Throwback: Happy 102nd Birthday, Marshall Allen!

JOVM’s William Ruben Helms celebrates Marshall Allen’s 102nd birthday.

New Audio: ELEVIN Shares a Sleek, Melodic House Banger

ELEVIN is a mysterious, emerging electronic music producer, who specializes in creating musical experiences designed to make audiences feel — while reflecting “the geometry of existence.” 

His latest single “Edge of Sight” continues a remarkable run of slickly produced club and festival friendly, melodic house bangers anchored around dense layers of glistening of relentless motorik pulse, skittering thump and a cinematic heft, But at it’s core is a song specifically created to get people to head to the dance floor.

New Audio: Christian Sean Shares Woozy “Saint Loreto”

Montréal-based pop artist Christian Sean is a firm believer in the transformative power of pop music. As a kid, he was drawn to indie rock and left-field electroinca, part of a local scene that disavowed commerciality in favor of innovation and creativity. But as he got older, he surrounded to his true calling — making what he believes is the best music of his life, anchored around a unique blend of melodic sensibility and avant-garde experimentation.

Sean’s debut, last year’s Hallelujah Showers was the culmination of years toiling on the local scene as a producer and multi-instrumentalist and was released to praise internationally from the likes of Ones To Watch, The FADER, Earmilk, and others. He capped off a busy 2025 by opening for French alt pop artist Zaho de Sagazan on their Canadian tour and making a run of the Québecois festival circuit with sets at POP Montréal and Santa Teresa Festival.

Building upon a growing profile, the rising Montréal-based pop latest single “Saint Loreto” is a slickly produced, hook-driven bop featuring lived-in songwriter Sean’s achingly tender falsetto and a glitchy, forward-thinking production that’s both club and radio friendly. But under the slickly produced surface is a song anchored around a familiar, woozy internal battle between self-doubt, indecision and longing.

New Audio: Super Plage Teams Up with Virginie B on Summery “POOL PARTY”

Jules Henry is a Montréal-based singer/songwriter, electronic music producer and creative mastermind behind the acclaimed, JOVM mainstay recording project and Super Plage. Founded back in 2019, Super Plage sees Henry crafting slickly produced, dance floor friendly electro pop that draws from house and nu-disco. He frequently collaborates with local French Canadian artists to create a playful, fun-loving and escapist universe, where it feels good to party.

Since 2019, Henry has released four albums, including 2023’s Magie á minuit, which received an ADISQ Félix Award-nomination for Electronic Album of the Year. Building upon a growing profile, Henry has made a run of both the provincial and international festival circuits, playing sets at Francos de Montréal, FME and Festival d’été de Québec, SXSW, Wide Days and others. He has opened for Miel de Montagne, Juilen Granel, Bon Entendeur, MYD and more.

Last year’s GROOSE MAISON featured a sleek and daring blend of house, disco and French touch anchored around catchy, downright funky grooves, much like on album single “Tip Top.”

The French Canadian JOVM mainstay’s latest single “POOL PARTY” continues his longtime collaboration with Virginie B. Sonically drawing from classic house music, “POOL PARTY” is a breezy and summery, dance floor friendly bop that showcases Henry’s unerring knack for sleek production and razor sharp, catchy hooks paired with a sultry, pop starlet performance from Virginie B. It’s a much-needed, early blast of summer.

New Audio: C.M. Samuels Shares an Industrial Techno-Inspired Banger

Best known for handling synths, samples and drum machines as a member of Western post-punk outfit Ritual Howls and for being a member of ambient post-industrial project Mission to the Sun, C.M. Samuels stepped out into the spotlight as a solo artist with the release of his solo debut EP After Selection, which was released earlier this month.

Samuels has long been deeply rooted in Detroit — its environments and ever-evolving music scene that has shaped the core of his sound. He cut his teeth decades ago in industrial projects and now, he channels that foundation while crafting electronics for Ritual Howls and exploring much more experimental directions with Mission to the Sun. Fittingly, the EP which was released earlier this month through Detroit Industrial, the five-song After Selection draws from Samuels’ long-time love of classic EBM, early Wax Trax! Records, Skinny Puppy, and others.

His five-song debut EP is an instrumental EP firmly entrenched in EBM and industrial techno. Anchored around driving rhythms, pulsing synth lines and a sharp sense of momentum, Samuels’ debut effort is specifically designed to energize the dance floor and keep bodies moving.

The EP’s latest single, EP opener “Body Interface” is a club banger anchored around punchy industrial thump and a buoyant bass line that lock into a relentless and forceful motorik-like groove. Sonically, the track seemingly channels early Nine Inch Nails and 90s industrial techno while possessing a remarkably modern sensibility.

New Audio: Winnipeg’s sundayclub Shares Wistful, Bittersweet “Camera Shy”

Winnipeg-based indie duo sundayclub — Courtney and Nikki — have quickly cemented a sound and approach that blends hazy indie pop and dreamy textures with unfiltered storytelling. The result is material that’s much like blurry photograph, grainy yet glowing, fleeting yet full of feeling and life.

The duo’s nine-song, self-titled, full-length debut is slated for a July 10, 2026 release through Paper Bag Records. Their debut is deeply informed by the stillness of rural Manitoba, where the duo started the band as a way of processing the very strange limbo of early adulthood — that feeling of being caught between who you once were and who you’re slowly becoming. Fittingly, the album is rooted in place: in a romanticized, re-examined Winnipeg with its hard edges softened in the way that memory often soften things. Thematically, the album touches upon growing up, growing apart and growing into your own skin.

The forthcoming album’s latest single “Camera Shy” is a superficially euphoric tune that actually expresses an underlying bittersweet ache, featuring Courtney’s wistful yet dreamy delivery ethereally floating over swirling shoegazer textures and atmospheric synths. The result is a song that’s simultaneously cinematic and deeply personal — with the song describing a hazy New Year’s Eve that starts off full of promise but somehow spirals out of control, and ends somewhere you and others never intended or even wanted. The song also orbits around a tension the band knows intimately: the compulsion to document and be documents versus the desire to simply disappear into a moment. There’s an acknowledgment that being seen, and being photographed, filmed, captured comes with the territory, even when you’re not quite feeling up to it.

The band add: “It’s about a good night gone very wrong — one of those back and forth, hazy NYE nights bound for absolute disaster. It references our obsession with the ‘moment’ and ever-present FOMO, but also introduces Court’s complicated feelings towards being photographed or ‘captured,’ as it’s referred to in the song. It can get really overwhelming and all-consuming when so much of your energy is put into your physical looks, especially when you just don’t feel like being in the spotlight.”

Directed by Qran Zhu, the accompanying video for “Camera Shy” captures a young couple in love, celebrating New Year’s Eve — with all the bright hopes and dreams of the upcoming year and future before the night spirals out of control with a drunken confrontation during a sundayclub show that leaves one of our protagonists by themselves just before midnight.