Video by William Ruben Helms

New Video: Tricky Teams Up with Marta Złakowska on Breakneck “Out of Place”

Trip hop pioneer Tricky will be releasing his 15th studio album, Different When It’s Silent July 17, 2026 through his own label, False Idols. The new album is the first full-length effort from the legendary and influential artist and producer under his own name in six years.

Different When It’s Silent came about during a rather prolific period of activity. Since 2020’s Fall to Pieces, Tricky has released material under several different guises including, Lonely Guest‘s 2021 self-titled effort, a collaboration with Mike Theis, called Theis Thaws, which released 2024’s Fifteen Days and last year’s collaborative album with Marta Złakowska, Out The Way.

Returning to releasing an album under his own name took on a different shape. Recored between Tricky’s home in France and sessions in Bristol, the album is reportedly a direct, focused batch of material that reconnects with the distinct sonic language that has defined the legendary artist and producer’s work since 1995’s iconic Maxinquaye. And he does by drawing deeply on the musical community that has shaped him and his work. Central to the album’s sound is Bristol-based vocalist Mitch Sanders, whose soulful falsetto is featured through such of the album’s songs. Their deep connection reflects a shared musical background and an instinctive chemistry between the pair.

“In my mind it was another side project” Tricky explains. But after hearing the material, his manager Alan McGee felt the songs clearly belonged to a Tricky record.

The 14-song Different When It’s Silent sonically sees Tricky blending skeletal blues, brooding electronics, distorted guitars and stark hip-hop rhythms into a sound that’s simultaneously stripped-back and expansive. The album moves fluidly across different styles while rooted in the restless experimentation that has long defined Tricky’s work over the past three-plus decades.

“I just love making music” Tricky says. “I’m grateful I’ve had the chance to live this life and keep creating.”

Different When It’s Silent‘s first single “Out of Place” feat. Marta Złakowska features a brooding and cinematic string sample introduction before morphing to a breakneck middle section which features Tricky’s imitable gravelly vocal with a punchy, almost punk-like deliver and Złakowska’s sultry yet restrained crooning. The song closes with a boarding and cinematic string sample. The result is as song that’s simultaneously forceful, uneasy and gorgeous while evoking the sweaty, self-aware sensation of somehow being out of place in your environment through a shifting series of contrasts.

Originally written for Złakowska’s own album, Tricky ultimately reclaimed the song for the forthcoming album.

Directed and edited by Steve Gullick, the accompanying video for “Out of Place” features the collaborators shot in blurred and constant motion in the foreground. In the background we see stylishly shot footage of each artist singing their respective part — or just being in a brooding photo shoot. It further emphasizes the feeling of being out of place.

Video by William Ruben Helms

New Video: JOVM Mainstay Alewya Shares Sultry Club Banger “Saleh”

JOVM mainstay Alewya is an acclaimed London-based singer/songwriter, producer and visual artist. Born in Saudi Arabia to an Egyptian-Sudanese father and an Ethiopian mother, the acclaimed London-based artist has spent her life surrounded by diaspora immigrant communities: She grew up in West London and after a several year stint in New York, she returned to London. Upon her return home, the Saudi-British artist developed and honed her ear for music through the sounds of the Ethiopian and Arabic music of her parents and the ambient and alternative rock albums of her brother. 

She’s part of a generation of artists actively redefining global music, a generation that’s generally rooted in heritage, yet unbound by it. Describing herself as a painter, who makes music, Alewya approaches sound as texture and feeling, guided more by intuition than structure. Her sound and story help to widen the Black British frame, bringing the often under heard North and East African perspective into a much-needed focus. 

Back in 2020, the JOVM mainstay burst into the scene with an attention grabbing feature on Little Simz‘s “where’s my lighter,” which caught the attention of Because Records, who signed the rising artist and released her critically applauded debut, 2021’s Panther In Mode EP. 

Alewya’s highly-anticipated full-length debut, ZERO is slated for a June 26, 2026 release through Because London Records. The album reportedly embodies years of artistic growth into an effort that’s both deeply personal and sonically expansive. But the album also marks a significant milestone, as it sees her boldly stepping into a new creative era, defined by fearless experimentation and cultural fluidity. 

ZERO will include the previously released “Night Drive,” feat. Dagmawit Ameha and “City of Symbols,” “Eshi,” and the album’s latest single “Selah.” Produced by longtime collaborator Busy Twist, “Selah” is a sultry, club banger anchored around pulsing Afrobeats-like instrumentation and production paired with a propulsive, infectious bass line and the JOVM mainstay’s effortless, hypnotic delivery. “Selah came from playful instinct,” Alewya says.

Directed by Iggy London with creative direction by Lee Trigg and movement direction by Kitz Katila, the accompanying video for “Selah” captures the cathartic release of joy, sweat through color and dance at a Black London party. This kinetically shot video should remind you that there’s true freedom and unity on a strobe-lit dance floor — and that Black folk are fucking beautiful.

Video by William Ruben Helms

New Video: Die Spitz Shares Seething “American Porn”

Rising Austin-based outfit Die Spitz — Ava Schrobilgen, Chloe De St. Aubin, Ellie Livingston and Kate Halter — can trace some of their origins back to when Schrobilgen and Livingston met in preschool. They befriended Halter in middle school. And they brought De St. Aubin into their friend group when they started the band back in 2022. 

Initially, the quartet was looking to find reasons to hang out more often, and decided they should start a band after a late-night viewing of the Mötley Crüe biopic The Dirt. They settled on the name Die Spitz over a “brown bag of Fireball,” opting for the feminine German definite article in place of the English. “It reminds me of the Grim Reaper spitting,” Livingstone jokes.

Their first live shows saw them pairing originals with covers from some of their early inspirations including Black Sabbath, Pixies, Mudhoney, PJ Harvey and Nirvana. Unsurprisingly, they express their ideas and themselves through a mischievously shameless blend of classic punk, hardcore metal, alt rock and more. They’ve also become known for riotous live show, where dueling cartwheels, members climbing rafters and solos while crowdsurfing could happen at just about any moment. 

The Texan quartet’s highly-anticipated full-length debut, the Will Yip–produced Something to Consume was released last September through Third Man Records. The album sees the band combining their passion, friendship, identity and artistry to fight against the inescapable decay and chaos that surrounds modern life, “There’s a political side to it, but addiction and love can also be all-consuming,” the band’s Ellie Livingston says. 

Something to Consume‘s 11 tracks contains multitudes and yet feels singular. It’s an expansive and expressive collection of songs, unified in its sense of deeply held camaraderie and freedom. “We depend on our freedom — freedom to do what we want, present the ideas we want, make the music we want,” Livingston says. “Whether it’s based in metal or something soft, no matter which of us wrote the song, we all contribute and work together. As a person, I don’t have a strong ego or voice, but within this band each one of us is capable of so much more.”

“Something to Consume is an album experience for everyone. Whether you’re craving a smack of lively metal or a melancholy wave of grungey violin, there’s a piece of all of us injected. Something to Consume is a call to the multitudes of ways we as humans allow consumption to enrapture our culture as well as ourselves.”

Though they’ve only been playing together for a few years, the album shows a maturity and technical prowess wielded and wed to the service of their deep and abiding friendship — and a hope to inspire change. “Some people aren’t interested in being political activists via music, but it weighs on me heavily and I feel misaligned with my calling if I don’t,” Chloe De St. Aubin says. “The four of us are free spirits with multiple interests, and there’s no limit or power dynamic that can derail us.”

The album features the previously released “Throw Yourself to the Sword,” a bruising mosh pit friendly synthesis of thrash metal, stoner rock and punk featuring some of the hardest and grimiest guitar riffs I’ve heard in some time. The album’s latest single “American Porn” comes as the quartet announces a lengthy list of summer and fall tour dates. The tour includes three New York City dates: November 13, 2026 and November 14, 2026 at Warsaw. Both of those shows are sold out. But don’t worry, they’ve got a February 19, 2027 stop at Brooklyn Steel. As always, all tour dates are below.

“American Porn” sees the rising Texans channeling a seething synthesis of grunge and riot grrl punk that calls out sexist record industry insiders and perverted older dudes, who come to their shows to leer and objectify them. “It’s a very angry song,” says the band’s Eleanor Livingston.” “And I want the people that come to our shows just because we’re pretty women or they want to sexualize or objectify us to listen to that song and tell us if they’re still a fan.”

Continuing an ongoing collaboration with director Emily Sanchez, the accompanying video for “American Porn” is a surreal fever dream of a visual that wouldn’t be out of place on 120 Minutes. The video calls out gender-roles, stereotypes and beauty standards with seething anger and a sense of mischief.

Video by William Ruben Helms

Throwback: Happy 104th Birthday, Charles Mingus!

JOVM’s William Ruben Helms celebrates the 104th anniversary of the birth of Charles Mingus.

Video by William Ruben Helms

Throwback: Happy 90th Birthday, Glen Campbell!

JOVM’s William Ruben Helms celebrates the 90th anniversary of the birth of Glen Campbell.

Video by William Ruben Helms

Live Footage: Nine Inch Noize at Coachella

Founded in 1988, Nine Inch Nails — currently founder Trent Reznor and Atticus Ross, who became a full-time member in 2016 — is widely considered one of the most important, innovative and influential acts in modern music. Known for their unique blend of industrial, electronic, rock and ambient elements into emotionally raw and sonically aggressive work, the Grammy Award-winning, Rock ‘n’ Roll Hall of Fame inductees have actively redefined what mainstream music could be, selling over 20 million records globally, including 11 million albums in the United States alone.

Adding to their impressive accolades, Renzor and Ross have composed 20 film scores, winning two Oscars, three Golden Globes, two Grammy Awards and an Emmy Award.

Alex Ridha is Iraqi-German DJ and producer, best known as Boys Noize. The prolific German producer has developed a reputation as a singular figure in 21st century electronic music culture: a cross-genre-bridge-builder, who effortlessly bounces between techno, pop, industrial music and hip-hop while remaining a favorite of techno purists and a global headliner, who has never turned his back on the underground scene that he came up in.

Ridha has collaborated with a veritable who’s who of contemporary music, pop culture and fashion including Trent Reznor, Nine Inch Nails, A$AP Rocky, Bon Iver, Frank Ocean, Arca, Virgil Abloh, Chilly Gonzales, Lady Gaga and a growing list of others, who have enlisted him to bring his underground edge and distinctive sound and production to their work.

While prolifically releasing his own original productions, Boys Noize has also remixed material by Daft Punk, Depeche Mode, A.G. Cook and Solomun. He earned a Grammy Award-nomination with long-time collaborator Skrillex, and he has been featured on tracks alongside Keinemusik, Shygirl, Kelsey Lu, Rico Nasty and VTSS.

Ridha is also the founder and head of Boysnoize Records and the newly launched ONES AND ZEROES, which specifically focuses on rising global talent.

Ridha worked with Reznor and Ross on the Challengers and TRON: Ares film scores and the Grammy Award-winning song “As Alive As You Need Me To Be.”

“The creative fulfillment of working on the Challengers and TRON scores with Boys Noize led me to think that including him in the Peel It Back tour could be an interesting way to express NIN in more purely electronic terms live – a concept I’ve wanted to explore for some time,” Nine Inch Nails’ Trent Reznor says. “The result was so much fun for us we felt it was worth expanding and formalizing in some way.”

On a whim I mentioned it would be cool to play a whole set as Nine Inch Noize in the Sahara tent at Coachella,” Reznor adds. “Careful what you wish for…the next thing I knew we were designing a whole new show to present in the way it deserved.”

Nine Inch Noize, builds on the past few years of collaboration between Nine Inch Nails and Boys Noize. Before, their live debut as Nine Inch Noize, the two acts recorded Nine Inch Noize, which they released after their live debut at Coachella’s first weekend and before their second set at the festival’s second weekend.

Nine Inch Noize and Coachella shared some amazing live footage of their Coachella set last weekend. From the live footage, their set was a not-to-be-missed festival moment. But in a larger context, it’s a desperately needed collaboration that results in something that’s both completely new and genre-defying yet rooted in the familiar.

Video by William Ruben Helms

Throwback: Happy 67th Birthday, Robert Smith!

JOVM’s William Ruben Helms celebrates The Cure frontman Robert Smith’s 67th birthday.

Video by William Ruben Helms

Live Footage: Frais Dispo at Chez Guy

Montréal-based indie rock outfit Frais Dispo — Élie Raymond (guitar, vocals), Antoine Lévesque-Roy (bass), Thomas Bruneau Faubert (trombone, synths), Charles Primeau (guitar) and Antoine Gallois (drums) — is simultaneously a rebrand and a markedly radical direction for its members, who first gained attention across both Quebec and Canada as Foreign Diplomats: As Frais Dispo, the Montréal-based band have adopted a much more collaborative songwriting approach paired with lyrics written and sung completely in Québécois French.

2023’s Teinte, the newly rebranded band’s full-length debut and 2024’s Les teints du ciel n’ont aucun sens saw the quintet firmly establishing a markedly sonic left turn, drawing more from alt-country, folk and indie rock than their previously released material as Foreign Diplomats.

Building upon the attention that Teinte and Les tients du ciel n’int aucun sens received in the Francophone world, Frais Dispo released their highly-anticipated sophomore album, Il est tard et j’ai mal partout last month through Audiogram. The album finds the band adopting a more laid-back, spontaneous songwriting approach: The album’s tracks were recorded live and on the floor, as a way to allow the songs to breathe — and to ensure a more organic sound.

As album track “Dire je t’aime au téléphone,” ends, you hear a bit of murmured voices, laughter, and a brief sigh and a phone ringing, which gives the listener a sense of being in the studio with the band — and a real warm, imperfect, human element.

Much of the album’s material came from lengthy jams and jam sessions, which the band shortened or refined when they felt necessary. “We started playing, and when I felt we had something interesting, I started recording. I played the drums one-handed to start recording on my iPhone, sometimes 10 minutes after I started jamming!” The band’s Antoine Gallois, who also served as the album’s sound engineer explains.

By working this way, the band wanted to focus more on the emotions at the core of the material rather than the technique, all while capturing the buzzy euphoria of the first studio recordings. 

The JOVM mainstays will be playing a sold-out show at Place des Arts’ Salle Claude Léveillée on Thursday, April 23, 2026, as part of SACEF’s Série Découverte. And to celebrate the occasion, the band released a live session recorded at Chez Guy that featured gorgeous, psych country-meets-Laurel Canyon-like “Dire je t’aime au téléphone,” and “Habitat,” arguably the most groove-driven, jam-like song on the album.

Simply put, it’s gorgeous songs played in gorgeous settings.