As I’ve mentioned in a couple of previous posts, I’ve been in Baltimore over the past couple of days visiting family — and as a result, my posting schedule has been at best sporadic. I’ve had a great time; had some great food. And I covered a show here. But I’ll be back to fairly regular posting within the next couple of days. . . .
Writing about new releases from all over the world has been at the heart of JOVM since I started it almost 12 years ago. I’ve long believed that there was a much-needed purpose and place for JOVM in the larger blogosphere — and because of that, I’ve managed to boldly continue forward through a number of various personal and socioeconomic events, including a pandemic.
It seems that there are several different COVID-19 variants and sub-variants out there. Out of an abundance of caution, I’ve been covering as many shows as I can and continuing with my life as much as I can while being as safe as I can: I’m still masking at indoors shows and I strongly suggest that you should do so too for just a bit longer. Many friends, colleagues and associates wound up contracting COVID while attending some of the year’s first festivals.
The best and safest thing you can do for everyone involved — bands, tour crew, venue staff and yourself — is to continue to wear masks. You’ll ensure that bands, who desperately need to tour to live, can actually work and live.
Because this site has long been a DIY labor of love, I’ve often felt that I’ve had an intimate and personal understanding of the emotional and financial plight of many of the artists I’ve covered throughout this site’s almost 12 year history. 12 years at anything is a long fucking time — especially in the blogosphere.
With such highly unusual circumstances, countless people — artists included — have been forced into deep reflection. In my line of work, I’ve had countless on-the-record and off-the-record conversations about being an artist and trying to make a living off your art. All of those conversations constantly remind of some very necessary facts:
- Art costs money to produce — and without money, it can’t exist because it can’t be produced.
- Artists are small businesses. So supporting an artist is supporting a small business.
- A small bit of support can go a long way. A $20, $30, $40, $50 or $60 purchase of someone’s work can often mean the purchase of groceries, paying their bills or even the confidence that they can continue with their art.
- Your individual $20, $50 or $60 purchase doesn’t really mean shit to Jeff Bezos, Amazon, Walmart or any of the other major conglomerates.
- Supporting a local artist/small business can keep money within your community. Caring about your community and ensuring that your hardworking neighbors can make and spend money within your neighborhood makes your neighborhood vital.
- Amazon and the other mega-conglomerates don’t give a fuck about your community or your neighbors.
- Lastly, you won’t be giving your money to companies that actively fuck over their neighbors, the environment or their employees. And that alone should make you feel better about the decision.
Of course, I hope that JOVM — and my work with JOVM — has led you to artists and bands whose work as become a part of your lives, as they have become a part of mine. And i also hope that my photography has managed to add some beauty to your day; inspired you to see the world in a new light; or make you go out to see some of these artists live.
In these difficult times, I’m asking you, dear readers and friends for your support. And there’s a number of ways that you can support JOVM:
- You can buy prints — from my live concert photography to street photography and even some outdoor/nature photos. I also still have a shit ton of JOVM bumper stickers. All of this stuff is beautiful and could use a loving forever home. You can check out the store here: https://thejoyofviolentmovement.wpcomstaging.com/shop/
- You can support by becoming one of my Patreon patrons. Every dollar means something. Seriously, it does. There are different patronage levels and different rewards for your support. For more information, you can check out the Patreon page here: https://www.patreon.com/TheJoyofViolentMovement
Of course, while I’m on the subject: I want to send shout outs to those folks, who have supported me and my work throughout the past year with their patronage on Patreon.
Sash
Alice Northover
Bella Fox
Jenny MacRostie
Janene Otten
Thank you, y’all. Your support means so very much.
If you’re in the NYC area, you can hire me for photography work. Seriously. I do headshots, portraits and event photography. You can hire me through Photobooker. My listing is here: https://www.photobooker.com/photographer/8582abd8-f01e-43eb-b2be-0ed57157687e?duration=1?duration=1 (If you’re outside the NYC area and you’d still want to hire me, we can talk.)
If you’re not already a fan of this site on Facebook, please feel free to become a fan here: https://www.facebook.com/TheJoyofViolentMovement
Right now, a lot of people out there are struggling to survive. Believe me, I get it and I’m empathetic to that. The past 18 months have been the most difficult and desperate for a lot of us. To that end, here are some other ways you can support JOVM:
- If you dig what I do: Keep reading! Please, keep reading!
- Pass the word on to friends, family members, associates and anyone else, who will support independent journalism, music and criticism.
- Retweets, Facebook shares and reblog things you might dig. Sites need active eyeballs and clicks to survive. Every pair of eyeballs reading and clicking on JOVM means some ad revenue in the coffers. And those hardworking artists I cover will also be grateful for your love and support, too.
- Towards the bottom third of every post, there’s a related post section. If you dug the post you’re looking at it, feel free to check out the related posts. You might find something else you could love.
I’m hoping that 2022 will be an even better year for all of us — and that y’all will continue to stick with JOVM and me in the 12th year and beyond.