Category: New Single

New Audio: Remington Super 60 Shares Shimmering, Dance Floor Friendly “Time to breathe”

Remington Super 60 — currently founding member, primary songwriter and producer Christoffer Schou, Elisabeth Thorsen and longtime collaborator Magnus Abelsen — is a Fredrikstad, Norway-based indie pop outfit the can trace its origins back to 1998 when its founder, Christoffer Schou started the project as a Casio synth pop band. Over the course of the Norwegian outfit’s almost 30 year history, the band’s sound has frequently bounced back and forth between Casio synth pop and 60s-inspired bubblegum pop drawing from Burt BacharachBrian Wilson, The Beach Boys, The Velvet UndergroundStereolabThe High LlamasCorneliusYo La TengoEggstone, New Order, The Cure and Adore-era Smashing Pumpkins, while releasing a handful of albums, EPs and singles through a number of labels across the globe.

The Norwegian outfit’s latest single “Time to breathe” is a decided change in sonic direction. Featuring a disco-influenced bass line and shimmering synth arpeggios, the song’s upbeat, hook-driven, ABBA-meets-Comme dans un penthouse-era Le Couleur-like arrangement serves as a lush bed for Elisabeth Thorsen’s ethereal vocal.

“’Time to Breathe’ is a little more energetic than our usual dream‑pop leanings — built around a groovy bassline and our singer’s soft, airy vocals,” Remington Super 60 founder Christoffer Schou explains, It was recorded in my living‑room studio, surrounded by guitars, basses, and a pile of well‑worn 80s Casio and Yamaha toy keyboards that have quietly shaped our sound over the years.

New Audio: Index Shares a Bruising and Forceful Ripper

Formed last year, and currently split between Los Angeles and Philadelphia, Index — Alan Creedon (he/him) and Alex Lichtenauer (they/them) — is a subversive, electronics-influenced hardcore punk band featuring two close friends, who are also former members of Control Top, an act that I’ve covered here on this site. When Creedon and Lichtanauer started the band, it quickly became clear that their band’s sound would grow out of their friendship. Stripping away the dense orchestration of their previous band, Index sees the duo leaning into sweaty, visceral physicality with Creedon’s guitar intuitively locked into Lichtanauer’s drums, navigating complex rhythms. The result is music that feels as immediate as it does immediate — with the two longtime collaborators and friends reinvigorated by the act of creating something altogether new together.

Produced by Arthur Rizk, the duo’s debut single “Cellophane” was written across coasts, recorded at Show Me The Body‘s Corpus Studios and released through Lichtanaeur’s Get Better Records. The single is a bruising, eardrum shattering ripper that pairs snarling and roaring hardcore punk fury with pummeling rhythm and howled vocals. “Cellophane” captures someone barely holding it together in a brutal, absurdist hellscape. It’s the sort of song that would turn a room into a sweaty, moving mass of bodies.

“‘Cellophane’ is a song about self-deception and the rituals we perform to convince ourselves we’re holding it together,” the bicoastal based duo explain. “Musically, we wanted to move away from anything riff-based and write in a way that felt fluid and unstable. The two of us function as a single organism, threading through shifting time signatures rather than locking into them. We were interested in the physicality of electronic body music pushed through a hardcore framework. Something precise and controlled, but still capable of impact in a room.”

New Audio: Tricky Returns with Brooding and Atmospheric “Because I Don’t Know”

Trip hop pioneer Tricky will be releasing his 15th studio album, Different When It’s Silent July 17, 2026 through his own label, False Idols. The new album is the first full-length effort from the legendary and influential artist and producer under his own name in six years. 

Different When It’s Silent came about during a rather prolific period of activity. Since 2020’s Fall to Pieces, Tricky has released material under several different guises including, Lonely Guest‘s 2021 self-titled effort, a collaboration with Mike Theis, called Theis Thaws, which released 2024’s Fifteen Days and last year’s collaborative album with Marta ZłakowskaOut The Way

Returning to releasing an album under his own name took on a different shape. Recored between Tricky’s home in France and sessions in Bristol, the album is reportedly a direct, focused batch of material that reconnects with the distinct sonic language that has defined the legendary artist and producer’s work since 1995’s iconic Maxinquaye. And he does by drawing deeply on the musical community that has shaped him and his work. Central to the album’s sound is Bristol-based vocalist Mitch Sanders, whose soulful falsetto is featured through such of the album’s songs. Their deep connection reflects a shared musical background and an instinctive chemistry between the pair. 

“In my mind it was another side project” Tricky explains. But after hearing the material, his manager Alan McGee felt the songs clearly belonged to a Tricky record.

The 14-song Different When It’s Silent sonically sees Tricky blending skeletal blues, brooding electronics, distorted guitars and stark hip-hop rhythms into a sound that’s simultaneously stripped-back and expansive. The album moves fluidly across different styles while rooted in the restless experimentation that has long defined Tricky’s work over the past three-plus decades. 

“I just love making music” Tricky says. “I’m grateful I’ve had the chance to live this life and keep creating.”

The album will include the previously released “Out of Place,” feat. Marta Złakowska and the album’s second and latest single, “Because I Don’t Know.” Featuring Bristol-based vocalist Mitch Sanders’ yearning falsetto delivering the haunting refrain “Can you feel my pain? Do you feel the same? Just let me know” over a pulsing and shadowy synth figure and blasts of scorching guitars. Tricky’s murmured vocal lurk in the background. The song is a tense, uneasy and probing examination of vulnerability, heartache and menace.

New Audio: French Nancy Shares Broodingly Chilly “The Guarantee”

Hackney, London-based post-punk duo French Nancy — Jack Gooding and Joel Friel — features former members of Bear Muda and Paris, Texas. Drawing from Motorama, Black Marble, Topographies, The Cure, Joy Division and New Order, the London-based duo’s sound pairs post punk urgency with krautrock-inspired rhythms and introspective lyricism.

The duo’s latest single “The Guarantee” is anchored around a similar krautrock-like motorik pulse and reverb-soaked guitar attack as their previously released “The Vow” and “The Lovers” but while arguably being one of the broodingly chillier songs they’ve released to date with the single seemingly nodding at the likes of Soft Kill, Molchat Doma, PLOHO, Sei Still, Whispering Sons and others. “It’s a song about staying inside a negative feeling rather than trying to fix it, and the production matches: opening cold and lean, with each layer adding to its final angry crescendo,” the duo explain.

Written and recorded at Hackney-based Gun Factory Studios by the duo, “The Guarantee” makes the start of the band’s most prolific stretch to date, with the band planning to release a batch of singles over the next five months, ahead of a forthcoming UK tour later this year.

New Audio: Bel Cardin Shares Introspective “Trust”

22-year old Bel Cardin is an emerging, Raleigh-born and-based singer/songwriter. Coming from a family of music lovers, the young North Carolinian can trace the origins of their music career to when they picked up the guitar at 13. Raised on Smashing Pumpkins, Radiohead and Elliott Smith, Cardin later fell in love with a collection of artists that emerged in the 2010s, drawing from those artists’ penchant for melodic and crisp guitar, slightly ambiguous song structures and meticulous lyrical imagery.

Cardin’s debut, 2023’s 10-song Petrify was a melancholy, guitar-driven batch of songs recorded at their college campus’ music studio.

The North Carolinian’s latest single “Trust” is the first single since the release of Petrify. Beginning with a lengthy, dreamily atmospheric introduction featuring strummed guitar and Cardin’s heartbreakingly tender delivery, “Trust” slowly builds into a thunderous climax and gentle fadeout. Seemingly drawing from the likes of Soccer Mommy, Snail Mail and others the new single thematically touches upon previously established themes of human nature, vices, loneliness and what it means to connect with the people around them.

Sonically, the new single sees Cardin taking a bold step forward in production and songwriting while retaining elements of her previously released material. It also marks the first track from a forthcoming sophomore album.

New Audio: Genesis Owusu Shares Glistening, Woozy “BIG DOG”

Acclaimed multi-ARIA Award-winning Ghanian-born Canberra-based JOVM mainstay Genesis Owusu released this highly anticipated third album REDSTAR WU & THE WORLDWIDE SCOURGE today through OURNESS.

REDSTAR WU & THE WORLDWIDE SCOURGE sees one of Australia’s most celebrated and visionary contemporary artists construct an exposed state-of-the-day record that’s experimental yet cohesive, desolate yet ecstatic, unflinching yet free. Duality is at the core of an album that sees the JOVM mainstay layering musings on an unsettled world with piercing reflections of his, and our own places within the world. Rich in lyricism and earnest in its message, REDSTAR WU & THE WORLDWIDE SCOURGE is a resolute effort that confronts a divisive era in which humanity and its institutions seem to be ripping apart at the seams and heeds a desperate need for unity. 

Sonically drawing from and meshing elements funk, neo-soul, Brit rock and alt pop the album’s overall sound feels both sprawling and deliberate. “The world hasn’t ended yet,” Owusu. says. “We’re still moving, we’re still jumping, we’re still living, and so we shall continue. Through rain, shine, exploitation and warfare. We, the people, will always stubbornly persist, and hopefully persist hand in hand.”

The album includes the previously released “DEATH CULT ZOMBIE,” “STAMPEDE,LIFE KEEPS GOING,” and the album’s latest single “BIG DOG.” Drawing from footwork, drum ‘n’ bass, glitchcore, and alt R&B, “BIG DOG” is anchored around a dense layers of dizzying synth arpeggios and skittering beats. The acclaimed JOVM mainstay alternates between punchily delivered bars and crooning over the woozy, uneasy production. The song sees Owusu surveying the world’s wreckage and takes aim at the higher institutional forces at play while still being danceable and oddly enough, almost feel good.

Owusu says of the It’s a jam, man. Just something to have fun and feel good to. In the context of everything I’ve been releasing, the political, the disruptive, the punk – it’s important to remember what all that fighting is for: we’re fighting to be able to live life to the fullest. Live, laugh, love and all that. Fight for your right to party, as some wise men once said.

New Audio: Los Angeles’ Primitive Ring Shares a Bluesy, Black Sabbath-Styled Ripper

Loa Angeles-based power trio Primitive Ring — Bert Hoover (bass, vocals), Charles Moothart (guitar, vocals) and Jon Modaff (drums) — formed back in 2024 when Hoover and Moothart came together seeking a new creative outlet. They hauled amps and drums into bars to hone their sound, quickly settling into a sound that aimed to capture the primal essence of rock,

Last year, the band release four 7 inches on four different labels — Greenway Records, In The Red Records, Reverberation Appreciation Society and Fuzz Club. They closed out a busy year by recording their self-titled full-length debut at Echo Park-based Station House Studio with Mark Rains.

Their 11-song, self-titled, full-length debut dropped today through In The Red Recordings. Clocking in at 42 minutes, the album showcases the distinct writing styles of each member, but while anchored around an overall aesthetic of a spawning of a collective vision. The result is a pummeling, psychedelic joyride that arrives on the heels of a recent tour supporting Ty Segall.

The album features the previously released “Lies From The Other Side,” “Heads Will Roll,” and the album’s latest single “The Callous Man” Beginning with a bluesy Pink Floyd meets Cream intro, “The Callous Man” quickly morphs into an early Black Sabbath-styled ripper in which the musicians’ dexterous and muscular playing is the star of the show. Play loud and rock out y’all.

New Audio: The Healing Power of Horses Share Slinky “i wait, i sink”

The Healing Power of Horses is a mysterious and emerging East Anglia, UK-based duo, who defy easy categorization, as they prefer. They’ve spent too much time in the attic making music and not enough time outside, and as a result, they’re pallid, bug-eyed, knock-kneed and on and on.

The duo caught the attention of Los Angeles-based section1, who signed the UK-based duo and released their debut single, “i wait, i sink.” “i wait, i sink” is a slinky and sultry bit of Garbage-like trip hop that rattles, shakes and stomps about the room before fading out into the ether. Their debut single showcases a remarkably self-assured outfit that can craft a brooding yet sexy tune with incredibly catchy hooks.

New Audio: Alex Amen Returns with Homesick and Weary “California Blues”

Alex Amen is a rising, 26 year-old Texas-born, Los Angeles-based indie folk/country singer/songwriter. When he was four, he took up piano and studied with the same Houston-based jazz pianist through the end of high school. The rising, young country folk artist started playing guitar in his mid-teens after discovering Nirvana, Neil Young and the like. When he was 18, Amen relocated from Texas to California to study filmmaking — with the intention of making documentaries about rock climbing, one of his lifelong passions.

After one semester, he dropped out to focus on music full-time and moved to the Dittman Family Commune, an Anaheim-based commune with historic ties to the countercultural movements of the mid 1960s, where he started his first band, a psychedelic folk rock outfit named American Slang in 2017.“The commune was a crazy place to live—there were hippies and punks and skaters, all in this beautiful house that used to be on six acres of strawberry fields but now it’s surrounded by strip malls,” the Texan-born singer/songwriter says. ““The house was owned by a professor who’d bought it in the mid-’60s and still lived there with his family, so it had this fascinating history with the anti-war movement and renowned civil-rights/psychedelic activists from that time. We’d have these big communal meals every day and debate art and God and food and politics. It was a pretty amazing place to live for a while.”

The band broke up shortly after its formation. And Amen relocated yet again from Southern California to an island in Washington State’s Puget Sound. Over the course of the next three years, Amen spent n relative isolation, taking up interests in mycology, mountaineering, poetry and wooden boat building. But as the years began to pass, he felt an increasing need to return to California to pursue music. 

In January 2023, Amen self-produced his debut EP, last year’s The Zorthian Tapes in a self-built studio at Altadena, CA’s historic Zorthian Ranch. He now resides in Los Angeles, releasing music among the city’s growing folk/Americana/country scene and playing shows across North America and elsewhere. 

The past 18 months or so have been very busy: Last year he toured with Folk Bitch Trio, a tour that included a stop at Baby’s All Right. He has also made the rounds of the international festival circuit, playing Pitchfork Festival London and Pitchfork Festival ParisNewport Folk FestivalIceland AirwavesAustin City Limits and Outside Lands. And he participated in the Americana Music Association‘s annual Grammy Eve concert at the Troubadour to honor the legendary Neil Young

The rising young singer/songwriter recently signed to ATO Records, who will be releasing his highly-anticipated debut Sun of Amen on June 12, 2026. The album will include “Cabin by the Sea,” which features some gorgeous and expressive pedal steel from Tommy de Bourbon and strutting bass from Grammy-nominated Billy Mohler, and the album’s second and latest single “California Blues.”

Subtly channeling a mix of John Denver’s “Take Me Home, Country Roads” and the Laurel Canyon sound, “California Blues” features a homesick vagabond and wandering troubadour narrator, who illuminates an uneasy contrast between the quintessential California dream and its lived reality of heartbreaking isolation and desperation. “‘California Blues’ is a song I wrote years before I ever lived in California that somehow expressed the things I felt living there years later,” says Amen. “More than any other song made during my time in California it touched on the balance between excitement and isolation one can face when they chase their dreams out West.”

Amen is currently on tour. And along with the new single, he announces a summer run of tour dates that includes a July 29, 2026 stop at Elsewhere Rooftop. Check out the rest of the tour dates below.

New Audio: Alaska Blue Shares Brooding and Groovy “White Spaces”

Over the past couple of years, I’ve spilled a bit of ink covering the Italian indie duo and JOVM mainstays Alaska Blue — singer/songwriter Elisabeta Giordano and musician Davide Cast. The duo recently released their third full-length album, personal troubles are public issues last week.

personal trouble are public issues’ latest single “White Spaces” is a brooding, deeply introspective tune that sees the band blending elements of synth pop, indie soul and soul, featuring a strutting and sultry groove and shimmering synths paired with Giordano’s soulful delivery and the duo’s uncanny knack for catchy hooks. The result is a song that’s perfect for restless, late night drives and makeout sessions while channeling the likes of Geowulf, Still Corners and Tan Cologne among others.

New Audio: lazybed Shares Jangling, Hook-Driven “time”

Macau-based Filipino artist Richard Winstanley can trace the origins of his music career back to high school, when he started writing, producing and mixing demos using GarageBand. His first solo project, a fictional band he called The Yankies saw him writing and recording songs in both English and Filipino. Although he never released those early tracks publicly, this early work wound up laying the foundation for his future musical explorations.

Winstanley stepped away from music while attending college. But after graduation, he found his passion for music re-ignited. He publicly emerged with his second solo recording project Cardz, which saw him release 2024’s mini-album Lok Kuan Express through Bandcamp and YouTube. For the most part, music was a beloved hobby that offered him a creative escape from his full-time job.

Earlier this year, the Macau-based artist emerged with his latest solo project lazybed, which derives it name from “lazy afternoons on [sic] my bedroom making music.” lazybed reflects a shift in sonic direction that sees Winstanley embracing guitar-driven indie rock. jangle pop and psych pop. Drawing from Broken Social Scene, MGMT, Blur, Eraserheaads, Mac DeMarco and more, the Macau-based artist creates songs from his bedroom using his MacBook and Logic Pro X.

The Macau-based artist’s latest single “time” is a remarkably catchy, hook-driven song that seemingly channels 00s jangle pop, slacker pop and New Order while thematically focusing on the inevitable passing of time, getting older and feeling like you’ve wasted both time and your life away. The song is rooted in a timeless theme that would be familiar to someone in their 20s or their 40s — but with a slightly different weight.

New Audio: Jazen Happy Teams Up with Solara Harris on Euphoric “Las Guardianas”

Jazen Happy is an electronic producer and artist, who has developed a reputation for crafting an upbeat and vibrant fusion of techno and electronic dance music paired with catchy lyrics that’s inspired from both underground rhythms and mainstream trends. His latest single, “Las Guardianas” feat. Solara Harris is an upbeat and summery bit of melodic house, anchored around glistening synth arpeggios and Harris’ soulful delivery that’s simultaneously club and festival friendly — and showcases the producer’s ability to craft a remarkably catchy hook.

Jazen Happy explains that the song is inspired by Tulum sunrises and is specifically designed to create a real emotional lift.

New Audio: Joey Alexander Tackles a Beloved Jazz Standard

22 year-old, Balinese-born, Grammy Award-nominated composer and pianist Joey Alexander has spent more than a decade establishing himself as one of jazz’s most celebrated young artists, with his career starting in earnest back in 2013 when Wynton Marsalis invited him to play at Jazz at Lincoln Center Gala. Since then, Alexander has played with Wayne Shorter and Esperanza Spalding at the Obama White House, and he has been the subject of profiles on 60 Minutes, The New York Times, and a list of others.

Alexander’s third album, the Jason Olaine-produced Celestial Keeper is slated for a July 17, 2026 through Mack Avenue Records. Celestial Keeper sees the rising, young composer and pianist reflecting on creativity, faith, gratitude and personal transformation. Inspired by what Alexander describes as his “celestial keeper” — a spiritual force akin to a muse or guardian angel — the album explores the challenge of overcoming doubt and artist’s block. “There’s a spiritual force that reminds me of the gift of music that God has bestowed upon me,” Alexander explains. “That voice prompts me to keep the lamp burning or the music playing.”

The album comes during a pivotal chapter in the rising young artist’s life, following his family’s recent move back to his native Bali after spending years in New York and Baltimore. Immersing himself in Indonesia’s nature and rhythms — again — deeply shaped the album’s aura of beauty and wonder, “I live by the mountains, which are a constant reminder of the beauty of nature and the gift of life,” he says.

Celestial Keeper also sees the debut of Alexander’s latest trio: Kris Funn (bass) returns from 2023’s applauded Continuance and Jonathan Barber (drums), recording with the Balinese-born composer and pianist for the first time, after two years of touring. The trio is joined by Philadelphia-born Jaleel Shaw (saxophone) for three tracks. Alexander added vocals to the nix for the first time on the album, collaborating with with rising singer/songwriter Alita Moses on a new original “Whispers of Love” and Grammy Award-winning singer/songwriter Lisa Fischer on a rendition of the beloved standard “My Funny Valentine.” And in a full circle moment, the album was produced by Jason Olaine, who produced Alexander’s 2015 debut, My Favorite Things.

Celestial Keeper’s first single, sees the Grammy Award-nominated composer and pianist, tackling the beloved standard, “Stella By Starlight.” Channeling Alexander’s lifelong love of Miles Davis and Bill Evans, the young Balinese delivers a vibrant and soulful take that showcases his ability to breathe new, youthful life into an oft-covered standard.

New Audio: George Aletras Shares Shimmering “Τώρα”

George Aletras is a Greek singer/songwriter and musician, whose work sees him moving between indie rock, post rock and cinematic soundscapes, frequently blurring the boundaries between them. At times, his work leans into experimental territories, not as a statement of style, but a a natural consequence of exploration, where form isn’t followed but discovered,

Aletras’ latest single “Τώρα” is a shimmering, hook-driven bit of 80s-inspired post punk and New Wave that’s cinematic while channeling Heaven Up Here-era Echo and the Bunnymen and contemporaries like PLOHO.

New Audio: FRACTILES Share Bruising “Call Me Slick”

German electronic music duo FRACTILES — Christoph Schauer and Max Filges — features two internationally acclaimed musicians and film composers, who combine their individual energies into an uncompromising sound that meshes elements of industrial electronica, […]