New Video: Charlotte Adigéry and Bolis Pupul Share a Funky, Club Friendly Critique of Wellness Culture

Acclaimed Belgian duo Charlotte Adigéry & Bolis Pupul‘s sophomore album, the Stephen and David Dawæle co-produced Mainland Madinina is slated for a February 5, 2027 release through DEEWEE/Because Music. The highly-anticipated follow-up to their globally praised 2022 debut, Topical Dancer marks the duo’s first collaborative album in almost five years. More personal in its focus but no less ambition, the duo’s forthcoming sophomore album explores grief, parenthood, lineage and colonial history through their distinct blend of electro pop and dance punk, delivered with their signature sharp, irreverent humor.

The album reflects on family, belonging and the histories we carry, and is named for their respective places of origins — for Pupul, mainland China where his grandparents are from and Hong Kong where his mother is from; and Madinina, the Indigenous name for the Caribbean island of Martinique, where Adigéry’s mother is from. The album’s tile imagines a meeting point between two seemingly distant places, questioning the boundaries between mainland and island, while creating a shared space in which their stories can sit alongside one another.

Much like its predecessor, Mainland Madinina‘s material grew out of conversations between the two friends and collaborators as their lives changed. In the years since Topical Dancer was recorded, both have become parents, while Adigéry has also experienced the loss of her father to Alzheimer’ disease. Pupul’s solo album, 2024’s Letter to Yu, which was inspired by his journeys to his late mother’s homeland of Hong Kong, brought his own family history into focus. Together, these experiences led the duo to explore the parallels between their backgrounds coming together in Belgium — from Pupul’s grandparents’ Chinese restaurant in Aalst to Adigéry’s mother’s cocktail bar, Madinina, in Ghent.

Written in Ghent and Martinique, Mainland Madinina moves between deeply intimate songwriting and the duo’s long-held and familiar electronic intensity. The pair returned to songwriting fundamentals, working with little more than a guitar to creat songs that couldn’t hide between sleek production. The result is an album that makes space for vulnerability, while retaining the energy, wit and unpredictability that has defined their collaboration.

At its core, the acclaimed duo’s sophomore album is about what we inherit, what we choose to carry and how we find a sense of belonging. While Topical Dancer confronted the absurdities of contemporary life through privation and humor, the sophomore album turns inward, towards the duo’s own histories, finding connections between personal experience and wide questions of identity, memory and community. Yes, it’s an album shaped by life’s changes and by loss, but also the sustaining power of a deep and abiding friendship, and the possibility of making something new from the past.

Soulwax once again assisted as mentors/co-producers on the album, with Adigéry describing the duo’s contribution to Mainland Madinina as invaluable. “They’re people who can really inspire us when we get stuck – they invite us to go deeper, to really grasp the intention behind the song,” she says. Pupul adds, “They’re still the musical chiropractors – they really know where to push when stuck.” 

Mainland Madinina will feature the previously released “GOOGOO GAGA” and the album’s latest single “From Healer to Dealer.” Built around a strutting bass line, skittering, tweeter and woofer thumping beats and shimmering synths, “From Healer to Dealer” is a hilarious and incisive critique of spiritual materialism and heath culture that features a ridiculous phone conversation between “Grace” and “Ruben,” two wellness-obsessed manics that Adigéry and Puul use to explore the complex, often confused vernacular of health culture — while also pointing out its vapidity and self-absorption.

Directed by Lennert Madou, the accompanying video feature the duo doing a mix of pilates and yoga and in front of a wind machine — while seemingly reaching a higher plane of consciousness. But they look ridiculous while doing so.

New Video: Leon Bridges Shares Ebullient Video for “Watch You Dance”

Acclaimed Atlanta-born, Fort Worth, TX-raised singer/songwriter and musician Leon Bridges released his latest album, the J Lloyd-Watson and Lydia Kitto-produced, Happiness Anytime earlier this year Columbia Records. Happiness Anytime sees the acclaimed singer/songwriter and musician returning to the warmth of his 2015 debut but while seeing the members of Jungle and Bridges’ signature sensibilities blending to create something entirely new — an expansive, borderless sound and approach that pushes the Grammy Award-winning artist into a brand new territory. The album’s material echoes Fela Kuti, Paul Simon’s 1990 acclaimed effort The Rhythm of The Saints and Jorge Ben without feeling overly referential. At its core, the album is reportedly boundary pushing while remaining unmistakably Leon Bridges, rooted in his imitable vocal, effortless charisma and melodic sensibilities.

The album was written and recorded across three fast and furious sessions with Lloyd-Watson and Kitto, a collaboration that can trace its origins to the trio repeatedly crossing paths across the global festival circuit. The trio decided to attempt a low-pressure writing session at Los Angeles-based Chaplin Recording Studios. Four days later, they had come up with six songs — half of the completed album. Pino Palladino contributed bass during the sessions. The overall end result is a timeless body of work that feels unfussy and breezy — that they all hope will make the listener feel happiness anytime they play it.

“For me, happiness is not a feeling that you chase,” Bridges says,“I want this album to be something that lingers with people and lingers in people’s bones. There’s this feeling that we have to fix the problems of the world; you feel inadequate or it can be debilitating. My role is to be light. I hope that comes across with this album.” With Happiness Anytime, Bridges actively sets out with a desire to not only find joy but to find movement again.

Early in his career, Bridges was out in front dancing — and that was something that had begun to greatly miss. He wanted to get back to making music to dance to, music to excise the stresses and frustrations of modern life, and to feel grounded in the rhythms of the present. Over the summer, he had started introducing audiences to the new album with sets in Paris, Cannes, Los Angeles, Montreux Jazz Festival, London, Chicago and Outside Lands. And as he has being playing the new material live, he has unveiled “Leon Bridges Presents Happiness Anytime,” a reimagined stage production featuring a vinyl DJ, a horn section, three backing vocalists and Bridges out in front dancing and singing. Partly inspired by the communal spirt of Jamaican dancehall culture, the live set mirrors the album’s emphasis on movement — and on dancing your stresses and frustrations away for a bit. You can see what the live show will look like during his most recent appearance on The Tonight Show Starring Jimmy Fallon, where he performed medley of tunes from the soon-to-be-released album — the strutting Afrobeat-meets-1970s Motown soul-like “Light The Way” and “Illusion” and jubilant, joyous ode to working things out “Talk It Over.”

“Watch You Dance,” Happiness Anytime‘s latest single is a strutting and sultry bit of neo-soul meets classic soul that feels like a funky, dance floor friendly synthesis of Black Pumas, Cody Chesnutt, Daptone Records and Marvin Gaye‘s “Got To Give It Up” but anchored in old-school craft, earnest, seemingly lived-in lyricism and a grown ass folks sensuality. The song’s narrator knows that seduction is a game that you have to play — and he knows how to play it well.

Directed by Rippy Austin, the accompanying video for “Watch You Dance” was shot on a beautiful, sunny afternoon in New Orleans and features Bridges and a collection of beautiful — and infectiously ebullient– Black dancers moving and grooving to the song. The video and the song are a much needed joy bomb for a desperate, uneasy time. And I’ll add this because it’s necessary: Black is beautiful y’all.

New Audio: Sara Diana Shares Dance Floor Friendly “Phantom”

Sara Diana is a 20-year old, Miami-based singer/songwriter whose work sees her pair poetic storytelling, raw emotion and powerhouse vocals with lush, atmospheric pop productions. Her debut EP, 2024’s Tracksion and Camilo Velandia-co-produced Can’t Be Fazed explored themes of love, growth, survival, invincibility and self-discovery.

Fittingly released on Halloween, her latest single “Phantom” is a sleek and slickly produced bit of pop featuring glistening, horror-like arpeggiated synths and twitter and woofer rattling beats beneath Sara Diana’s powerhouse delivery. Arguably one of the most dance floor friendly songs of the young artist’s growing catalog, “Phantom” is a blend of Michael Jackson‘s “Thriller” and 90s EDM and dance pop that sounds remarkably modern.

New Audio: Darkwater and Stars Share Expansive and Deeply Personal “Only Human”

Florida-based alternative rock act Darkwater and Stars can trace its origins to when frontperson and multi-instrumentalist Melissa Griffin started the project as a solo recording project that showcased genre-bending exploration of darkwave, post-punk, blues, shoegaze […]

New Audio: Germany’s LORNING Tackles The Cure’s “Primary”

Currently split between Berlin, Leipzig, and Potsdam, German post punk outfit LORNING — founding member Christopher Heinze (vocals), Thomas Gumprecht (guitar), Rajko Gohlke (bass), Tobais Hermann (synths) and Konrad Ruda (samples, effects) — is the vision of Leipzig-based musician and German studies scholar Christopher Heinze. With the release of last year’s full-length debut Other Void, Other Rooms and a handful of standalone singles, the German outfit quickly established a sound that defies genre-boundaries and is a blend of NDW (New German Wave), electro punk, dark wave, post-punk, EBM and industrial that’s specifically crafted to be an invitation to dance in the dark.

Aesthetically, the German band sees themselves as a sonic construct that doesn’t merely illustrate existential themes like isolation, inner turmoil, depression, a sense of being lost and equally of hope, dreams of life –but rather lives through them. The band’s debut album was informed by Heinze’s background in German studies with lyrics inspired by existential post-war literature. They describe their music as a sort of secret soundtrack for those who live between the notes.

Their latest single “Primary” is a breakneck anthem that to my ears sounds a bit like a blend of The Psychedelic Furs and The Damned while capturing the spirit and vibe of the original Cure tune.