Category: New Single

With the release of two EPs and their full-length debut Consent released last year, the Vancouver, BC-baesd post-punk trio Lié, comprised of Brittany West, Ashlee Luk and Kati J, have developed reputation for a sound that draws from both early post-punk and noise bands, their hometown as well as each individual member’s own creative side efforts — West’s darkwave project Koban, Kati J’s trash punk band SBDC and Luk’s electronic project Minimal Violence; but perhaps much more important, they also developed a reputation for politically charged material — last year’s Consent was a barbed commentary on rape culture. However, the Canadian trio’s follow-up Truth or Consequences reportedly turns inward to the deeply personal, focusing on the dichotomy between the destructive and fragile elements of the ego. And as a result, the album’s first single “Failed Visions” is a tense, maniacally anxious song that evokes the fucked up inner dialogue we maintain within our heads — the sort in which you may vacillate from cocksure confidence to self loathing. Sonically and structurally, the band pairs slashing, angular guitar chords, a propulsive rhythm section and rapid fire tempo changes and in some way it makes the song sound as though it draws from L7 and Bikini Kill — or in other words it’s abrasive and furiously cathartic.




New Audio: The Raveonettes Venomous, Post-Break Up Tell Off “Won’t You Leave Me Alone”

The Rave Sound of the Month’s latest single “Won’t You Leave Me Alone” is a bitter tell off from a jilted and exasperated lover, who’s sick of a partner, who just won’t get the hint that she has had enough — and it’s time for them to go. And the song is paired with a towering and jagged soundscape of swirling and buzzing guitar chords, and thundering drumming that reminds me of The Jesus and Mary Chain — but much more anthemic. And while listening to the song I guarantee you that you’ll be familiar with the sentiment from both ends.

With the 2010 release of a lo-fi folk project, Talking Machine, North Carolina-based multi-instrumentalist and singer/songwriter Stephen Warwick first caught local attention as the album landed on Shuffle Magazine‘s top 10 list that year. By 2013, Warwick sought out a new musical outlet and when he went into the studio to write and record material, he enlisted friends to join him, including The New Familiars’ Justin Fedor, with whom Warwick set out on tour as Ancient Cities, a project that derives its name from a childhood dream. After recruiting a rotating cast of musicians including Justin Faircloth (organ, synth) and Matt Curl (drums), the band has spent time touring up and down the East Coast while working on their sophomore effort Supermoon Blackout which will drop tomorrow.

With the release of the album’s latest single “Marmalade,” the band has expanded upon the sound that has first caught the attention of the blogosphere — while sounding as though it were inspired by The Black Keys as the members of Ancient Cities pair layers of buzzing guitars, propulsive rhythms, an anthemic hook that you hear a packed house yelling along and a swaggering self-assuredness that gives the song a larger-than-life feel.







Over the past 18-24 months or so, New York-based electro pop duo Sofi Tukker have become blogosphere darlings while becoming JOVM mainstay artists. Comprised of Sophie Hawley-Weld and Tucker Halpern, the duo can trace their origins to when the duo were students at Brown University . Meeting and a local art galley, the duo began writing music around their shared desire of crafting accessible, pop-leaning world music that could reach a wide audience. And much like a number of artists across the country, the duo upon their graduation relocated to New York, where over the next year they began working on material — including the material that would wind up comprising their soon-to-be released EP Soft Animals, which is slated for a July 8 release. 

Earlier this month, I wrote about “Deja Vu Affrair,” a single that drew from 80s s New Order and house music as angular guitar chords played through gentle washes of reverb and delay are paired with four-on-the-floor drum programming, cascading layers of wobbling synths and Hawley-Weld’s sensual cooing. The EP’s latest single “Awoo” is a mischievous collaboration with vocalist Betta Lemme that pairs propulsive and tribal drum samples with samba-styled keys. Lemme and Hawley-Weld’s contribute sultry vocals and gleeful, child-like shouting — as though they were losing their minds to the song in the club.

Sofi Tukker is embarking on a lengthy series of tour dates — some opening for M83 and a number of headlining shows, including a hometown set at Baby’s All Right  at the end of July. Catch them at a music venue near you.

Tour Dates:

Supporting M83*

July 1 – London, UK @ British Summer Time @ Hyde Park (w/ Massive Attack) (TICKETS)

July 1 – London, UK @ White Heat at The Lexington (TICKETS)

July 2 – PITCH Festival Amsterdam (TICKETS)

July 6 – Cesme, Turkey @ Burn Electronica Festival (TICKETS)

July 7 – Milan, Italy @ Festival Moderno (w/ Grimes & Blood Orange) (TICKETS)

July 9 – Zamardi, Hungary @ Balaton Sound Festival (TICKETS)

July 15 – Salacgriva, Latvia @ Positivus Festival (TICKETS)

July 17 – One Love Festival Istanbul (TICKETS)

July 20 – Portland, ME @ State Theatre (w/ Chairlift) (TICKETS)*

July 21 – Boston, MA @ Blue Hills Bank Pavilion (w/ Chairlift) (TICKETS)

July 25 – St. Louis, MO @ The Pageant (TICKETS)*

July 27 – Council Bluffs, IA @ Stir Cove (TICKETS)*

July 28 – Chicago, IL @ The Vic Theatre* (SOLD OUT)

July 30 – Brooklyn, NY @ Baby’s All Right (TICKETS)

August 19 – San Francisco, CA @ Popscene at Rickshaw Stop (TICKETS)

August 20 – Los Angeles, CA @ Pershing Square (w/ Todd Rundgren) (FREE SHOW)

If you’ve been been frequenting this site over the course of the last several years, you’d be extremely familiar with JOVM mainstay Rhythm Scholar. And over the years, the wildly prolific New York-based DJ, producer and remixer has developed a reputation for a continuing series of genre-mashing remixes packed with both obscure and recognizable samples in a way that’s reminiscent of Paul’s Boutique-era Beastie Boys. Last year, Rhythm Scholar released an incredible Girl Talk-like mashup of Herbie Hancocks “Rockit” and Michael Jacksons “Bad,” that the producer, DJ and remixer has dubbed “Bad Rockit” and sonically the mashup possessed a club-banging, retro-futuristic feel with a larger-than-life, I’m going to kick ass, take names and kick more ass-like swagger.

This year, Rhythm Scholar returns to his signature genre-mashing remixes — this time with a shimmering and dance floor-friendly remix of Tears For Fears‘ mega-hit “Everybody Wants to Rule the World” that also meshes “Mother’s Milk” “Memories Fade” and “Mad World” with an additional bit of funk from Locksmith while retaining elements of their beloved sound.




New Video: JOVM Mainstays, The Coathangers Return with 60s Girl Group Inspired Visuals and Sounds for New Single “Down Down”

“Down Down” Nosebleed Weekend’s latest single will further cement the band’s reputation for crafting incredibly catchy hook in a song that possesses an obvious studio sheen — but without removing the scuzzy and primal feel of the album’s previously released material; in fact, “Down Down” possesses a mosh pit-ready feel while pairing it with a 60s girl group-leaning harmonies and layers of distorted and towering guitar chords.

Directed by Matt Odom, the recently released music video for “Down Down” interestingly enough draws from old footage and videos of 60s girls groups playing on American Bandstand, The Ed Sullivan Show and others complete with the members of the band singing and playing in front of psychedelic and art school projects — but with a clean, hyper-modern feel.

New Single: Check Out the Slinky, Seductive and Soulful Electro Pop Sounds of Michigan’s Daniel Wilson

  Up-and-coming, 24 year-old, Michigan-based singer/songwriter and producer Daniel Wilson much like a number of pop artists grew up in a gospel music-loving home. Feeling inspired to create by using file-sharing programs, the Michigan-based Wilson […]

Initially known for his work in the Frail, Danny Lannon’s latest project Vacances can trace their origins when Lannon had begun writing material for The Frail and quickly realized that the material didn’t quite fit. Lannon began collaborating with Allen Davis on some additional material and then decided that to relocate from San Francisco to New York — and when Lannon arrived in Brooklyn, he connected with Nic Gonzalez (guitar), who was a member of The Restless Hearts; Dan Bindschedler (bass), who played in Robin Bacior; and Chris Heinz, who was member of renowned New York-based act Walking Shapes. Building on the buzz of their debut show at Bowery Ballroom earlier this year, the new quartet released a single “Runaway,” earlier this year and announced the forthcoming release of an EP this summer.

“Only You,” the quartet’s latest single pairs Lannon’s urgent and plaintive vocals with surfer rock-inspired guitar chords, propulsive drumming and percussion, layers of harmony, undulating synths and an anthemic hook and while meshing 80s-inspired New Wave with surfer rock in a similar fashion to Painted Palms and also drawing from 80s  U2. Sonically and lyrically speaking, it’s the sort of upbeat and earnest song that you can dance to — while making a large, dramatic gesture towards a lover; however, the song to me possesses a bittersweet undertone, as on a certain level there’s a sense of the narrator reaching for something and someone he can’t possibly have again.




Perhaps best known as the keyboardist and guitarist of Twin Cabins, Los Angeles, CA-based multi-instrumentalist Drew Straus’s solo recording project Onsen recently released his full-length debut Earthquake Weather through Cosmic Dreamer Music. Straus’ solo project and debut effort was inspired by a major career change in which he went went from international police to music, a re-examination of sexuality and a relocation to another city — and as a result, the material captures an artist and a life in transition.

Straus’ latest single “My Own Advice” pairs shimmering and angular guitar chords, propulsive drumming and shimmering and ethereally atmospheric synths ad Straus’ plaintive falsetto in a song that Straus explains to the folks at Culture Collide is about “the end of first love. Written to myself from the perspective of the one I lost.” And as a result, the song possess a wistful “if I had known now what I had known then” vibe while the narrator also recognizes that the experience, despite the heartache, taught him something profound that he’ll take it on to his next relationship.