“Sit Down,” de la Torre’s latest single is arguably the boldest, feistiest and most in-your-face song she’s released to date — while being a fresh take on the sound that won her international attention. Comprised of a production that features wobbling and stuttering synths, tweeter and woofer rocking boom bap beats paired with de la Torre’s sultry and swaggering, self-assured vocals the song sound as though it draws from M.I.A.’s incredible work, contemporary electro pop and hip-hop. The recently released music video manages to visually draw from M.I.A.’s work while subtly poking fun at fashion shoots and commercials.
Now, if you’ve been frequenting this site over the past couple of years in particular, you’ve likely come across several posts about Paris, France-based psych punk/krautrock/global music act La Femme. Comprised of founding members Marlon Magnée (keyboards), Sacha […]
“Chiba Night,” Gold Panda’s latest single sounds as though it owes a major sonic debt to classic, Larry Levan-era house, The Chemical Brothers’ “Star Guitar”and Kraftwerk as the song is comprised of twinkling and cascading synths paired with thick, choppy keyboard chords, swirling electronics and skittering yet propulsive drum programming before quickly fading out.
Directed by Dan Tombs, the recently released music video for “Chiba Night” is a trippy and kaleidoscopic travelogue of Japan featuring footage shot in Tokyo and the surrounding areas of Chiba and Minowa.
With the release of “Contagious” Finnish trio Beverly Girl have started to receive a bit of attention internationally for an electro pop/funk/R&B/freestyle sound that immediately channels nostalgic memories of the 80s — while simultaneously comparing quite favorably to a number of contemporary artists including Rush Midnight, St. Lucia, Dam-Funk and others but incredibly club friendly. Or simply put, a sleek production consisting of sinuous bass lines, shimmering cascades of synths and propulsive boom-bap drums are paired with sultry vocals and a ridiculously infectious hook
Introflirt’s latest single “Orange Light” has them pairing undulating and cascading layers of synths and propulsive drum programming with Benjamin’s crooning and sonically, the song sounds indebted to 80s synth pop — in particular, Depeche Mode, The Human League and New Order but with a modern production sheen. And much like their previously released singles, the duo’s material thematically speaking the song focuses on the fractured psyche of its narrator, a narrator, who seems plagued by an overwhelming sensation of disappointment and frustration, repressed feelings and desires finally bursting out at an inopportune time.
Over the course of three full-length albums and their latest EP Companion, Montreal-based electronic act BRAIDS have developed a reputation for restless experimentation, which has resulted in each of their recorded efforts sounding different from each […]
Comprised of Kimmie Queen (vocals), Cody Wyoming (guitar/vocals), Michelle Bacon (bass/vocals), Steve Gardels (drums), Rod Peal (guitar), and Josh Mobley (keys), Kansas City, MO-based sextet The Philistines formed back in 2013, and since their formation they’ve developed a reputation for a sound that draws from classic stoner rock and psych rock — as the sextet pairs enormous, buzzing power chords, a driving motorik groove, thundering drumming, and an expansive song structure as you’ll hear on “A Twitch of The Death Nerve,” the first single off the sextet’s full-length debut The Backbone of Night, which was released through The Record Machine Records earlier this week.
The band recently performed and shot The Backbone of Night’s lead single at Kansas City’s KCPT’s Studio A — and it was simulcast on The Bridge, 90.9FM. Check out the live footage, folks.
This year may arguably be one of the biggest years to date for Oh, Pep! as their much-anticipated full-length debut Stadium Cake is slated for release next month through Dualtone Records. Recorded and produced by renowned Canadian producer Daniel Ledwell in Echo Lake, Nova Scotia last August, the album reportedly has the duo expanding upon the songwriting approach and sound that first won them national and international attention — namely the duo’s ability to subtly mesh lightness and darkness within their material. The album’s first single “Doctor Doctor” has the band pairing stuttering cascades of synths, propulsive boom bap drums with Hally and Emmerich’s ethereal and sultry vocals singing lyrics focusing on a narrator that is not only suffering through self-doubt and indecision but someone who from their own foolishness has found themselves forced to make one of the most difficult life-altering decisions of their entire life — in the case of the video, the song’s narrator discovers that she’s pregnant. And her decision not only impacts her life but the life of her partner — although to be fair, the bulk of impact will be on her. Of course the video reflects the palpable sense of tension within the song as you’ll see the fear and uncertainty on the faces of both of the video’s central pair.
Comprised of its frontmen Manchester, UK-born and Paris-based David Shaw and Paris-born and based Dombrance, along with Guilluame Rosel (percussion) and Victor Paillet (bass), the Paris-based electronic music collective DBFC emerged onto the French electronic music scene with the release […]
Homeboy Sandman’s latest single “Nonbelievers” which pairs the Boy Sand’s ridiculously playful rhyme schemes with a hip-hop golden age-leaning production consisting of a looped, slinky guitar line and a propulsive rhythm section of stuttering drum programming and a rolling and swaying bass line. But just underneath the surface is an equally playful sensuality as the New York emcee talks about being in love with what may be one of the more interesting women in the entire world.
The recently released music video for “Nonbelievers” plays with some of themes and motifs of Pam Grier’s most beloved Blaxploitation films while subtly suggesting that the entire time the New York-based emcee was having an extremely vivid dream — or maybe not.