Category: Video

Video by William Ruben Helms

Lyric Video: TEKE :: TEKE Shares Punchy and Expansive “Shura”

With the release of their 2021’s debut Shrirushi and 2023’s Hagata, Montréal-based Japanese psych rock outfit and JOVM mainstays TEKE :: TEKE quickly cemented an explosive, genre-defying blend of psych rock, surf rock, experimental music and traditional Japanese instrumentation paired with the distinct vocals and visual artist of frontperson Maya Kuroki. The Canadian outfit’s adventurous compositions and electrify live performances have held to widespread international praise, including from The New Yorker, The Times and Billboard Canada.

Last year, TEKE :: TEKE expanded upon their international profile by contribution original compositions to Assassin’s Creed: Shadows.

Recently, the Montréal-based band have teased studio sessions for their highly-anticipated third album while going through recent a lineup change: The band has gone from a septet to a sextet while featuring a new rhythm section of Camilly (bass) and Oli Bernachez (percussion). Their newest single “Shura,” which was part of those teased studio sessions was released today through Kill Rock Stars.

The endlessly shifting “Shura” continues their remarkable run of playfully adventurous and cinematic material, blending psych rock, film scores, post-punk and traditional Japanese folk instrumentation rooted in their distinct spirited and punchy moxie before closing out with a cacophonous crescendo.

Deriving its title from an abbreviated form of Ashura (or Asura), a divine figure, whose name appears across many cultures. Often associated with a relentless, almost reckless fighting nature, the figure also represents intense struggle and conflict, while continually transforming through those experiences.

Drawing from ancient mythology and Buddhist philosophy, “Shura” explores the beauty of struggle, transformation and perseverance with a deeply human reflection on the realities of fighting through life’s seemingly endless challenges — with your dignity most intact. The song opens with the band’s Maya Kuroki singing “Shogyo Mujo,” a Buddhist expression that translates into English as “the impermanence of all things,” and is famously echoed in the opening lines of the Japanese epic, The Tale of the Heike. But rather than just simply embracing the philosophical conceit that everything is temporary, “Shura” actively questions who gets the privilege of contemplating such ideas from a place of comfort and protection, while others are in the muck and grime of every day life, desperately fighting to stay afloat. And yet, there’s something beautiful, deeply human and extraordinary when one blooms with all of their strength.

“‘Shura’ was the first song idea we explored for new music,” the band’s Sei Nakauchi Pelletier explains. “The various musical elements that make up the song emerged over a fairly long period of time in the dead of winter and the song went through several versions before settling on this one. Unconsciously, as if to honor the song’s lyrics about changes and impermanence, the music, while raw and heavy like the figure that is ‘Ashura’, also took on a somewhat unpredictable form, with a sudden change of pace for the song’s instrumental build-up finale.”

Directed by the band’s Maya Kuroki, the accompanying video for “Shura” is a mind-bending journey through the beautiful and odd muck, slime and mess of human life.

Video by William Ruben Helms

Throwback: Happy 81st Birthday, Neil Young!

JOVM’s William Ruben Helms celebrates Neil Young’s 81st birthday.

Video by William Ruben Helms

New Video: Twin Temple Shares Soulful and Yearning “Haunt Me”

Acclaimed Los Angeles-based duo Twin Temple — married couple Alexandra and Zachary James — released their Shooter Jennings-produced third album Doomed Lovers through their own Pentagrammation Records back in October.

Recorded at Hollywood-based Sunset Sound‘s iconic Studio 3, Doomed Lovers marks the duo’s boldest chapter to date. Born from one of the darkest periods of their personal lives, Doomed Lovers is reportedly their most intimate and emotionally revealing work to date. Expanding upon the cinematic scope of the sound that has won them acclaim while remaining rooted in the timeless sound and traditions of early rock ‘n’ roll, the album is their most ambitious and fully realized artistic statement so far. The album continues the band’s commitment to analog recording while expanding upon their sound with lush orchestral arrangements performed by a 37-member orchestra. Yes, 37!

“We poured everything into this new record that we made with Shooter,” says the acclaimed and controversial duo. “We wanted to push ourselves creatively and expand the production further than we have before, drawing inspiration from the lush orchestral productions of Roy Orbison, The Ronettes, and The Shangri-Las, and added in some Countrypolitan flair. We brought in some incredible musicians like Matt Chamberlain and Jay Bellerose, and a 37-piece orchestra. We wanted to make something as beautiful as we possibly could – of course with our dark spin on things.”

The truth is, this album was made during one of the darkest periods of our lives. We had been struggling with grief, health issues, addiction, and depression. But day by day, going into Sunset Sound, making music with incredible people who believed in us, and being surrounded by that creativity slowly brought us back to life. We started smiling and laughing again. I was becoming alive again. It connected us to why we fell in love with music in the first place and became our most personal album yet.”

The album includes the breathtaking gorgeous, album title track “Doomed Lovers,” “Nothing Matters” and “Haunt Me.” “Haunt Me” is a decidedly twangy, Wall of Sound-meets-Sun Records-like tune with a subtle node to gospel that should remind the listener that country’s iconic period is heavily indebted to gospel, the blues and a early rock ‘n’ roll. That’s right, think of some of those early Elvis Presley, Johnny Cash, Jerry Lee Lewis, Little Richard and Chuck Berry albums — but rooted in a confusing, paradoxical mix of dread, jealousy, fear and longing that feels lived-in and deeply experienced. 

“‘Haunt Me’ is a gothic love song about fear, obsession, dread and jealousy with nods to classic American gospel, 1960s rock n roll and the blues,” the duo explain. “It romanticizes the terrifying nightmares your lover brings, and the paradox of never wanting them to stop haunting you.”

Featuring live footage of the band performing on hand-developed Super 8 film while the band was on tour back in September, the accompanying video for “Haunt Me” was shot, edited and directed by Dante Capone.

Video by William Ruben Helms

Throwback: Happy 73rd Birthday, Andy Partridge!

JOVM’s William Ruben Helms celebrates XTC co-founder and primary songwriter Andy Partridge’s 73rd birthday.

Video by William Ruben Helms

New Video: Amsterdam’s Baby Berserk Shares Trippy “French Manicure”

Born at the intersection of punk, fashion and club culture, Amsterdam-based trio Baby Berserk — Lieselot Elzinga, Eva Wijnbergen and Mano Hollestelle — have spent the past years building a world entirely of their own in which raw guitars collide with drum machines, glamour meets chaos and the boundaries between the dance floor, the stage and runway are continuously blurred.

The Dutch trio’s third album, Psycho Dance Sleaze is slated for a March 19, 2027 release through Les Disques Bongo Joe and Mothland. Drawing on their shared roots in Amsterdam’s punk and garage scenes, the trio reconnects with their visceral energy of live instrumentation while pushing deeper into the electronic territory that has defined their sound. Sonically, the material moves freely between garage rock, post-punk, indie dance and rave culture as a way of simultaneously embracing both the physical intensity of rock ‘n’ roll and the irresistible grooves of dance music.

The result is an effort that showcases the Dutch trio’s approach — instinctive, irreverent, unpredictable and driven by a deep-seated belief that exciting things happen when different worlds collide.

Psycho Dance Sleaze’s latest single “French Manicure” is a trippy blend of slashing, post punk-styled guitar attack, machine gun-like staccato beats, glistening synths and woozily buzzing bass synths paired with lyrics delivered in a punchy yet sultry mix of French and English non-sequiturs, and a remarkably catchy hook. The result is a song that sounds as though it could have been released during the height of the indie sleaze era — but with a distinctly European flair and sophistication.

Filmed and edited by Sara Elzinga, the accompanying video for “French Manicure” follows the trio driving around Amsterdam in a convertible pink Cadillac looking stylish, vamping and overall being cooler than you’ll ever be.

Video by William Ruben Helms

New Video: Always You Share Glistening and Breezy “Shadow Play”

Los Angeles-based duo Always You — twin brothers Christoph and Anton Hochheim –will be releasing their third album, the Jack Tatum-produced Against The World is slated for a Friday release through Hit The North Records.

With Jack Tatum at helm guiding production and mixing, he tirelessly broke down and then reconstructed all the elements of the material with the twins, pushing the album’s overall sonics to the absolute breaking point while still retaining their signature sophtisipop sheen. Throughout the album’s run time, heavy guitars and bending sheets of white noise clash over frenzied hi-hats and The Prodigy-like sub bass. Abrupt starts and stops seemingly crash down with the weight of the world. Drum ‘n’ bass and house beats thump over soaring melodies and chopped up vocal samples. The ballads seemingly sparkle with more heart and tension than anything in their previously released work.

Thematically speaking, Against The World is a statement for and against the times: a manic manifesto drawing a line in the sand, pointing out that love is the only resistance against the forces manufacturing distance and endless dissent between us. It’s a rallying cry pushing for something better, a staunch refusal of the status quo, fueled by the belief that we all deserve much better. The album’s material is rooted in the deep sense of longing for something, hell, anything else than this — a different reality, an alternate timeline, anything. Increasingly divorced from the world around us, the false promises of a new lover, a new leader, a quick and seemingly effortless salutation or a new savior become impossible to resist. That fantasy leads us further and further underground, leaving miles of rubble in its wake and keeping us all just out of reach.

Against The World will include”1994,” “Eye to Eye,” and the album’s final pre-release single “Shadow Play.” “Shadow Play” is the album’s most sophistipop-leaning tracks of the released singles. Featuring glistening synths, thumping electro pop-like beats, “Shadow Play” is a breezy tune that’s rooted in inquisitive themes.

“‘Shadow Play’ is about living for an imagined audience,” the duo explain. “We all do this to some extent in life and in love. Relationships are a type of performance, with specific roles that get cast and stories that get etched out and retold with time. It’s about love as a projection, as something very personal to a person rather than something created by two, and the dangers of copy and pasting that onto others.”
 

The accompanying video for “Shadow Play” follows a woman and one-half of the duo performing — in their own way– for an audience with concert strobe lights to emphasize the performative nature at the core of the song.

Video by William Ruben Helms

New Video: Alain Void Shares Brooding “Amo questa vita”

Alain Void is an Italian electronic music scene and producer, who first emerged into the synthwave and electro pop scenes in 2022 with his solo recording project Empty Essence, which saw him blending elements of post-punk, electro pop and darkwave paired with lyrics that frequently tackle philosophical themes.

Void eventually stepped out into the spotlight as solo artist, writing and recording under his own name. His work as a solo artist has largely been inspired by the nee to spread awareness and awaken consciousness through music.

The Italian artist’s latest single “Amo questa vita” continues a run of material that pairs Void’s remarkably Dave Gahan-like vocal with a brooding early era-meets-Violator-era Depeche Mode-inspired production featuring layers of glistening and shimmering synths, a motorik-like bass synth-driven groove and industrial beats. “Amo questa vita” thematically touches upon accepting oneself entirely — including their complicated history.

The accompanying video was shot in black and white and follows Void wandering through a wood area and in graffiti-strewn ruins — and in some way it reminds me of early era MTV videos.

Video by William Ruben Helms

Throwback: R.I.P. Richard Lloyd

JOVM’s William Ruben Helms celebrates the life and music of Television’s Richard Lloyd.

Video by William Ruben Helms

Throwback: Happy 83rd Birthday, Joni Mitchell!

JOVM’s William Ruben Helms celebrates Joni Mitchell’s 83rd birthday.

Video by William Ruben Helms

New Video: JOVM Mainstays Yoo Doo Right Share Patient, Shimmering “Tortue”

Montréal-based experiential rock outfit and JOVM mainstays Yoo Doo Right‘s fourth album, the Ky Brooks co-produced Build and Rest by the Shepherd’s Light was officially released today through Mothland.

Build and Rest by the Shepherd’s Light‘s material ranges from eardrum shatteringly loud forays into post-rock and krautrock, highly-tempered, effects-driven pieces seemingly drawing from ambient, noise, done and more. Eschewing genre strictures and boundaries, the album sees the band — currently Justin Cober (guitar, bass, VI, synthesizer, piano, tape recordings and vocals) and John Talbot (drums, percussion) — opting for a symbolic approach to creation, with each of its different pieces free to unfold in a myriad of ways upon each listen.

From its creators’ point of view, Build and Rest by the Shepherd’s Light chronicles the hardships of artistic resolve, acknowledging the daily grind required to keep the momentum while embracing the shared joy of the creative process. Throughout the album’s runtime, there’s an underlying tribute to the communities that foster art: “Industriestraße 9” pays homage to a defunct Luzerne squat where they used to play. Symbolism seeps through song titles like “Tortue,” “Sofort, Si fort,” and “To Be a Lambskin (Or to Be the Whole Flock)”, which offer enigmatic glimpses into creative vision. Co-producer Ky Brooks contributes a spoken word poem to album track “Neighbours Report Their Neighboours.” Timothy Aaron Brynan, who recently joined the duo on tour was invited to play bass on “Doldrums, Doldrums, Eviler Than the Devil,” a song that has quickly become a live set staple. Additionally Jessica Moss (violin) and Francis Leduc-Bélanger (trumpet, flugelhorn) make vital contributions to the album.

The Ky Brooks co-produced album was recorded at Montréal’s Hotel2Tango and Studio Error 403. Seth Manchester mixed the album at Providence’s Machine with Magnets. Amal Lal mixed the album at Oakland’s Macro Sound. The album’s cover art is a photo taken in Ovronanz, Switzerland by Julia Bender.

“There is a lot of joy and laughter in this album. For the first time in a while, we were feeling enriched and energized by what we were creating, the instruments we were using, and what was coming out,” the band says in a lengthy statement. “The record is us looking at our place in the world and deciding we were still committed to making music together. Boldly doing so with as much joy as we can drag out of the dried roots of modern day life. Rather than the anxiety-inducing white knuckle ‘when is it going to break’ energy we have worked with in the past, this record is optimistic but pensive. It holds onto the idea of transcendental musical themes and is deeply rooted in repetition and a clear momentum. A momentum we hope moves people, whether it is in thought or the physical.

“The title—Build and Rest by the Shepherd’s Light—highlights the main themes and motifs of the record as it stands. Rest and build, and rest and build, and rest and build… What else is there in our stories? Everyday is caring for ourselves and then doing everything in your power to care for those around us. A heroic journey is nothing but helping set camp up every night and making sure everyone is fed. A person’s ‘shepherd’ is defined by themselves, whether it’s music, their friends and families, their companion animals, or the very equipment they use to create! In each of our lives, we have the potential to draw strength and find rest in what is around us, build and rest by the shepherd’s light.

“Half the record came fully-formed, the other half was born of improvisational jamming. Originally made as pieces of music to help his partner sleep, Justin created ‘Industriestraße 9’ and ‘Neighbours Report Their Neighbours’ while isolated in a cabin over the Winter. ‘Doldrums, Doldrums, Eviler Than the Devil,’ ‘Tortue,’ and ‘Build and Rest by the Shepherd’s Light’ were us just having lots of fun in the studio, being excited by new ideas and sounds, challenging ourselves to dive deeply into new grooves and styles. The rest were either old ideas born anew or fully conceptualized pieces brought to life. While quite exploratory in its sonic landscape, we see the record as one cohesive story. A cinematic exercise that we hope people listen to in full.

We recorded with co-producer Ky Brooks. They are one of our favourite artists and a dear friend so the choice to have them hop on was an easy and exciting one. We booked studio time with no intention of finishing a record. The goal was to lay down some new ideas and get in the mindset of recording. Hotel2Tango is an incredibly warm and creatively conductive place for us. For four days straight, we put in 12-14 hour days and routinely got lost in the haze of creative fervor. Timothy joined us to record “Doldrums […]”. Jessica, Ezra, and Francis’ instruments, as well as Ky’s vocals, were recorded at Error 403. Having finished recording, we of course turned to Seth (mixing) at Machines with Magnets and Amar (mastering) at Macro Sound  to elevate the album.”

Over the past handful of months, I wrote about album tracks “Doldrums, Doldrums Eviler Than the Devil,” and “Sofort Si Fort.” The album’s latest single “Tortue” is a remarkably restrained yet expansive, shoegazer-like take on post-rock that sees the band patiently adding sonic layer upon sonic layer, beginning with droning modal harmonies, furtive melodic bursts and free-flowing percussion. And as the song progresses, a new element is introduced until the song reaches a gorgeous, dream-like coda featuring bass VI, guitar, shimmering synths and twinkling piano.

The accompanying video by visual artist Trevor Yardley-Jones is fittingly a painterly and downright trippy visual that layers the colors and increase with intensity.

Video by William Ruben Helms

New Audio: IFULKI Shares Uplifting and Empowering “Moment”

London-based trio IFULKI features musicians shaped by a culture of improvisation, openness and collaboration:

  • Queen Kaltoun, a Moroccan-Italian vocalist, who relocated to London when she was 189 to pursue a career in music

  • Charlie, an English-born bassist and synth player with Irish and Ghanian roots

  • Ayman, a Sudanese drummer and percussionist

Each member of the trio have spent years performing across London’s live music circuit, playing sets at Ronnie Scott’s, Jazz Cafe and Village Underground and a long list of others, while collaboration with a collection of boundary-pushing artists including David Mrakpor, Rebekah Reid, Mei Kirby, Ayo Salawu, Arowah, Tay Grace, and NK-OK.

The London-based trio have quickly established a unique blend of Gnawa inferences, electronic textures and live instrumentation helps to create a sound that’s deeply rooted in ancient traditions while being remarkably modern. Rather than remaining within the boundaries of jazz, the project for the trio became the meeting point of everything the inspired them — the freedom of improvisation, the emotional depth of electronic music, trip-hop and soul, and the philosophy of Queen Kaltoum’s Amazigh heritage.

Driven by spacious electronics, hypnotic rhythms and deeply instinctive interplay between the trio, the band’s music consistently prioritizes deep feeling over sterling perfection. That philosophy stems directly from their name: “‘Ifulki’ means ‘beautiful’ in the Amazigh language,” Queen Kaltoum shares. “It’s a celebration of the beautiful people and beautiful connections we encounter in this life. I’m Moroccan, and I come from the Amazigh people, an Indigenous people from North Africa. I want to pay homage to my ancestors. They’ve carried such a strong sense of community through generations, and that’s something I want to celebrate.”

For Queen Kaltoum beauty isn’t something superficial. Beauty exists in kindness, generosity, solidarity and the relationships we build and maintain with each other. Those values, which are deeply embedded within Amazigh culture, quietly shape every aspect of the emerging London-based trio’s creative vision — one, ultimately born, as Queen Kaltoum says, “from a need to bring people together.”

The rising London-based trio’s debut EP Something Greater is slated for a December 4, 2026 through [PIAS]’s new imprint SOURCE. The EP will feature the previously released EP title track “Something Greater,” and the EP’s latest single “Moment.” Built around a strutting and irresistible bass line, skittering hi-hats and atmospheric synths, “Moment” is a seamless blend of soul, trip hop and dance music rooted in a urgent, empowering message about calming one’s space and embracing the present with an unapologetic confidence delivered by an equally powerful vocal. In tone and message, the new single nods a bit of Aretha Franklin’s 1994 cover of C+C Music Factory’s “Pride (A Deeper Love).” But at its core, the result is a much-needed blast of affirmation and uplift — and a reminder that you can’t let anyone dim your shine, ever.

 The track is a call to recognise your moment when it arrives and refuse to let it pass you by,'” IFULKI’s Queen Kaltoum explains. “It’s about claiming your space, pushing through resistance and refusing to let anyone diminish what you’re building. At its heart, though, ‘Moment’ is also a reminder that strength doesn’t have to be solitary: sometimes, the right people beside you make all the difference.”