Sawyer Gebauer is a Wisconsin-born, Oakland, CA-based singer/songwriter, who has spent a great deal of his musical career moving back and forth between the States and Europe. When he was 19, Gebauer relocated to Sweden, where he founded and formed Brittsommar, a musical project that featured a rotating cast of musicians and received quite a bit of attention across Continental Europe with the release of their 2011 debut effort Day Of Living Velvet. After the release of Brittsommar’s debut, Gebauer relocated to Berlin where he recored 2013’s The Machine Stops in a dilapidated warehouse. Eventually, Gebauer returned to the States, recording the final Brittsommar effort 2015’s Mary Me EP at TRI Studios in San Rafael, CA.
After Brittsommar ended, Gebauer started his latest musical project Catch Prichard, which draws deeply from Americana; in fact, Gebauer has publicly cited Townes Van Zandt and Bruce Springsteen‘s 1995 release The Ghost of Tom Joad as major influences on his latest project, and that he wanted to write and record a collection of stripped down songs based around narrative and melody — and the end result is the soon-to-be released Eskota EP, a five song EP named after the Texas ghost town in which it was recorded.
The first single from the EP “Hometown” is an elegantly simple track featuring Gebauer’s gorgeous and moody baritone, accompanied by his dexterous guitar strumming, and gently padded drumming — and the result is a sparse, spectral song that’s indebted to folk as much as it country, while possessing a narrator’s attention to physical and psychological detail.