Author: William Ruben Helms

William Ruben Helms is a Corona, Queens, NYC-born and-based African American music journalist, freelance writer, editor, photographer and founder of the DIY, independent music and photography site, The Joy of Violent Movement. Over the course of the past two decades, Helms’ writing and photography has been published in Downbeat, Premier Guitar Magazine (photography), Consequence, The Inventory, Glide Magazine.com (words and photography), Publisher’s Weekly, Sheckys.com, Shecky’s Bar and Nightlife Guide 2004, New York Press, Ins&Outs Magazine, Dish Du Jour Magazine, Aussie music publication Musicology.xyz (photography) and countless others, including his own site. With The Joy of Violent Movement, Helms specializes in covering music with an eclectic, globe-trotting, and genre-defying perspective that’s deeply inspired by and informed by his birthplace and home, arguably one of the most diverse places in the world. Since its founding back in 2010, The Joy of Violent Movement can proudly claim readers across the US, Canada, the UK, The Netherlands, France, Australia, and several others throughout its history. https://www.joyofviolentmovement.com https://www.joyofviolentmovement.com/shop https://www.instagram.com/william_ruben_helms Twitter: @yankee32879 @joyofviolent become a fan of the joy of violent movement: https://www.facebook.com/TheJoyofViolentMovement support the joy of violent movement on patreon: https://www.patreon.com/TheJoyofViolentMovement hire me for headshots, portraits and event photography: https://www.photobooker.com/photographer/ny/new-york/william-h?duration=1?duration=1#

Throwback: Happy 55th Birthday, Lisa “Left Eye” Lopes!

JOVM’s William Ruben Helms celebrates the 55th anniversary of the birth of TLC’s Lisa “Left Eye” Lopes.

New Video: Dead Pioneers Team Up with Sleaford Mods’ Jason Williamson on Brooding, Post Punk-Inspired “The Worst Among Us”

Denver-based punk outfit Dead Pioneers — Josh Rivera (guitar), Abe Brennan (guitar), Shane Zweygardt (drums), Algiers’ Lee Tesche (bass) and acclaimed indigenous visual and performance artist and activist Gregg Deal (vocals) — will be releasing their third album Wagon Burner on June 26, 2026 through Hassle Records.

Wagon Burner as the band’s Gregg Deal says is “more collaborative,” while being heavier, harder and much more accessible with a focus on mosh pit friendly hooks and choruses. The album features guest spots Cheap Perfume, The Interrupters  and Sleaford Mods.  The album’s material acknowledges that things are bleak but the band rises up to our miserable occasion, casting an empowering light deep into the gloom.

The Denver-based outfit’s third album will include, the previously released “No Kings” and the album’s latest single “The Worst Among Us,” which features a guest spot from Sleaford Mods’ Jason Williamson. Arguably one of the most post-punk leaning songs of the album so far, “The Worst Among Us” is anchored around a brooding and shimmering krautrock pulse as Deal and Williamson trade spoken word-like vocal turns detailing the rot, brutality, theft, exploitation and evil of colonialism, racism, classism and more, rooted in bitter, lived-in personal experience. Resembling The Jim Carroll Band’s classic 1980 self-titled album, “The Worse Among Us” is a bold step in a new sonic direction while retaining elements of the Denver-based outfit’s sound and creative approach.

“While it’s easy for me to say I’m proud of every song on Wagon Burner, I’d be remiss by not admitting this one is one of my favorites,” admits frontman Gregg Deal. “The way it came together with (bassist) Lee at the helm of this one. This song feels like a level up for us, a piece that brings together elements that are 100% Dead Pioneers with some other elements that are new. I’ve said this before, and I’ll say it again, but we really are about the art of this work. ‘The Worst Among Us’ is in this camp, recognizing that we sometimes will find lightening in a bottle more than once while on the Dead Pioneers path.”

“I wish I could express how excited I am to have Jason on this track with us,” Deal continues. “Lee introduced me to Sleaford Mods in 2021 when we met and pulled together ‘Bad Indian.’ In the space of the original idea of Dead Pioneers being ‘spoken word with punk riffs,’ Lee pointed me to Sleaford Mods and their then new album Spare Rib. I’d be lying if I didn’t admit that I’ve been proper obsessed with Sleaford Mods since. This feels like another full circle moment for Wagon Burner, and I am sincerely humbled to share space with the likes of Jason Williamson.

“Colonialism, imperialism, theft, murdering, oppressing and death? All the things a song needs, capped off by the unmistakable cadence and voice of Jason Williamson. This song was an important one lyrically, in presenting some personal experiences while acknowledging the more general grievances of colonialism and imperialism. This moment in the world’s history is more poignant than most for a song like this. Saying the things that need to be said on a political, social and cultural level is wildly important right now,” Deal says.

“’Nabbing lands, traditions or symbols with cunning chicanery or beady eyed brute force.’ How could I not be on a tune with lyrics like these?” Sleaford Mods’ John Williamson says. ” ‘The Worst Among Us’ is the kind of song that revitalises the idea of Punk within the listener. Wrapped up in some weird Cure/Sisters Of Mercy vibe to boot. Very honoured to be included.”

Directed by Lee Tesche, the accompanying video for “The Worst Among Us” is a remarkably cinematic visual that features Nouveau Vague-styled split screens, brooding silhouettes, and footage of Dead Pioneers’ Deal in his art studio and with some indigenous friends and family, as well as Sleaford Mods’ Williamson in abandoned, damp tunnels and abandoned train tracks.

New Audio: Shaina Haynes Shares Shimmering “Timid”

Shaina Hayes is a Montréal-based singer/songwriter, whose work effortlessly blends folk pop clarity with alt-country warm and a deep attention to emotional detail paired with graceful vocals, thoughtful lyricism. Her debut, 2022’s to coax a waltz and 2024’s sophomore album Kindergarten Heart helped the Montréal-based singer/songwriter firmly cement her intimate songwriting.

Alongside her musical career, Hayes continues to operate a vegetable farm in the tiny, rural Quebecois hometown, where she grew up. Fittingly, the land remains a grounding force in her life, shaping her sense of rhythm, patience and presence. Her dual existence as a touring musician and a hands-on farmer, informs the clarity and steadiness that runs through her work.

Kindergarten Heart received coverage from Consequence, KCRW, The Line of Best Fit, Under the Radar, Far Our Magazine, Uncut, BBC Radio 2, BBC Radio 6. The album landed on the year-end lists of Le Devoir, Radio Canada, CISM, DOMINIONATED, Le Canal Auditif and a lengthy list of others. Both albums were supported with tours opening for the likes of The War on Drugs, The Barr Brothers and JOVM mainstay Elisapie.

Earlier this year, she released “Flourish” which received praise from Clash, Wonderland and RTÉ. Hayes’ latest single “Timid” comes on the heels of a short European tour opening for The Barr Brothers. “Timid” is a breezy and shimmering indie pop take on her long-held folk sound, while arguably being one of the more hooky songs she’s released to date.

Recorded in Montreal with a backing band featuring Francis Ledoux (drums), Étienne Dupré (bass), David Marchand (electric guitar), and Lysandre Ménard (upright piano) “Timid” sees Haynes and her collaborators balancing on a tightrope between jam-like looseness and taut, almost mathematical precision, rooted in the warmth and earthiness she’s long been known for. Sonically resembling Julia Jacklin, the new single is an ode to introverts and quiet thinkers; a song that celebrates the richness of the inner while gently encoring vulnerability and self-expression.

“‘Timid’ was a track that came about during a period when I was listening to a lot of Julia Jacklin and Billie Marten. Lyrically, I wanted to explore the idea that even at our most articulate, the way we express ourselves is just a tiny glimpse into what’s actually going on inside us – that we contain whole, unseen universes,” Haynes explains. Ultimately, ‘Timid’ is a song about everything we feel but rarely manage to express.”