Category: indie rock

New Video: The Psychedelic Visuals for Betty Black’s Siouxsie and the Banshees Channelling New Single

Throughout the course of this site’s history, there have been a number of insanely talented artists, who have released work that I’ve become obsessed with — and have spilled copious amounts of (virtual) ink. Now, […]


Comprised of three audio engineers, Paige Coley (vocals, guitar), Ryan Snow (guitar), and Grant Freeman (drums), the Orlando, FL-based trio Kinder Than Wolves made the process of writing and recording their debut EP Mean Something an entirely DIY and collaborative effort — with the EP being produced, engineered and mixed by Coley in the band’s home studio. And Mean Something’s first single “Hazel Days” pairs shimmering guitars, a gently driving rhythm and Coley’s hazy and ethereal vocals to create a wistful and moody shoegaze song that sounds as though it could have been released in 1983 — but with a subtly modern sheen.



Comprised of Björn Rudling (drums), Carl Vikberg (vocals, guitar), Johan Melander (guitar and keys) and Viktor Åström (bass), the Stockholm, Sweden-based indie rock quartet Chirping have quickly received international attention across the European Union; in fact, their previously released singles have received airplay on Steve Lamacq‘s BBC Radio 6 show, Tom Robinson’s Fresh On The Net, Gary Crowley‘s BBC London show and Frank Skinner’s Absolute Radio show.  Of course, with the forthcoming release of their EP Dancing With The Stars, slated for a March 4 release, the Stockholm-based quartet hope to expand their international profile. And with the release of the EP’s anthemic first single “Heist,” I suspect that the blogosphere will be hearing quite a bit about them over the next few months.

As for the single, you’ll hear Vikberg’s rich baritone, which to my ears bears an uncanny resemblance to Echo and the Bunnymen‘s young Ian McCulloch paired with a driving and propulsive rhythm section, angular guitar chords and an infectiously anthemic hook. Sonically, the song sounds as though it draws from the aforementioned Bunnymen, U2, Arctic Monkeys and others — but with a much-needed, warm, summery blast that evokes  swooning, passionate, urgent and confusing summer flings.



New Video: Check Out the Sci-Fi, Country-Western Video for La Sera’s “High Notes”

Initially begun as a solo side project from her time with Vivian Girls and All Saints Day, Katy Goodman’s current musical project La Sera developed a national profile with the release of three critically applauded albums — the project’s self-titled debut, Sees […]

Comprised of Stephanie Chan (vocals, guitar), a former member of Finally Punk and The Carrots; Kate Hall (drums), formerly of Mika Miko; Mark Greshowak (guitar, synths), formerly of Talbot Tagora; and Dave Reichardt (guitar, bass, synths), Los Angeles, CA-based post-punk quartet Dunes features members of some of Southern California’s most renowned, defunct punk bands.

The Los Angeles, CA-based quartet’s forthcoming sophomore effort Bitter Charm is slated for a March 12 release and the album, which was produced by Alex DeGroot, best known for his work with Zola Jesus has the band expanding upon their sound while being deeply informed by personal experiences — including Greshowak’s near fatal bike accident, which occurred the same day that they were slated to play with No Age at the Eagle Rock Center for Performing Arts. As Greshowak explains in press notes, the album in some way represents “the process of coming to terms with all transitions in life, voluntarily or involuntarily.”


The album’s latest single “Runner” pairs shimmering guitars played through gentle amount of reverb, a driving and propulsive rhythm with ethereal vocals to craft a melancholy and wistful song that sounds as though it could have been released during 4AD Records heyday.


Currently comprised of Pete Baxter, Max Turner, Josh Delaney and Liam Gough SMILE is a Melbourne, Australia-based band, that has cloaked themselves in mystery; in fact, the band has been so mysterious that beyond the fact that there are somewhere between 4 members and that the band formed back in 2012, very little else is know about them. “Holiday,” the second single off the band’s forthcoming album Rhythm Method consists of jangling and shimmering guitar chords, a wobbling bass line, a propulsive bass line and an anthemic hook paired with ironically disaffected vocals in a song that’s reminiscent of classic shoegaze and 90s Brit Pop; in some way, the song reminds me of both of Oasis and The Verve – but with a bluesier swagger. At the core of the song is an extremely modern sense of existential angst, based upon the realization that most people waste away their lives and their time on things they hate and are unfulfilling while consuming useless products until they die.