With the release of their debut single “Island of Promise,” the Budapest-based electronic music production and artist duo Belau — Peter Kedves and Buzas Krisztian — quickly exploded into their homeland’s scene for establishing a buoyant, summery and dance floor friendly sound that according to the band meant to evoke “cheerful places, filled with sunshine, where one can relax, unwind and find peace and harmony.” Since its release, “Island of Promise” landed at #1 on Deezer Hungary, one of the country’s largest string services, amassed over 500,000 streams, was featured in the HBO Hungary series Aranyélet, and in an international Pepsi ad campaign shown in 33 countries.
Belau’s full-length debut, 2016’s The Odyssey won a Hungarian Grammy for Best Electronic Music Album. The duo supported the album with an intense touring schedule — 120 shows in 19 countries with stops across the international festival circuit with sets at Eurosonic, Sziget, Reeperbahn, Untold, and SXSW. After The Odyssey, the JOVM mainstays released a series of remixes of The Odyssey tracks, which they followed up with their sophomore album, 2019’s Colourwave featured a number of singles I’ve written about, including:
- “Breath,” a sultry, dance floor friendly collaboration with Sophie Lindinger centered around glitchy beats and a sinuous yet anthemic hook
- The Massive Attack-like “Natural Pool.”
- “Rapture,” a collaboration with Blue Foundation‘s Kirstine Stubbe Teglbjærg centered around a trip hop-inspired production featuring shimming synth arpeggios, wobbling low end and Stubbe Teglbjærg’s sultry vocals.
- “Essence,” a collaboration with Sophie Barker that features Barker’s sultry vocals gliding over a shimmering production centered around looping, reverb-drenched guitar shimmering synths, skittering beats and an enormous hook that brought Third-era Portishead and Octo Octa to mind – but a with a brooding air.
Although the duo haven’t been able to tour as a result of the pandemic, they’ve been busy: earlier this year, they released “Luz,” a one-off single with Sexto Sentido that was decided sonic departure for the duo: the single reminded me quite a bit of fellow JOVM mainstays Ibeyi. Interestingly, as the duo explained in press notes, “’Luz’ is kind of a bridge to our future album; it’s a bit different from our earlier releases.,” the Budapest-based JOVM mainstays explain. “This single is a harmonic blend of traditional Afro-Cuban folk music and modern electronica, the lyrics in yoruba and spanish. This song is a spiritual journey for us, it will be the part of Colourwave DLX album with some remixes, reimagined versions and live sessions in April.”
For Colourwave DLX‘s latest single, the Budapest-based JOVM mainstays recruited Ohxalá to remix album single “Breath” with Sophie Lindinger. Interestingly, the Ohxalá remix meshes dub and house music by retaining Lindinger’s sultry vocals paired with a chopped up hook, skittering beats and shimmering synths,. Interestingly enough, the remix gives the song a subtle yet completely different feel: in this case, the Oxhalá remix possesses a bracing chilliness that reminds me quite a bit of Octo Octa’s Between Both Selves.
“‘Breath’ was one of the first single from the album and also one of our favourites. We had some nostalgic feelings about that era, for example the day when we got the final master, that was the first time when we ever met with Sophie,” the Budapest-based JOVM mainstays recall. “Fun fact it was in Texas, where we played at SXSW. After the success of the song, we thought it would be great to have an alternative version, and asked Ohxalá to make a remix. We love their style because they blend traditional folk music with modern electronica, and they made a unique song which also has a new mood.”