Over the past couple of years, I’ve written quite a bit about the Brampton, ON-born, Toronto, ON-based DJ, violinist, singer/songwriter, sync pop artist and JOVM mainstay Maya Killtron, and as you may recall Killtron first came to attention both nationally and Stateside with the 2012 release of her debut EP Hipster/Gangsta. As a result of the surrounding buzz around her debut EP, Killtron made the rounds across the North American festival circuit with appearances at Miami’s Winter Music Conference, Pride Toronto, The Halifax Jazz Festival and CMJ. Adding to a growing profile, her collaboration with NYC-based production duo Love Taps “Back For More” received attention from the likes of Stereogum and Huffington Post for a sound that meshed moomba and R&B – and for visuals that showcased a sadly bygone NYC. Additionally, Smalltown DJs, The Slow Waves, Eyes Everywhere, Brothers In Arms and City Kid Soul have all have remixed “Back For More” — with the City Kid Soul remix being named in the Top 5 at Toronto’s Bestival.
Killtron’s latest single “Satin Sheets” will further cement her reputation for crafting thumping, 80s synth pop/synth funk and 90s dance music-inspired tracks — and while rooted in a sweet nostalgia for slow dances at the school dance, for creating mixtapes of your favorite jams straight from the radio or for that new sweetheart of yours. Sonically speaking her material immediately brings to mind the likes of (the oft-mentioned on this site), Cherelle, I Feel for You-era Chaka Khan, Lisa Lisa and the Cult Jam, early Mariah Carey and so on, with a similar swaggering self-assuredness and an underlying heartbreaking angst — but bolstered by an incredibly slick modern production that’s both radio friendly and club friendly. As Killtron says of her latest single “Satin Sheets,” “With this track I wanted to take it back to my hometown high school summers. Picture it: Brampton 1999, Cruisin’ along Queen St. on the 1A to Bramalea City Center, summer crushes at the Professor’s lake beach, tryin to catch the eye of the L-section babes for a slow jam at Rec dances, between pizza roll breaks, & bright summer afternoons crushing banquet burgers with the whole squad at Sunny’s. This song is high school Maya, the stacked vocal harmonies, the 90’s bass, the Brampton top down beat. As with all of the Never Dance Alone (my forthcoming Album) tracks, it’s the music I always wanted to make. Not just a nod or throwback, not disposable or following any trend. Its a real gateway into my musical past in ever bar. Syrupy, rich & full of R&B high school angst.”