Category: post-punk

Comprised of Stephanie Chan (vocals, guitar), a former member of Finally Punk and The Carrots; Kate Hall (drums), formerly of Mika Miko; Mark Greshowak (guitar, synths), formerly of Talbot Tagora; and Dave Reichardt (guitar, bass, synths), Los Angeles, CA-based post-punk quartet Dunes features members of some of Southern California’s most renowned, defunct punk bands.

The Los Angeles, CA-based quartet’s forthcoming sophomore effort Bitter Charm is slated for a March 12 release and the album, which was produced by Alex DeGroot, best known for his work with Zola Jesus has the band expanding upon their sound while being deeply informed by personal experiences — including Greshowak’s near fatal bike accident, which occurred the same day that they were slated to play with No Age at the Eagle Rock Center for Performing Arts. As Greshowak explains in press notes, the album in some way represents “the process of coming to terms with all transitions in life, voluntarily or involuntarily.”

 

The album’s latest single “Runner” pairs shimmering guitars played through gentle amount of reverb, a driving and propulsive rhythm with ethereal vocals to craft a melancholy and wistful song that sounds as though it could have been released during 4AD Records heyday.

 

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Although little is known about the Kent, WA-based trio So Pitted, the trio have started to receive attention for a sludgy and abrasive sound that some critics have compared favorably to Nirvana, Metz, Pere Ubu and others. “feed me,” the latest single off the band’s forthcoming album neo will further cement their burgeoning reputation as the band pairs sludgy and acidic guitar chords, layers upon layers of feedback, thundering and propulsive drumming, industrial clang and clatter and distorted vocals in a song that sounds as though it drew influence from Ministry.

The band will be on tour throughout January and February to build up buzz for the album. Check out the tour dates below.

Tour Dates
Jan. 09 – Boston – The Sinclair *
Jan. 11 – Washington, D.C. – Rock & Roll Hotel *
Jan. 12 – Philadelphia, PA – First Unitarian Church *
Mar. 04 – Paris, FR – Mecanique Ondulatoire
Mar. 05 – Amsterdam, NL – Butcher’s Tears
Mar. 07 – London, UK – The Shacklewell Arms
Mar. 08 – Leeds, UK – Brudenell Games Room
Mar. 10 – Lille, UK – La Peniche
Mar. 11 -Brussells, BE – Homepluged
Mar. 12 – Berlin, DE – West Germany
Mar. 15 – Austin, TX – SXSW
Mar. 16 – Austin, TX – SXSW
Mar. 17 – Austin, TX – SXSW
Mar. 18 – Austin, TX – SXSW
Mar. 19 – Austin, TX – SXSW
Mar. 20 – Austin, TX – SXSW
* w/ METZ + Bully

Typically, the majority of most Americans — hell,  most Westerners, really — are largely unfamiliar with music scenes and artists outside of the usual bastions of popular music — i.e., the US. the UK, Australia, France, Germany, Sweden, Iceland and maybe a few outside of that sphere, such as Nigeria, South Africa, Mali and a few others. Now, if you’ve been frequenting JOVM over the past couple of years, there has been a increasing focus on presenting and covering artists from diverse backgrounds from all over the globe. And interestingly enough, one of those acts has been the Istanbul, Turkey-based indie rock/dream pop quartet The Away Days. Inspired by The Cure, Tame Impala and others, the quartet have developed a reputation in their homeland as being among the forefront of a Western-inspired indie rock scene. Their How Did It Start? EP was released to critical praise internationally from the likes of Seattle‘s renowned indie radio station KEXP, The Guardian, SPIN Magazine, Noisey, and the blogosphere. And with a growing international profile, the quartet went on a tour of the UK and made an appearance at SXSW.

It’s been close to 18 months since I’ve last written about them but in that time, they’ve been working on the material, which would eventually comprise their long-awaited and forthcoming full-length debut, slated for release sometime next year. The yet unnamed debut’s first single “Less Is More” is a lush and atmospheric song that features plaintive vocals paired with four-on-the-floor drumming, shimmering guitar chords, brief bursts of cascading synths, a sinuous bass line and soaring, anthemic hooks that sounds indebted to 80s New Wave and post-punk.

2016 looks to be a big year for the Turkish quartet as the band has been confirmed to make a return appearance at SXSW in March and will be announcing additional tour dates to support their debut. Hopefully, there will be a New York tour date or two!

 

 

 

 

 

Much ink has been spilled on the London-based quartet The Psychedelic Furs of the course of their almost 40 year recording career. And if you were a child of the 80s as I was, the band will likely hold a dear place in your heard — especially if you loved Pretty in Pink. “Love My Way” is one my favorite Psychedelic Furs songs — and interestingly, Grace Vonderkuhn, a Wilmington, DE-based singer/songwriter and guitarist, developing a reputation for a sound that meshes psych rock, garage rock and pop recently covered “Love My Way.”

Vonderkuhn’s cover retains the song’s familiar melody and anthemic hooks but slows the song’s tempo down to a slow-burning, trippy shuffle consisting of layers of feedback, blistering guitar work and thundering drum, turning the song into a broodingly bluesy wail.

New Audio: Introducing London’s We Are Z, and Their Anthemic, New Single “Knucklehead”

Comprised of Marc “Archie” Arciero (bass, keyboards), Gabriel Cazes (vocals, keyboards and drums) and Clement Leguidcoq (keyboards, percussion and backing vocals), the London-based trio We Are Z formed in 2012, and since their formation they’ve developed […]