With the release of her first two critically applauded EPs I’ve Got a Friend Called Emily Farris and How to Carve a Carrot Into a Rose, Melbourne, Australia-based singer/songwriter and guitarist Courtney Barnett quickly received attention from the North American, British […]
Comprised Anna Haara Kristoferson (vocals, melodica), Joanna Curwood (guitar, vocals), Moa Papillon (guitar, vocals), Raissa Pardini (bass, vocals) and Ruth Nitkiewicz (drums), London, UK-based indie rock quintet Yassassin can trace their origins to the members of the band spent time in The History of Apple Pie and LUST, and with their first single “Social Politics,” the London-based quintet specialize in 90s alt rock inspired indie rock that sounds as though it draws from Sonic Youth, The Breeders and others as shimmering guitar chords are paired with a propulsive groove and shouted lyrics — but with a subtly political bent. As the the band notes within press notes that the song “ is about standing up to the bullies, both in personal life and in today’s society. It’s about not always fitting the norm but daring to go your own way. It’s about rebelling against the ‘zombie scene,’ which could be either a social clique where only certain people are accepted, or a society where racism is becoming more glaringly visible.” Based on how things are going, we need more songs and art that encourage people to be individuals and to go their own away.
Comprised of Kim Talon, who’s perhaps best known for playing with Deerhoof, Jawbreaker’s Blake Schwarzenbach and Sia, and Sonic Youth’s Lee Ranaldo and Steve Shelley, post-punk/indie rock trio Kino Kimino recently released their full-length debut album Bait Is For Sissies to critical praise from the likes of Pitchfork and FADER. Continuing on the buzz the trio have received off their full-length debut, they recently collaborated with former Ben Harper’s Relentless7 member Jordan Richardson, a.k.a. Son of Stan to cover Sophie B. Hawkins “Damn, I Wish I Was Your Lover,”a song that was a major hit back in 1992 — and if you were alive and coherent back then, you’d probably remember that Z100 used to play the song at least 3 times an hour. Anyway, the key take away here is that the song is incredibly sexy and the Kino Kimino and Son of Stan cover manages to retain some of that sexiness while turning the song into a subtly propulsive synth pop song and in some strange way, it strikes as what the song would sound if Tears for Fears had covered it.
With the release of their debut effort Dreaming, the Brooklyn-based trio Graveyard Lovers — comprised of Zach Reynolds (vocals, guitar), Tricia Purvis (drums) and Joel Reynolds (bass, guitar) — quickly received national attention for a sound that was compared favorably to the likes of Pixies, Sonic Youth and others. Building upon the buzz of their debut, the band’s music has been heard in a variety of movies and TV series including Showtime’s Shameless — and they’ll be releasing their album Past The Forest Of The Fruitless Thoughts in two parts, with part one in June and part two slated for release later this year. Part one’s first single “Told A Lie” will further cement the Brooklyn trio’s growing reputation for crafting 90s alt rock-inspired indie rock as the band pairs layers of jangling and buzzing guitars, throbbing bass lines and plaintive vocals with incredibly anthemic hooks — but with some electronics towards the bridge to add a subtly modern touch to a familiar and winning formula.
The band will be playing a Thursday night residency at Piano’s in the Lower East Side with one of the shows celebrating the release of “Told A Lie.”
Singer/songwriter and multi-instrumentalist Sofia Härdig is part of a growing list of Swedish artists, who have received both regional and international attention; in fact, in her native Sweden, Härdig is considered “the rocktronica queen of experimental music.” And as a result, Härdig has collaborated with the likes of Grammy Award-winning acts The Hellacopters and Bob Hund, Boredoms and Free Kitten‘s Yoshimi P-We — and she has shared stages with Lydia Lunch and Belle and Sebastian‘s Stevie Jackson.
Härdig’s forthcoming two-part EP The Street Light Leads to the Sea was recorded in three days with handpicked musicians, specifically known for their improvisational skills and although the musicians had a rough sketch of songs, each musician was encouraged to improvise as they felt fit. As the Swedish singer/songwriter and multi-instrumentalist explains in press notes “I find beauty in flaws and that which is not perfect is what excites me, I love the unusual, the unexpected, untrained and unplanned . . . ” Interestingly, the EP’s first single “Streets” possesses an urgent and raw grittiness as slashing guitar chords, squalls of feedback, a throbbing bass line and propulsive drumming are paired with anthemic hooks and Härdig’s sultry vocals to craft a song that sounds as thought it draws from Sonic Youth and Stories from the City, Stories from the Sea-era PJ Harvey — in particular, the song reminds me of a grittier, swaggering version of “Good Fortune.”
Last November, I wrote about indie rock project Ulrika Spacek. Comprised of long-time friends Rhys Edwards and Rhys Williams, the duo conceptualized the project during a single night in Berlin based around their mutual influences —Television, Pavement, Sonic […]
Featuring former and current members of Grotto, The Hidden Chord, Rolling Blackouts (they have to win a best band name of the year award, right?), Bombay Sweets, Zoo Animal and Ghostmouth, punk quartet Ripper comprised of Jeff Brown (drums), Sean Chaucer Levine (guitar), Danny Holden (vocals, guitar) and Noah Paster (bass, vocals) joined forces to write and play 2-3 minute punk rock songs influenced by Dead Kennedys, The Germs, Sonic Youth and The Beach Boys with a furious, breakneck abandon.
The quartet’s second EP A.D. is slated for a December 4 release through Land Ski Records and Lawn Chair Records, and the EP’s latest single. which I have the pleasure of premiering, “Chain Fight” clocks in at a furious and breakneck 65 seconds of blistering guitar chords, layers upon layers of feedback, thundering drums and shouted lyrics. Listening to the track should make you want to jump into a mosh pit and stomp out.
Long-time friends Rhys Edwards and Rhys Williams conceptualized their current band, Ulrika Spacek during a single night in Berlin, a project that would be influenced by Television, Pavement, Sonic Youth and krautrock. Upon their return to their house KEN, a former art gallery in Homerton, the duo of Edwards and Williams began working on the material, which would eventually comprise their forthcoming full-length debut, The Album Paranoia slated for a February 5, 2016 release through Lefse Records and Tough Love Records. Three expert musicians were recruited to flesh out the project’s live sound and to complete their live show, which combined art installations with music.
The Album Paranoia’s first single “She’s A Cult” consists of angular and chugging guitar chords played with a gentle amount of reverb, a tight rhythm section comprised of a propulsive drum beat and a throbbing bass line paired with soaring and anthemic hooks and ethereal vocals that float over an overall grungy mix. Although incredibly contemporary, the song sounds as though it could have been released during the 120 Minutes-era of MTV.
Dolores Haze is a Stockholm, Sweden-based lo-fi, punk quartet that has received quite a bit of attention across their native Sweden and internationally for a sound that Stereogum, The Line of Best Fit, Noisey and […]
If you’ve been frequenting JOVM over the past couple of years, you may be familiar with the Jersey City, NJ-based trio Overlake. Comprised of founding members Tom Barrett (vocals, guitar) and Lysa Opfer (vocals, bass) and Nick D’Amore (drums), the trio can trace their origins to when Overlake’s founding duo Barrett and Opfer were in a previous band, and the duo began bonding over a mutual love of shoegaze and 80s and 90s alt rock. As Opfer recalled in press notes, her and Barrett would often stay late after practices normally with Opfer on a Rhodes piano and Barrett on drums, jamming and creating songs that were largely influenced by My Bloody Valentine, Pavement and Sonic Youth. And about a year after those jam sessions, the band started working on the material that would become their debut full-length, Sighs which Killing Horse Records released last year.
Initially, the band started as a duo but they recently recruited local drummer, Nick D’Amore to help flesh out the band’s sound. Since the release of their debut effort Sighs, the newly constituted trio have worked on a 7 inch, “Travelogue”/”Winter Is Why,” which officially drops today.
The 7 inch’s A side single “Travelogue” is a breezy refinement of the sound that first captured my attention as its comprised of shimmering reverb-y guitar chords, propulsive drumming, ethereal boy-girl harmonies and an anthemic hook that makes the song sound as though it draws influence from the pioneers of shoegaze, RIDE. The trio will be embarking on a tour through November and more extensively through 2016, as they put the finishing touches for their much-anticipated sophomore effort slated for a release late in 2016. Check out tour dates below.
FALL TOUR DATES
11/1 – Brooklyn NY – The Grand Victory w/ Sink Tapes, Superpony
11/2 – Bethlehem PA – The Funhouse
11/3 – Raleigh NC – Slim’s w/ Make Light, Michael Venutolo-Mantovani
11/4 – Athens GA – Flicker Theatre & Bar w/ Sound of Ceres, Spaceflyte
11/5 – Nashville TN – Springwater Supper Club w/ Nightblonde
11/6 – Memphis TN – Murphy’s w/ Jack Alberson, Matthew Trisler
11/7 – Kansas City MO – Record Bar w/ Birth Defects, Wet Ones
11/8 – Lincoln NE – Duffy’s w/ Powers, Gordon
11/9 – Des Moines IA – Lefty’s w/ Men in Lead Masks & Special Guest
11/11 – Columbus OH – Broken Records & Beehives In-Store
11/11 – Columbus OH – King Avenue 5 w/ Tethers
11/12 – Philadelphia PA – The Fire w/ Teeel
11/13 – Asbury Park NJ – Asbury Park Yacht Club w/ Dead Stars, Seaside Caves