JOVM’s William Ruben Helms celebrates John Mellencamp’s 75th birthday.
Throwback: Happy 58th Birthday, Thom Yorke!
JOVM’s William Ruben Helms celebrate Radiohead and The Smile frontman Thom Yorke’s 58th birthday.
Throwback: Happy 59th Birthday, Toni Braxton!
JOVM’s William Ruben Helms celebrates Toni Braxton’s 59th birthday.
New Video: Two from JOVM Mainstays Ghost Funk Orchestra
Led by composer, multi-instrumentalist and creative mastermind Seth Applebaum, the New York-based psych soul outfit and JOVM mainstay act Ghost Funk Orchestra will be releasing their fifth album, Yours in The Ranks of Death through Karma Chief Records on December 4, 2026.
Reflective and ethereal, the JOVM mainstays’ fifth album reportedly finds Applebuam pairing down the sounds and conceptual underpinnings, providing his signature trippy grooves and cinematic arrangements a much cleaner pocket.
Yours is The Ranks of Death’s first single, last month’s “Yours” is the first studio track to feature Camellia Hartman on lead vocals on a bluesy shuffle of a track that balances old-timey high drama with kitsch. Inspired by the organ stylings of Ed Lincoln and Dick Hyman, “Yours” is a homage to the mid-century bachelor pad music that’s often overlooked in the dollar bin. But it also showcases Hartman’s yearning delivery.
The accompanying video is fittingly sho ton film and draws from 60s French Nouveau Vague and classic spy movies.
“Leave Me Alone,” the album’s second and latest single is built around fuzz and distortion pedaled guitars, some harmonic space-age Wurlitzer and a propulsive backbeat beneath Hartman’s defiant, take-no-shit/I’ve had enough of your shit delivery telling off someone who’s fucked her over.
“We’ve spent a lot of time experimenting with headier jazz, lounge, and soul sounds on our recent albums. ‘Leave Me Alone’ is sort of a back-to-the-garage track for us, leaning into the garage rock and fuzz rock sounds that were more present in early GFO releases,” Applebaum explains. “Whereas a lot of our recordings have used horns and keyboards as the centerpiece, this one is stripped back to the guitar-driven vibe that defined older tunes like “Walk Like A Motherfu*ker” and “Blood Moon.” Now in her second official GFO appearance following the single ‘Yours,’ Camellia Hartman leads the charge on vocals.”
The accompanying video features Hartman on a Dating Game-styled game show, titled “Leave Me Alone” in which Hartman, who alternates between being disgusted or bored to tears by her potential suitors, taunts them before telling them to — well, leave her alone.
New Audio: Taiwan’s Yufu Shares Euphoric “Side Effects May Include”
Yufu, “The Soulful Gent” is a Taiwanese soul musician, singer/songwriter and producer, whose deep connection to old-school/vintage soul began in childhood and has evolved into a lifelong study of Black American music and the records that have shaped it. As a self-described perpetual student to Black music, he doesn’t attempt to simply reproduced the beloved old-school sound, he approaches the tradition with respect and curiosity, studying everything from songwriting to arrangements, to recording techniques, instruments and the physical character of the classic studios and their equipment.
That philosophy is central to his work. He embraces tape saturation, microphone bleed, room sound, the imperfect timing and the energy created when musicians play in the same room together. His work is also rooted in a deep desire to keep soul music alive as a living, evolving language while building connections between musicians, DJs and listeners across his native Taiwan, Japan, the UK and the wider global soul community.
Drawing from soul, blues. funk, Northern and Latin soul, the Taiwanese artist’s work blends the warmth and imperfections of classic soul recordings with his own contemporary perspective. His full-length debut, last year’s Heal Me Good was released by Dutch label Zip Records to international press attention and radio airplay including Spotify programming and BBC Radio 6 Music — and the album won Best R&B Album at Taiwan’s Golden Indie Music Awards.
“Side Effects May Include” is the Taiwanese artist’s first bit of new material since last year’s Heal Me Good. Sonically, the new single is a euphoric dance floor friendly blend of Northern soul, classic Motown soul and contemporaries like Daptone Records, Big Crown Records and Colemine Records featuring an arrangement of horns, strings, shuffling guitar, Latin percussion, Hammond organ and a big, dynamic drum break beneath Yufu’s remarkably Tom Jones-like vocal.
Thematically exploring the sweet and often irrational symptoms of being hopelessly in love “Side Effects May Include” treats falling in love, much like a potent drug, complete with a series of side effects. In this case, missing that special someone, dancing and singing for no apparent reason and behaving completely out of character. But it’s not from a cynical viewpoint — the song approaches it from a sweet, joyous, deeply human and deeply universal thing. Love can make you act like a dopesick moron, and that’s perfectly normal.
Yufu imagined “Side Effects May Include” being performed inside a soul club in the early 1970s, shaping the production around the feeling of being physically present in that room. And as a result, the recording favors warmth, movement and imperfection over modern polish. The song also represents an ending and a beginning for the Taiwanese artist: It closes the musical world of Heal Me Good while opening a door to whatever coming next.
Throwback: R.I.P. Freddie Jackson
JOVM’s William Ruben Helms celebrates the life and music of R&B legend Freddie Jackson.
New Audio: Vlad Holiday Shares Groovy “By Myself”
Vlad Holiday is a Romanian-born, Nashville-based singer/songwriter and musician, who cut his teeth in the NYC lo-fi scene, building an audience on his own terms. Songs like “So Damn Into You,” “Quit Playing Cool,” and “Phonograph” introduced fans and critics to an artist with a distinct point of view — romantic without being overly sentimental, nostalgic without living entirely in the past. Sonically, his work frequently sees him blending his smoky croon with tape hiss, 60s-styled guitars, 90s hiphop beats and 808 sub ass.
Back in 2024, Holiday released his full-length debut My Favorite Drug. The album saw the Romanian-born, Nashville-based artist delving into dark subject matter with the songs openly talking about low moments in his mental health, substance abuse, the thin line between sanity and insanity and cynical patterns of familial abuse, all to place an element of love into life’s heaviest topics.
Holiday went on to tour alongside frequent collaborators Cage The Elephant and Declan McKenna. He played at Austin City Limits — and he went on his own headlining tours across North America, the UK and European Union. Adding to a breakthrough year for the Romanian-born, Nashville-based artist, he co-wrote tracks on Cage The Elephant’s 2024 effort Neon Pill, including the album’s title track “Neon Pill,” which received a Best Alternative Music Performance Grammy nomination. “Neon Pill,” along with another Holiday co-write “Metaverse” wound up becoming the band’s 11th and 13th Billboard #1 Alternative Airplay radio chart hits.
Since relocating to Nashville, Holiday has made even more of a name for himself as an artist, songwriting and producer. His latest single “By Myself” is his first bit of new material since the release of My Favorite Drug. “By Myself” features dusty trip-hop styled breakbeats, twinkling synth stabs, woozy guitar lines, atmospheric synths and a swaggering groove beneath Holiday’s cool crooning singing about fucking up a relationship — and being a bit proud because his narrator is free from an abusive, dysfunctional person. It’s an odd anthem of self-determination, fueled by heartache.
New Audio: A Cat Named Monty Shares Jangling, Hook-Driven “Welcome to Life”
David Jennings is an Aussie-born, Germany-based singer/songwriter and musician, who is an Australian Songwriting Club winner and a two-time Australian Songwriting Association runner-up, who has been a part of the Melbourne music in some fashion since the late 90s as the creative mastermind of A Cat Named Monty, which released six EPs to some critical acclaim.
Since relocating to Germany, A Cat Named Monty features members spread out across the globe. The project’s latest single “Welcome To Life” is a hook-driven tune that brings Blur, The Beatles, The Soundtrack of Our Lives, and New Zealand jangle pop to mind that take a hilarious — yet sobering — look at the difficulties of living in the modern world. Yes, first world problems but problems all the same.
Throwback: Happy 79th Birthday, Brian Johnson!
JOVM’s William Ruben Helms celebrates AC/DC frontman Brian Johnson’s 79th birthday.
Throwback: Happy Belated 53rd Birthday, Black Thought!
JOVM’s William Ruben Helms belatedly celebrates Black Thought’s 53rd birthday.
Throwback: Happy 72nd Birthday, Stevie Ray Vaughan!
JOVM’s William Ruben Helms celebrates the 72nd anniversary of the birth of the legendary Stevie Ray Vaughan.
Throwback: Happy 85th Birthday, Chubby Checker!
JOVM’s William Ruben Helms celebrates rock pioneer Chubby Checker’s 85th birthday.
Throwback: Happy 64th Birthday, Tommy Lee!
JOVM’s William Ruben Helms celebrates Motley Crüe co-founder and drummer Tommy Lee’s 64th birthday.
New Video: JOVM Mainstays Crá Croí Shares Punchy “Just Another Day”
County Cork-based JOVM mainstay act Crá Croí — RG (songwriting, production, mixing and mastering) and CD (vocals and visuals) — will be releasing their self-produced 12-song, full-length debut Tá brón orm on October 30, 2026. While the band have built up buzz through the release of a handful of singles that include “Radiation Romance,” “Fires At Dawn,” “Feeding The Fear,” and “Lost In The Electric Blood,” and “Flesh Machines,” the new album will feature completely new material.
Tá brón orm will include the previously released “Lord of the Wild,” and “Black Snow,” as well as its latest single “Just Another Day.” Much like its immediate predecessor, the album’s latest single features the incorporation of 80s New Wave-styled synths to the brooding, goth-inspired mix. But “Just Another Day” manages to channel blend of Freedom of Choice-era DEVO, Bauhaus and Joy Division anchored around the JOVM’s uncanny knack for punchy hooks.
