The acclaimed Toronto-based jazz-inspired act BADBADNOTGOOD — currently founding members Chester Hansen (bass), and Alexander Sowinski (drums) with Leland Whitty — have developed and honed a sound and compositional approach that draws from hip-hop, electronica, jazz, acid jazz and prog rock — and famously for jazz based interpretations of hip-hop tracks, which has allowed the acclaimed Canadian ensemble to collaborate with Kendrick Lamar, Tyler The Creator, Earl Sweatshirt, Denzel Curry, Danny Brown, Mick Jenkins, Ghostface Killah and others.
Interestingly, BADBADNOTGOOD can trace its origins to its founders — Hansen, Sowinski and Matt Tavares — bonded over a mutual love of MF Doom and Odd Future. As the story goes, the band played a composition based on Odd Future’s music for a panel of their jazz performance instructions, who unsurprisingly didn’t believe it had much musical value. Instead of listening to their instructors, the band released the composition as “The Odd Future Sessions, Part 1.” The track eventually caught the attention of Tyler the Creator, who helped the video go viral.
BADBADNOTGOOD followed up with their full-length debut, 2011’s BBNG, which featured interpretations of A Tribe Called Quest, Waka Flocka Flame and of course,. Odd Future. Building upon a growing profile, the members of BADBADNOTGOOD recorded a live jam session with Tyler The Creator in Sowinski’s basement, with videos from the session amassing more than a million views each.
The Toronto-based act’s sophomore album 2012’s BBNG2 was recorded over a course of a ten-hour studio session. Featuring guest spots from Leland Witty (saxophone) and Luan Phung (electric guitar), the album was a mix of their own original material, as well as renditions of songs by Kanye West, My Bloody Valentine, James Blake, Earl Sweatshirt and Feist. That year, the band was the official Coachella Festival house band, backing Frank Ocean and Odd Future over the course of its two weekends.
Their third album, 2013’s III featured “Hedron,” which was featured on the compilation album Late Night Tales: Bonobo. They also assisted with the production and composition of The Man with the Iron Fists soundtrack.
The band’s fourth album, 2015’s Sour Soul saw them collaborate with Ghostface Killah on what has been described as a hip-hop album that nodded at jazz. They ended the year with covers of a handful of holiday standards, including “Christmas Time Is Here” with Choir! Choir! Choir!
Leland Whitty joined the band as a full-time member in early 2016, and the band quickly went to work producing “Hoarse” off Earl Sweatshirt’s full-length debut Doris and “GUV’NOR,” a remix, which appeared on JJ DOOM’s Keys to the Kuffs (Butter Edition). Capping off a busy year, they released their fifth album, the somewhat ironically titled IV, which featured Future Islands’ Sam Herring, Colin Stetson, Kaytranada, Mick Jenkins and JOVM mainstay Charlotte Day Wilson. The album was also named BBC Radio 6’s #1 album of the year.
The Canadian outfit’s highly anticipated psych jazz album Talk Memory is slated for an October 8, 2021 release through XL Recordings. Composed in conjunction with legendary Brazilian composer Arthur Verocai, the album features features guest spots from Karriem Riggins, Laraaji, Terrace Martin, and a list of others. Perhaps more so than their previously released material, Talk Memory sees the acclaimed act actively capturing some of the focus, energy and improvisation which is at the heart of their live show.
For the band, a song is a living, breathing entity that naturally changes and evolved as it’s played in different settings. The album plays with that thinking. After years of relentless touring, the band paused and refreshed and looked at their history and experiences before starting out on the creative process for the new album. And as a result, a sense of reflection and renewed communication is at the heart of their new creative approach. Interestingly, that led to the album’s title. While their earliest material took place very quickly, the band took on a much more international approach: The album was written over a two year period, with the band expanding upon the album’s material in the studio rather than on the road.
Talk Memory‘s latest single “Beside April” is an expansive and breathtakingly gorgeous composition featuring a cinematic string arrangement, skittering syncopated drumming and a mind-bending and expressive guitar solo. The end result is a song that — to my ears — is one part indebted to Brazilian psych rockers and JOVM mainstays Boogarins, one part jazz fusion, one part shimmering film score.
Directed by Camille Summers-Valli, the accompanying visuals draw some inspiration from the first motion picture, Horse in Motion 1878. The video itself manages to be simultaneously surreal, trippy and gorgeously shot. Plus, there’s a majestic horse that’s really the star of the entire affair. “There was really special energy around this video,” Camille Summers-Valli says. “The band wanted to do something with horses and equestrians. That’s where this begun. Funnily enough, I am petrified of horses. But it felt like a good way to overcome my fears. Subconsciously through a process of reading, finding references and discussing with my team, I started to piece together the puzzle of what this video could be. We shot this in Georgia; where the casting was incredible. The horse also was wonderful. So strong and majestic, we just wanted to do this beautiful creature justice. The magic aligned, so many great hard working people pulled this video together.”