Although Johan Angergård may be best known as a member of renowned Swedish electro pop acts Djustin, Club 8 and Acid House Kings, and the head of Stockholm, Sweden-based electro pop label Labrador Records, he’s also had an accomplished solo career, releasing several albums as The Legends — including 2009’s noise pop-leaning self-titled effort and 2015’s It’s Love, which featured lead single “Keep Him.” Now, if you’ve been frequenting this site for some time, you may recall that last year wound up being a rather prolific and busy year for Angergård as Djustin and Club 8 released long-awaited albums, and he released two original singles as The Legends, “Cocaine” feat. Maria Usbeck, “Summer In The City (Living Is For Somebody Else)” and a cover of The Chainsmokers smash-hit “Roses” feat. Rozes — and interestingly those three tracks wound up reflecting a change in sonic direction for him, as he developed a decidedly swaggering, neon-colored, retro-futuristic sound that nods at early 80s Giorgio Moroder, Computerworld-era Kraftwerk, early house and Holy Ghost!’s Crime Cutz as heavily vocoder-processed vocals are paired with tweeter and woofer rocking 808s, processed cowbell and layers of arpeggio synths as you would have heard on the cocksure “Cash” off his soon-to-be released The Legends album Nightshift.
Nightshift‘s latest single “In Love With Myself” features guest vocals from Elin Berlin and while continuing with the swaggering, cocksure vibe of its preceding singles while arguably being the most straightforward, dance floor friendly song off the album, as Berlin and Angergård’s breathily cooed vocals float over a slick, retro-futuristic production consisting of shimmering synths, stuttering drum programming, and boom bap beats. In some way, the song sounds as though it were subtly modern take on the boom box rocking sound of the 80s.