Los Angeles-based outfit Dummy — Alex Ewell, Emma Maatman, Nathan O’Dell, Joe Trainor and Lance Umble — will be releasing their fourth studio album, do you love the color of the sky on October 16, 2026 through Polyvinyl. If 2024’s Free Energy and its subsequent remix album evoked the spirit of Manchester and the optimism of the rave, do you love the color of the sky is reportedly rooted in a lyrical skepticism inspired by the post-rock and drone of Seefeel, Windy & Carl and Disco Inferno while playfully adorned in the jubilant pop hues of early Björk, The Sundays and Ray of Light-era Madonna. The album is essentially an anti-zeitgeist effort, freezing the listener into their incorporeal moment of time, freed from the rat race and trends, embracing insularity to the point that it somehow becomes the future.

And yet despite the allusions to futurism, the Los Angeles-based outfit are a band in the classic sense, grounded in work ethic and commitment to the music. As Joe Trainor says of their time since the release of Free Energy, “We toured a lot, around 150 days, and played approximately 113 shows” which included several tours of the US and two of Europe, “. . . and on larger stages than ever before.” Alex Ewell adds “Touring has had huge impact on us and our music.”

“Making music shouldn’t be fun,” the band jokingly asserts. But it also comes from earnestness and a love for the game so deep that they don’t want to cheat it. The blood, sweat and tears of “putting in the work” is at the heart of do you love the color of the sky? — a byproduct of shedding skins through live performance. Sonically, the album is a bold, creative and downright effortless leap forward for the Los Angeles-based quartet that finds them at their most creatively in-tune.

Thematically, the album may arguably be their most politically trenchant and yet simultaneously, their most inviting. Breakbeats and keyboardist Emma Maatman’s vocals belie a mischievous and purposeful sleight of hand — the listener may become entranced by the band’s hypnotic grooves, but they’ve also subconsciously accrued a vision of a new, radical politic, informed by our increasingly dystopian hellscape.

do you love the color of the sky will include the previously released “Full Spectrum Dominance” and the double single “April Limousine”/”Alluvial Fan.” “April Limousine” serves as the literal introduction to the album and inlaces references to every other song, including demos that didn’t make the cut. Featuring skittering breakbeats, glistening synths beneath Manama’s dreamy delivery, “April Limousine” reminds me a little bit of Earthling-era David Bowie — in particular “Little Wonder” — with a little bit of 90s and early 2000s big beat. “It leaves you with the thesis statement and the question, ‘do you love the color of the sky?’ … among others,” Dummy’s Emma Maatman says. “The video is supposed to show a dichotomy of the beauty of nature and the chaos of impending technological advancement, which leads us into the next song, ‘Alluvial Fan.’ In the video, Nathan is drawn by a mysterious force to the wires around him.”

“Alluvial Fan” on the other hand features glistening reverb-soaked synth stabs, boom bap-like breakbeats beneath Nathan O’Dell’s dreamily delivered lead vocal and the melodic toplines of the band’s Maatman, Alex Ewell and O’Dell. Sonically, recalling a bit of New Order, Electronic, The Horrors, and Absolutely Free, “Alluvial Fan” may arguably be the most atmospheric and downright trippy tune of the released singles off the album. “The lyrics are a hybrid of two ideas,” the band’s Nathan O’Dell says. “The first being based on imagery from a certain 2000’s anime where the goal of mass digital connection blurs the lines of our human reality and a sense of self. One can’t help but follow the humming wires further and further until they are completely lost in the ‘Wired’ web. The other idea is the phenomenon of Alluvial Fans. They’re sick… check them out. This song also features some silky smooth vocals from Allyson and Paul from New Issue.”