Category: New Single

New Audio: Bel Cardin Shares Introspective “Trust”

22-year old Bel Cardin is an emerging, Raleigh-born and-based singer/songwriter. Coming from a family of music lovers, the young North Carolinian can trace the origins of their music career to when they picked up the guitar at 13. Raised on Smashing Pumpkins, Radiohead and Elliott Smith, Cardin later fell in love with a collection of artists that emerged in the 2010s, drawing from those artists’ penchant for melodic and crisp guitar, slightly ambiguous song structures and meticulous lyrical imagery.

Cardin’s debut, 2023’s 10-song Petrify was a melancholy, guitar-driven batch of songs recorded at their college campus’ music studio.

The North Carolinian’s latest single “Trust” is the first single since the release of Petrify. Beginning with a lengthy, dreamily atmospheric introduction featuring strummed guitar and Cardin’s heartbreakingly tender delivery, “Trust” slowly builds into a thunderous climax and gentle fadeout. Seemingly drawing from the likes of Soccer Mommy, Snail Mail and others the new single thematically touches upon previously established themes of human nature, vices, loneliness and what it means to connect with the people around them.

Sonically, the new single sees Cardin taking a bold step forward in production and songwriting while retaining elements of her previously released material. It also marks the first track from a forthcoming sophomore album.

New Audio: Genesis Owusu Shares Glistening, Woozy “BIG DOG”

Acclaimed multi-ARIA Award-winning Ghanian-born Canberra-based JOVM mainstay Genesis Owusu released this highly anticipated third album REDSTAR WU & THE WORLDWIDE SCOURGE today through OURNESS.

REDSTAR WU & THE WORLDWIDE SCOURGE sees one of Australia’s most celebrated and visionary contemporary artists construct an exposed state-of-the-day record that’s experimental yet cohesive, desolate yet ecstatic, unflinching yet free. Duality is at the core of an album that sees the JOVM mainstay layering musings on an unsettled world with piercing reflections of his, and our own places within the world. Rich in lyricism and earnest in its message, REDSTAR WU & THE WORLDWIDE SCOURGE is a resolute effort that confronts a divisive era in which humanity and its institutions seem to be ripping apart at the seams and heeds a desperate need for unity. 

Sonically drawing from and meshing elements funk, neo-soul, Brit rock and alt pop the album’s overall sound feels both sprawling and deliberate. “The world hasn’t ended yet,” Owusu. says. “We’re still moving, we’re still jumping, we’re still living, and so we shall continue. Through rain, shine, exploitation and warfare. We, the people, will always stubbornly persist, and hopefully persist hand in hand.”

The album includes the previously released “DEATH CULT ZOMBIE,” “STAMPEDE,LIFE KEEPS GOING,” and the album’s latest single “BIG DOG.” Drawing from footwork, drum ‘n’ bass, glitchcore, and alt R&B, “BIG DOG” is anchored around a dense layers of dizzying synth arpeggios and skittering beats. The acclaimed JOVM mainstay alternates between punchily delivered bars and crooning over the woozy, uneasy production. The song sees Owusu surveying the world’s wreckage and takes aim at the higher institutional forces at play while still being danceable and oddly enough, almost feel good.

Owusu says of the It’s a jam, man. Just something to have fun and feel good to. In the context of everything I’ve been releasing, the political, the disruptive, the punk – it’s important to remember what all that fighting is for: we’re fighting to be able to live life to the fullest. Live, laugh, love and all that. Fight for your right to party, as some wise men once said.

New Audio: Los Angeles’ Primitive Ring Shares a Bluesy, Black Sabbath-Styled Ripper

Loa Angeles-based power trio Primitive Ring — Bert Hoover (bass, vocals), Charles Moothart (guitar, vocals) and Jon Modaff (drums) — formed back in 2024 when Hoover and Moothart came together seeking a new creative outlet. They hauled amps and drums into bars to hone their sound, quickly settling into a sound that aimed to capture the primal essence of rock,

Last year, the band release four 7 inches on four different labels — Greenway Records, In The Red Records, Reverberation Appreciation Society and Fuzz Club. They closed out a busy year by recording their self-titled full-length debut at Echo Park-based Station House Studio with Mark Rains.

Their 11-song, self-titled, full-length debut dropped today through In The Red Recordings. Clocking in at 42 minutes, the album showcases the distinct writing styles of each member, but while anchored around an overall aesthetic of a spawning of a collective vision. The result is a pummeling, psychedelic joyride that arrives on the heels of a recent tour supporting Ty Segall.

The album features the previously released “Lies From The Other Side,” “Heads Will Roll,” and the album’s latest single “The Callous Man” Beginning with a bluesy Pink Floyd meets Cream intro, “The Callous Man” quickly morphs into an early Black Sabbath-styled ripper in which the musicians’ dexterous and muscular playing is the star of the show. Play loud and rock out y’all.

New Audio: The Healing Power of Horses Share Slinky “i wait, i sink”

The Healing Power of Horses is a mysterious and emerging East Anglia, UK-based duo, who defy easy categorization, as they prefer. They’ve spent too much time in the attic making music and not enough time outside, and as a result, they’re pallid, bug-eyed, knock-kneed and on and on.

The duo caught the attention of Los Angeles-based section1, who signed the UK-based duo and released their debut single, “i wait, i sink.” “i wait, i sink” is a slinky and sultry bit of Garbage-like trip hop that rattles, shakes and stomps about the room before fading out into the ether. Their debut single showcases a remarkably self-assured outfit that can craft a brooding yet sexy tune with incredibly catchy hooks.

New Audio: Alex Amen Returns with Homesick and Weary “California Blues”

Alex Amen is a rising, 26 year-old Texas-born, Los Angeles-based indie folk/country singer/songwriter. When he was four, he took up piano and studied with the same Houston-based jazz pianist through the end of high school. The rising, young country folk artist started playing guitar in his mid-teens after discovering Nirvana, Neil Young and the like. When he was 18, Amen relocated from Texas to California to study filmmaking — with the intention of making documentaries about rock climbing, one of his lifelong passions.

After one semester, he dropped out to focus on music full-time and moved to the Dittman Family Commune, an Anaheim-based commune with historic ties to the countercultural movements of the mid 1960s, where he started his first band, a psychedelic folk rock outfit named American Slang in 2017.“The commune was a crazy place to live—there were hippies and punks and skaters, all in this beautiful house that used to be on six acres of strawberry fields but now it’s surrounded by strip malls,” the Texan-born singer/songwriter says. ““The house was owned by a professor who’d bought it in the mid-’60s and still lived there with his family, so it had this fascinating history with the anti-war movement and renowned civil-rights/psychedelic activists from that time. We’d have these big communal meals every day and debate art and God and food and politics. It was a pretty amazing place to live for a while.”

The band broke up shortly after its formation. And Amen relocated yet again from Southern California to an island in Washington State’s Puget Sound. Over the course of the next three years, Amen spent n relative isolation, taking up interests in mycology, mountaineering, poetry and wooden boat building. But as the years began to pass, he felt an increasing need to return to California to pursue music. 

In January 2023, Amen self-produced his debut EP, last year’s The Zorthian Tapes in a self-built studio at Altadena, CA’s historic Zorthian Ranch. He now resides in Los Angeles, releasing music among the city’s growing folk/Americana/country scene and playing shows across North America and elsewhere. 

The past 18 months or so have been very busy: Last year he toured with Folk Bitch Trio, a tour that included a stop at Baby’s All Right. He has also made the rounds of the international festival circuit, playing Pitchfork Festival London and Pitchfork Festival ParisNewport Folk FestivalIceland AirwavesAustin City Limits and Outside Lands. And he participated in the Americana Music Association‘s annual Grammy Eve concert at the Troubadour to honor the legendary Neil Young

The rising young singer/songwriter recently signed to ATO Records, who will be releasing his highly-anticipated debut Sun of Amen on June 12, 2026. The album will include “Cabin by the Sea,” which features some gorgeous and expressive pedal steel from Tommy de Bourbon and strutting bass from Grammy-nominated Billy Mohler, and the album’s second and latest single “California Blues.”

Subtly channeling a mix of John Denver’s “Take Me Home, Country Roads” and the Laurel Canyon sound, “California Blues” features a homesick vagabond and wandering troubadour narrator, who illuminates an uneasy contrast between the quintessential California dream and its lived reality of heartbreaking isolation and desperation. “‘California Blues’ is a song I wrote years before I ever lived in California that somehow expressed the things I felt living there years later,” says Amen. “More than any other song made during my time in California it touched on the balance between excitement and isolation one can face when they chase their dreams out West.”

Amen is currently on tour. And along with the new single, he announces a summer run of tour dates that includes a July 29, 2026 stop at Elsewhere Rooftop. Check out the rest of the tour dates below.

New Audio: Alaska Blue Shares Brooding and Groovy “White Spaces”

Over the past couple of years, I’ve spilled a bit of ink covering the Italian indie duo and JOVM mainstays Alaska Blue — singer/songwriter Elisabeta Giordano and musician Davide Cast. The duo recently released their third full-length album, personal troubles are public issues last week.

personal trouble are public issues’ latest single “White Spaces” is a brooding, deeply introspective tune that sees the band blending elements of synth pop, indie soul and soul, featuring a strutting and sultry groove and shimmering synths paired with Giordano’s soulful delivery and the duo’s uncanny knack for catchy hooks. The result is a song that’s perfect for restless, late night drives and makeout sessions while channeling the likes of Geowulf, Still Corners and Tan Cologne among others.

New Audio: lazybed Shares Jangling, Hook-Driven “time”

Macau-based Filipino artist Richard Winstanley can trace the origins of his music career back to high school, when he started writing, producing and mixing demos using GarageBand. His first solo project, a fictional band he called The Yankies saw him writing and recording songs in both English and Filipino. Although he never released those early tracks publicly, this early work wound up laying the foundation for his future musical explorations.

Winstanley stepped away from music while attending college. But after graduation, he found his passion for music re-ignited. He publicly emerged with his second solo recording project Cardz, which saw him release 2024’s mini-album Lok Kuan Express through Bandcamp and YouTube. For the most part, music was a beloved hobby that offered him a creative escape from his full-time job.

Earlier this year, the Macau-based artist emerged with his latest solo project lazybed, which derives it name from “lazy afternoons on [sic] my bedroom making music.” lazybed reflects a shift in sonic direction that sees Winstanley embracing guitar-driven indie rock. jangle pop and psych pop. Drawing from Broken Social Scene, MGMT, Blur, Eraserheaads, Mac DeMarco and more, the Macau-based artist creates songs from his bedroom using his MacBook and Logic Pro X.

The Macau-based artist’s latest single “time” is a remarkably catchy, hook-driven song that seemingly channels 00s jangle pop, slacker pop and New Order while thematically focusing on the inevitable passing of time, getting older and feeling like you’ve wasted both time and your life away. The song is rooted in a timeless theme that would be familiar to someone in their 20s or their 40s — but with a slightly different weight.

New Audio: Jazen Happy Teams Up with Solara Harris on Euphoric “Las Guardianas”

Jazen Happy is an electronic producer and artist, who has developed a reputation for crafting an upbeat and vibrant fusion of techno and electronic dance music paired with catchy lyrics that’s inspired from both underground rhythms and mainstream trends. His latest single, “Las Guardianas” feat. Solara Harris is an upbeat and summery bit of melodic house, anchored around glistening synth arpeggios and Harris’ soulful delivery that’s simultaneously club and festival friendly — and showcases the producer’s ability to craft a remarkably catchy hook.

Jazen Happy explains that the song is inspired by Tulum sunrises and is specifically designed to create a real emotional lift.

New Audio: Joey Alexander Tackles a Beloved Jazz Standard

22 year-old, Balinese-born, Grammy Award-nominated composer and pianist Joey Alexander has spent more than a decade establishing himself as one of jazz’s most celebrated young artists, with his career starting in earnest back in 2013 when Wynton Marsalis invited him to play at Jazz at Lincoln Center Gala. Since then, Alexander has played with Wayne Shorter and Esperanza Spalding at the Obama White House, and he has been the subject of profiles on 60 Minutes, The New York Times, and a list of others.

Alexander’s third album, the Jason Olaine-produced Celestial Keeper is slated for a July 17, 2026 through Mack Avenue Records. Celestial Keeper sees the rising, young composer and pianist reflecting on creativity, faith, gratitude and personal transformation. Inspired by what Alexander describes as his “celestial keeper” — a spiritual force akin to a muse or guardian angel — the album explores the challenge of overcoming doubt and artist’s block. “There’s a spiritual force that reminds me of the gift of music that God has bestowed upon me,” Alexander explains. “That voice prompts me to keep the lamp burning or the music playing.”

The album comes during a pivotal chapter in the rising young artist’s life, following his family’s recent move back to his native Bali after spending years in New York and Baltimore. Immersing himself in Indonesia’s nature and rhythms — again — deeply shaped the album’s aura of beauty and wonder, “I live by the mountains, which are a constant reminder of the beauty of nature and the gift of life,” he says.

Celestial Keeper also sees the debut of Alexander’s latest trio: Kris Funn (bass) returns from 2023’s applauded Continuance and Jonathan Barber (drums), recording with the Balinese-born composer and pianist for the first time, after two years of touring. The trio is joined by Philadelphia-born Jaleel Shaw (saxophone) for three tracks. Alexander added vocals to the nix for the first time on the album, collaborating with with rising singer/songwriter Alita Moses on a new original “Whispers of Love” and Grammy Award-winning singer/songwriter Lisa Fischer on a rendition of the beloved standard “My Funny Valentine.” And in a full circle moment, the album was produced by Jason Olaine, who produced Alexander’s 2015 debut, My Favorite Things.

Celestial Keeper’s first single, sees the Grammy Award-nominated composer and pianist, tackling the beloved standard, “Stella By Starlight.” Channeling Alexander’s lifelong love of Miles Davis and Bill Evans, the young Balinese delivers a vibrant and soulful take that showcases his ability to breathe new, youthful life into an oft-covered standard.

New Audio: George Aletras Shares Shimmering “Τώρα”

George Aletras is a Greek singer/songwriter and musician, whose work sees him moving between indie rock, post rock and cinematic soundscapes, frequently blurring the boundaries between them. At times, his work leans into experimental territories, not as a statement of style, but a a natural consequence of exploration, where form isn’t followed but discovered,

Aletras’ latest single “Τώρα” is a shimmering, hook-driven bit of 80s-inspired post punk and New Wave that’s cinematic while channeling Heaven Up Here-era Echo and the Bunnymen and contemporaries like PLOHO.

New Audio: FRACTILES Share Bruising “Call Me Slick”

German electronic music duo FRACTILES — Christoph Schauer and Max Filges — features two internationally acclaimed musicians and film composers, who combine their individual energies into an uncompromising sound that meshes elements of industrial electronica, […]

New Audio: Modern Ideas Shares Glistening “This Is How It Hurts”

Modern Ideas is a Melbourne/Naarm-based singer/songwriter, multi-instrumentalist and producer, who specializes in dark synth pop rooted in a belief that pop isn’t about perfection, but transformation. In particular, our power to change shape, to become new forms, to have new feelings and new identities.

Drawing from 80s synth pop and contemporary darkwave, Modern Ideas’ is anchored around a simple conceit: Although modern life may be artificial, within that artifice lies the possibility of something beautiful, strange and new.

The Aussie synth pop project’s latest single “This Is How It Hurts” serves as the perfect introduction to its overall sound and approach. Built around glistening analog synths, a tight, skittering four-on-the-floor paired with an understated yet aching vocal and a remarkably catchy hook, “This Is How It Hurts” seemingly channels Depeche Mode, New Order and TR/ST while anchored around a spacious and clean, modern production.

New Audio: Philly’s Sri Lanka Shares Brooding “Eventide”

Sri Lanka is a Philadelphia-based band that originally formed back in 1986. The band quickly established a sound that draws from goth and post-punk, as well as elements of alternative rock and psych rock. They saw extraordinary popularity in the Philadelphia and New York underground music scenes of the late 1980s and 1990s before going through a series of tumultuous lineup changes following the departure of founding member and the tragic death of frontman Brett Turner

Suffering from depression, Turner took his own life back in 1989, when he was 20. The band went on to try out several vocalists before landing on Jose Maldonado. And with Maldonado, the Philadelphia-based post punk outfit went on to record and release 1992’s Shadow and Ivy EP and 1993’s Here. Friction between band members Erb and Maldonado started early on and ultimately led to the band splitting down the middle shortly after the release of Here with Erb and Chairs going in one direction, Maldonado and Stein going in another. Rob Studt retired from music altogether.

Erb went on to rejoin his original founding partner Lee Daniels and formed the band [needle] in 1995.

Back in October 2020, the band announced the forthcoming release of Leviathan on their Facebook Fan page, after a 25 year hiatus. And that November, they released the album’s title track “Leviathan.” They also released two live recordings from Christmas 1998 at Philadelphia’s Club Memphis and February 1989 at Philadelphia’s Revival.

Late last year, the band shared “Solstice,” a driving with of goth-tinged post punk that seemingly channels Cocteau Twins and contemporaries like ACTORS, while showcasing the band’s ability to craft a driving and rousingly anthemic, catchy hook and chorus.

Leviathan‘s latest single “Eventide” continues a run of driving goth-leaning post punk — but unlike it’s immediate predecessor, there’s a more of a shoegaze element to the proceedings that adds to the song’s brooding, late night vibe.

New Audio: Hallucinophonics Share Dance Floor Friendly “Ten Thousand Suns”

British indie outfit Hallucinophonics exists as the crossroads of consciousness and sound, creating immersive, psychedelic soundscapes that defy and blend the boundaries between reality and dreams. Drawing inspiration from Pink Floyd, Tame Impala, NEU! and others, they attempt to create […]

New Audio: Hannah Scott Shares Thoughtful and Politically charged “Sitting In The Dark”

Suffolk-born, London-based folk artist Hannah Scott will be releasing her newest EP Threads on June 19, 2026. Threads is the follow-up to Scott’s widely praised third album, 2024’s Absence of Doubt.

The EP marks the first effort the Suffolk-born, London-based has both written and self-produced. She worked alongside acclaimed engineer Adrian Hall and recorded piano, acoustic guitar and vocals at home — with a makeshift vocal booth in her wife’s wardrobe. The EP’s material is inspired by family, nostalgia and grief — and perhaps in a small, unexpected way, a desire to change the rental market for the better. (Shit, you got me there, lady!)

The EP’s second and latest single “Sitting In The Dark” showcases Scott’s thoughtful storytelling rooted in a subtle yet powerful critique of capitalism and the local rental market, calling out the greedy developers, landlords and others, who have helped to put her narrator in a lousy apartment that she can barely afford with shitty furniture and power outages.

I have a shitty and greedy landlord, so this song hit close to home. You’ve most likely have been there, too.