Tag: Big Fish Frya liter stoft

Single Review by William Ruben Helms

New Audio: Big Fish Shares Brooding and Folksy Industrial Hymn “Vad blir kvar (What Will Remain)”

Back in 1988, four Uppsala, Sweden-based teens decided to start a band after returning from a trip to West Berlin. Heavily inspired by the avant garde scene there, Big Fish‘s original lineup featured vocals, upright bass, samplers and scrap metal percussion. With the addition of a guitarist in 1990, the newly-minted quintet became part of an emerging local scene that would subsequently birth acts like Watain,Misery Loves Co., Lost Souls, Malaise and Defleshed. 

Throughout the better part of the 1990s, the Swedish outfit recorded three studio albums, including 1996’s Micheal Blair-produced Andar i Halsen, which they supported with frequently touring across Scandinavia, playing over 500 shows. 

The band broke up in 1997 after its members left Uppsala for work and studies. But their fanbase’s clamoring demand for hearing their material live resulted in the Swedish band playing a handful of reunion shows in 2016. 

2022’s surprise fourth album, Kalla döda drömmar was released to critical praise and was supported by extensive touring across their native Sweden. The band spent the next year writing and recording material, including six planned singles which will appear on the band’s forthcoming fifth album, Frya liter stoft (Four liters of dust) slated for release in May.

Late last year, I wrote about “SNÖ (Snow),” a brutally forceful and thrashing ripper, anchored around down-tuned and rumbling bass, fuzzy power chords. thunderous syncopated drumming and rousingly anthemic and enormous hooks and choruses paired with urgent and punchily delivered vocals singing lyrics in Swedish that describe a return from a bleak, metaphorical winter of isolation — or perhaps intoxication — and discovering that nothing is left. But at its core, the song captures uneasy, brutal nature of our bleak, mad, mad, mad existence.

Album single “Vad blir kvar (What Will Remain) ” is a brooding yet folksy industrial hymn that evokes bleak, dark and harsh winters; trudging through snow, ice and slush to some equally harsh, soul-crushing industrial workplace to make widgets, ball bearings and ammunition; of recognizing that there are small moments of breathtaking beauty and humanity that can be a respite in a brutal world.

Single Review by William Ruben Helms

New Audio: Uppsala’s Big Fish Shares Brutal and Forceful “Snö”

Back in 1988, four Uppsala, Sweden-based teens decided to start a band after returning from a trip to West Berlin. Heavily inspired by the avant garde scene there, Big Fish‘s original lineup featured vocals, upright bass, samplers and scrap metal percussion. With the addition of a guitarist in 1990, the newly-minted quintet became part of an emerging local scene that would subsequently birth acts like Watain, Misery Loves Co., Lost Souls, Malaise and Defleshed.

Throughout the better part of the 1990s, the Swedish outfit recorded three studio albums, including 1996’s Micheal Blair-produced Andar i Halsen, which they supported with frequently touring across Scandinavia, playing over 500 shows.

The band broke up in 1997 after its members left Uppsala for work and studies. But their fanbase’s clamoring demand for hearing their material live resulted in the Swedish band playing a handful of reunion shows in 2016.

2022’s surprise fourth album, Kalla döda drömmar was released to critical praise and was supported by extensive touring across their native Sweden. The band spent the next year writing and recording material, including a six planned singles which will appear on the band’s forthcoming fifth album, Frya liter stoft (Four liters of dust) slated for release next year.

Frya liter stoft‘s third and latest single “SNÖ” (Snow) is a brutally forceful and thrashing ripper, anchored around down-tuned and rumbling bass, fuzzy power chords and thunderous syncopated drumming, rousingly anthemic and enormous hook and chorus paired with urgent and punchily delivered vocals singing lyrics in Swedish describing a return from a bleak metaphorical winter of isolation — or perhaps intoxication — and discovering that nothing is left.

“SNÖ” manages to capture the uneasy brutal nature of our bleak, mad, mad existence. All is very dire now, y’all.