will be releasing their highly-anticipated follow up The Same Noise on August 19, 2016, and the album’s first single “Summer Lifeguard” will further cement the quartet’s burgeoning reputation for crafting hook-laden surfer rock; however, interestingly enough the new single manages to subtly draw from punk and New Wave thanks to angular and careening guitar lines, thundering yet propulsive drumming and lyrics delivered with a sneering irony. As the band’s Steve Sachs explains in press notes, “The song is essentially a send-up. We used those surfy influences to try to make the listener feel like they knew what they were getting themselves into, but it’s really more of a misdirection. At the heart of it, we tried to tell a story people aren’t used to hearing, but do it in a way that actually feels pretty familiar.” And as a result the song is a summery love song — of sorts — that possesses a tense and ambivalent push and pull at its very core.

 

 

 

 

 

Over the past year or so, it turns out that I’ve written a bit about the indie rock quintet Happy Diving. And although they’ve gone through a number of lineup changes with members currently based in SeattleVancouver and Oakland, the quartet initially formed in the  Bay Area in 2013. Within a short period of time, the quintet developed  reputation regionally for high-energy live shows and for being remarkably prolific. Building on the buzz they’ve received since their formation, the members of the quintet received to write and record the material that would comprise their forthcoming full-length Electric Soul Unity which is slated for an August 19, 2016 through Tophself Records.

Earlier this month, I wrote about “Head Spell,” a slow-burning 90s alt-rock inspired ballad consisting of enormous, buzzing and sludgy power chord and anthemic hook that sounds as though it draws from the likes of PavementDinosaur, Jr. and others — while also firmly adding their names to a growing list of 90s alt rock inspired contemporary acts, including Brooklyn-based trio Dead Stars. The West Coast quintet’s latest single “Don’t Be Afraid of Love” will further cement their burgeoning national profile for crafting sludgy, anthemic, power chord-based pop that would be perfect to mosh to in a small, sweaty club somewhere — with an infectiously upbeat and encouraging message to boot.

The band will be on tour throughout the summer and it’ll include an August 8, 2016 stop at Shea Stadium. Check out the tour dates below.

 

TOUR DATES
JUL 23 – Oakland, CA @ The Rat’s Nest
JUL 24 – Santa Rosa, CA @ Arlene Francis Center (w/ Gun Outfit, Tony Molina)
JUL 25 – Los Angeles, CA @ Hi Hat
JUL 26 – San Diego, CA @ Soda Bar
JUL 27 – Tucson, AZ @ Club Congress
JUL 28 – Albuquerque, NM @ Small Engine Gallery
JUL 29 – Oklahoma City, OK @ TBD
JUL 30 – Ft Worth, TX @ Purple Palace
JUL 31 – Houston, TX @ Vinyl Edge Records

AUG 1 – New Orleans, LA @ Saturn Bar
AUG 2 – Nashville, TN @ Two Boots
AUG 4 – Richmond, VA @ TBD
AUG 5 – Raleigh, NC @ Pinhook
AUG 6 – Baltimore, MD @ TBD
AUG 7 – Philadelphia, PA @ Lava Space
AUG 8 – Brooklyn, NY @ Shea Stadium (w/ Ovlov, Patio, Peaer)
AUG 10 – Providence, RI @ Tommy’s Place
AUG 11 – Boston, MA @ Great Scott (w/ Kindling, California X)
AUG 12 – Amherst, MA @ TBD
AUG 13 – Montreal, QB @ Poisson Noir
AUG 14 – Toronto, ON @ Smiling Buddha
AUG 15 – Detroit, MI @ TBD
AUG 16 – Milwaukee, WI @ High Dive
AUG 17 – Bloomington, IN @ Jan’s Rooms
AUG 18 – Eau Claire, WI @ TBD
AUG 19 – Duluth, MN @ Northern Isolation Fest
AUG 20 – Minneapolis, MN @ Dead Media (early show)
AUG 21 – Sioux Falls, SD @ Total Drag
AUG 24 – Calgary, AB @ Tubby Dog
AUG 26 – Vancouver, BC @ Antisocial Skate Shop
AUG 27 – Olympia, WA @ TBD
AUG 27 – Seattle, WA @ Neumos (w/ Chastity Belt, So Pitted)
AUG 29 – Portland, OR @ TBD
AUG 30 – San Francisco, CA @ Bottom of the Hill (w/ Creative Adult, Never Young, Plush)