Tag: Tony Joe White

Video by William Ruben Helms

New Video: Follow Rising British Singer-Songwriter Jack Broadbent Across Route 66 in Visuals for “If”

Jack Broadbent is a rapidly rising Lincolnshire, UK-born singer/songwriter, guitarist and producer. Influenced by a diverse array of influences, including Radiohead, Robert Johnson, Joni Mitchell and Davey Graham among others, Broadbent has cited that listening and learning from such a wide array of artists has helped him create a unique style and sound that frequently features and meshes elements from a different genres and styles. Interestingly, over the past few years, the Lincolnshire-born, has been hailed as “the new master of the slide guitar” by the Montreux Jazz Festival and “the real thang” by Bootsy Collins. 

Broadbent has opened for Lynyrd Skynyrd, Johnny Hallyday, Robben Ford and Tony Joe White — and he’s headlined sold-out shows across the world. And building upon a growing profile, the Lincolnshire-born singer/songwriter, guitarist and producer has amassed over 110,000 monthly listeners and over 10 million Spotify streams. Last year’s Bruce Cameron and Broadbent co-produced full-length album Moonshine Blue was released to widespread critical praise. And since the release of the album, the rapidly rising British has been busy on an extensive headlining tour, including opening for Peter Frampton during his upcoming farewell tour in the UK. 

But in the meantime, “If,” Moonshine Blue’s latest single further establishes his critically applauded sound — a warm, radio friendly country-tinged New Orleans-like blues with a soulful and shimmering solo that seems like a synthesis of old-timey blues, Eric Clapton and Dr. John. And while being a perfect road trip jam, the song describes a restless character, who’s out on the road searching for something — primarily himself. 

The recently released video for “If” follow Broadbent was he travels across the States on the historic Route 66. And as he goes from coast to coast, we see the rising British singer/songwriter stopping in a number of locations both big and small, new and worn; but interestingly enough, the video captures the British singer/songwriter observing the country with the awe, joy and bemusement. 

Single Review by William Ruben Helms

Jack Broadbent is a British singer/songwriter, guitarist and producer whose work has largely been inspired by a diverse array of influences including Radiohead, Robert Johnson, Joni Mitchell and Davey Graham among others. Broadbent has cited that listening and learning from such a wide array of artists helped him to create a unique style and sound, which also meshes elements from different genres and styles.

Over the past handful of years, the British singer/songwriter, guitarist and producer has built up a national and international profile: hailed as “the new master of the slide guitar” by the Montreux Jazz Festival and “the real thang” by Bootsy Collins, Broadbent has opened for the likes of Lynyrd Skynyrd, Johnny Hallyday, Robben Ford and Tony Joe White. He’s also headlined sold out shows across the world.

Written and produced by Broadbent, alongside Bruce Cameron, “Wishing Well” is the first bit of new material from the British singer/songwriter, guitarist and producer in over 3 years — and interestingly enough, it’s the first official single off Moonshine Blue, his forthcoming album slated for a November 15, 2019 release.  Drawing from folk and Mississippi Delta blues, “Wishing Well” is centered by shuffling acoustic guitar and drumming, Broadbent’s bluesy vocal delivery, an infectious hook and a blistering, boozy solo — but what makes the song interesting to me is that Broadbent does this in a soulful fashion, avoiding mimicry and cliched homage.

 

 

 

 

 

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Video by William Ruben Helms

New Video: Ruby Boots Returns with a Coquettish and Stomping New Single

Throughout the past couple of years, I’ve written a bit about the Perth, Australia-born, Nashville, TN-based singer/songwriter and guitarist, Bex Chilcott, and as you may recall, Chilcott has led the sort of life that could have easily inspired a dozen or so country albums. At 14, the Perth-born, Nashville-based singer/songwriter left a deeply dysfunctional home and eventually worked her way up the desolate, Western Australian coast, before ending up in Broome, a culturally diverse and ramshackle, tiny dot of a town on the map, where reportedly it doesn’t pay to ask people too many questions about their pasts — or why they ended up there of all places, And while in Broome, Chilcott worked for weeks at at time on a pearling trawler, where she worked with incredibly hardened men, doing backbreaking, exhaustingly hard labor, and alcohol was prohibited. Her time on the sea doing backbreaking work with the men she was surrounded by was quite profound, and in her free time, the Perth-born, Nashville-based singer/songwriter spent her free hours contemplating life and teaching herself guitar and songwriting, which eventually lead to her singing her own original material. 

Returning from a self-imposed exile from civilization, Chilcott learned that people actually wanted to listen to her originals — and that was when she began to perform as Ruby Boots. Chilcott’s first two Ruby Boots efforts were critically praised for being bold, unafraid and unabashedly honest works centered around stories on tough and unlucky sorts, who see their lives and affairs of the heart as deathly serious matters. With the buzz surrounding her early work, the Perth-born, Nashville-based singer/songwriter and guitarist has shared stages with an impressive array of internationally acclaimed artists like Father John Misty, Shakey Graves, Justin Townes Earle, Shovels & Rope, Nikki Lane, Reverend Horton Heat, Tony Joe White, Kris Kristofferson and others. Building upon a growing profile, Chilcott’s 2015 Ruby Boots debut Solitude featured guest spots from The Waifs’ Vicki Thorn, along with some of Australia’s top alt-country talents, including Dewey Lane, Jordie Lane, Bill Chambers, The Sleepy Jackson‘s and Eskimo Joe‘s Lee Jones, who has been one of Chilcott’s frequent collaborators.

Chilcott’s Beau Bedford-produced Ruby Boots sophomore album Don’t Talk About It was released through Chicago, IL-based label Bloodshot Records earlier this year, and as you may recall, the album features the acclaimed Southern rock/Country and Western band The Texas Gentlemen, fronted by the album’s producer, as her backing band. Lyrically and thematically, the album follows the restlessly odyssey of a restless and somewhat aimless drifter, with tattered, beaten up and heavily stamped passport in hand, essentially capturing the life of a woman who’s been tossed about by the rough undertow, breakers and currents of life and its messiness but without losing hope, strength or her will to survive and thrive. Granted, just underneath the surface is a world weary acceptance that life will break your heart in countless ways — and when you think and feel that you can’t go on anymore, life will push and shove you forward, and towards where life needs you to be. 
Earlier this year, I wrote about Don’t Talk About It’s sparse, bare-knuckle, and unabashedly honest, a cappela “I Am A Woman,” a single centered around the raw ache and regret of someone, who has lived a full and messy life of shitty decisions frequently inspired by even shittier situations, dysfunctional and furiously passionate relationships with irresponsible lovers and with decent, honest ones, too. And yet, through the song there’s the quietly defiant resiliency and pride that from my experience I’ve only ever seen in women. As Chilcott explained in press notes, “‘I Am a Woman’ was conjured up amid recent events where men have spoken about, and treated women’s bodies, the way no man, or woman, should. This kind of treatment toward another human being makes every nerve in my body scream. These kinds of incidents are so ingrained in our culture and are swept under the carpet at every turn—it needs to change. As tempting as it was to just write an angry tirade I wanted to respond with integrity, so I sat with my feelings and this song emerged as a celebration of women and womanhood, of our strength and our vulnerability, all we encompass and our inner beauty, countering ignorance and vulgarity with honesty and pride and without being exclusionary to any man or woman. My hope is that we come together on this long drawn out journey. The song is the backbone to the album for me.”

“It’s So Cruel,” the latest single off Chilcott’s critically acclaimed sophomore album is a swaggering and gritty, power chord-based, honky tonk anthem and a coquettish love song, full of swaggering confidence in which its narrator essentially says throughout “look, you fucking dummy, i’m the best thing in your life and you need to recognize it — now!” Unsurprisingly, the recently released video produced and directly by Joshua Shoemaker features Chilcott as a guitar playing force of nature.  

Video by William Ruben Helms

Live Footage: Ruby Boots Performs “I Am A Woman”

Bex Chilcott is a Perth, Australia-born, Nashville, TN-based singer/songwriter and guitarist, who has led  the sort of life that could easily have inspired a dozen or or more country and western albums.  At 14, Chilcott left a dysfunctional and conflicted home and eventually worked her way up the desolate Western Australian coast, before she ended up in Broome, a ramshackle and culturally diverse, tiny dot on the map, where reportedly it didn’t pay to ask people too many questions about their pasts — or why they ended up there. While in Broome, Chilcott worked for weeks at a time on a pearling trawler, where she worked with incredibly hardened men, doing backbreaking, exhausting labor and alcohol was forbidden.  Naturally, the time on the seas, the backbreaking work and the men she worked with was profound and in her free time, the young Chilcott spent hours contemplating life and teaching herself guitar and songwriting — and then later, to eventually sing her own material. 

Returning from a self-imposed exile from civilization, Chilcott learned that people actually wanted to listen to her originals — and that was when she began to perform as Ruby Boots. 

Chilcott’s first two Ruby Boots EP received attention for bold, unafraid and unabashedly honest music that told tales of tough and unlucky souls, who see both their lives and affairs of the heart as deathly serious matters. And as a result, Chilcott has shared stages with the internationally acclaimed artists like Father John Misty, Shakey Graves, Justin Townes Earle, Shovels & Rope, Nikki Lane, Reverend Horton Heat, Tony Joe White, Kris Kristofferson and others. Adding to a growing profile, Chilcott released her full-length debut Solitude, an effort that was released back in 2015 and featured guest spots from The Waifs’ Vicki Thorn, along with some of Australia’s top alt-country talents, including Dewey Lane, Jordie Lane, Bill Chambers, The Sleepy Jackson‘s and Eskimo Joe‘s Lee Jones, who has been one of Chilcott’s frequent collaborators.

Chilcott’s long-awaited sophomore, full-length effort Don’t Talk About It was officially released through Chicago, IL-based label Bloodshot Records today, and the Beau Bedford-produced album features the acclaimed country and Southern rock band The Texas Gentlemen as her backing band. Lyrically and thematically, the album charts this drifter’s restless odyssey, tattered and beaten up passport in hand, capturing the life of someone who’s been tossed ashore by the breakers and currents of life, but hasn’t lost hope or her will; but with the recognition that life will break your heart more ways to count, and when you think you can’t go on much further, life pushes you forward anyway.

Don’t Talk About It’s latest single is the sparse, bare-knuckle, a capella “I Am A Woman,” and the single, which will further cement Chilcott’s growing reputation for crafting personal and unabashedly raw and honest songs, full of the ache and regret of a messy life featuring shitty decisions influenced by shittier situations, dysfunctional and furious relationships with irresponsible, dangerous lovers and good, decent ones. And throughout, there’s the quietly defiant and self-contained resiliency and pride that from my experience I’ve only seen in women.  Interestingly, in some way the song makes a subtle nod at Tammy Wynette’s “Stand By Your Man” spiritually and thematically — but clearly from a very modern sensibility. As Chilcott explains in press notes, “‘I Am a Woman’ was conjured up amid recent events where men have spoken about, and treated women’s bodies, the way no man, or woman, should. This kind of treatment toward another human being makes every nerve in my body scream. These kinds of incidents are so ingrained in our culture and are swept under the carpet at every turn—it needs to change. As tempting as it was to just write an angry tirade I wanted to respond with integrity, so I sat with my feelings and this song emerged as a celebration of women and womanhood, of our strength and our vulnerability, all we encompass and our inner beauty, countering ignorance and vulgarity with honesty and pride and without being exclusionary to any man or woman. My hope is that we come together on this long drawn out journey. The song is the backbone to the album for me.”

The live version features Chilcott with three of her Nashville songwriter friends contributing backing vocals — Philip Creamer, Nicole Atkins and Kashena Sampson and was shot in the lounge room/living room of Chilcott’s best friend Nikki Lane.