Tag: Charm School

New Audio: Los Angeles’ Charm School Shares A Thumping Club Banger for Our Dystopian Hellscape

Los Angeles-based electronic music act Charm School features Louisville, KY-born, Los Angeles-based multi-hyphenate artist and frontman Andrew Sellers and his longtime collaborators Matt Filip and Dave English. Sellers grew up immersed in Louisville’s underground scene, soaking up the work of local acts like Slint, Crain and Rodan, as well as the catalogs of beloved Chicago indie labels Touch & Go and Drag City. Later, Sellers got into PIL, Swell Maps, The Fall and Fugazi and The Nation of Ulysses. All of that informs Charm School’s sound and approach.

Their debut EP, 2023’s Finite Jest introduced listeners to a philosophically-minded, crushingly loud critique of modern life’s increasingly maddening realities. Last year’s full-length debut, Debt Forever introduced a broader range of influences and a much more acerbic viewpoint with lyrics drenched in salty, satirical humor.

Released earlier this year, Schadenfreude Ploy EP picks up where Debt Forever left off, musing on humanity’s tortured psyche and the confounding implications of living in a technocratic, dystopian hellscape in which tech billionaires, AI and modern life’s various manipulative traps are ubiquitous and seemingly inescapable.

Continuing a remarkably prolific period, the Los Angeles trio’s latest single, the Matia Simovich-produced “Desolation” is a hook-driven, EBM/darkwave/goth banger featuring 80s synthclavier stabs, thumping 808s paired with Sellers dryly sardonic yet simultaneously sincere delivery. Sonically bringing the likes of early Ministry, Depeche Mode, as well as contemporaries like Public Circuit to mind, the song is a club anthem for our dystopian hellscape. The world’s on fire and everything seems hopelessly fucked, so have a little fun, dance and sweat it out with some other humans.

New Audio: Charm School Shares Krautrocky “Happiness Is A Warm Sun”

Louisville, KY-born and-based singer/songwriter and musician Andrew Sellers, a.k.a. Andrew Rinehart has paid his dues in both New York’s and Los Angeles‘ DIY music scenes. His various bands have played with acts like Joan of Arc, Grizzly Bear and At The Drive-In.

Sellers’ latest project Charm School, which features longtime collaborators Matt Flip, Drew English, Brian Vega and Jason Bemis Lawrence signals a move away from his previous efforts, including his recent duet with Bonnie Prince Billy, and towards a much darker, more aggressive sound that sounds a bit like 70s post punk and No Wave with a bit of 90s post rock.

Charm School’s debut EP, Finite Jest was released earlier this year to praise from Queen City Sounds & Art and Post-punk.com among others. Building upon a growing profile, the project’s full-length debut, Debt Forever is slated for a January 24, 2025 release. The album’s latest single “Happiness Is A Warm Sun” is reportedly even more of a departure from an aesthetic that’s more along the lines of METZ and Protomartyr, and sees the band locking into a tight and jammy krautrock groove with swirling guitar textures paired with Sellers’ adopted Lou Reed-like singsongy delivery.

“This song is kind of an outlier on the record,” the band explains. It’s the only song that was basically improvised in the studio, and the only one where the lyrics were written sort of ‘automatically.’  They’re all ideas that have been swirling around in the collective unconscious for awhile now, pertaining to the intense state of the world: the rise of fascism, ongoing wars, financial pressure, overpopulation, media at a million miles per hour, the spectre of the algorithm, the total lack of empathy online, etc.”

The Portland, OR-based multi-instrumentalist and singer/songwriter Jenny Logan may arguably be one of her hometown’s quietly kept and most talented secrets as Logan is a member of grunge of pop trio Loveboys, post-punk act Miss Rayon and guitar pop act Sunbathe, who I recently saw open for Typhoon at Music Hall of Williamsburg (more on that later). Along with that, Logan had a stint playing bass for Summer Cannibals and keyboards for a Seattle-based Rolling Stones cover band. Amazingly, the incredibly busy Logan managed to squeeze in the time to pursue her own singular musical vision with her solo recording project Deathlist, releasing her attention grabbing Deathlist debut last year, an effort which found Logan playing almost every instrument.

Slated for a March 9, 2018 release, Fun, the follow up to her Deathlist debut was written and recorded in the aftermath of the death of her best friend, and as a result, the material focuses on the grief and despair of a seemingly solitary mourner, with its narrator finding herself contending with a harrowing and impossible to answer question: how does one continue a conversation with someone, who will never be there again? And while the ironically titled Fun may feature some of the most achingly personal material that Logan may have arguably ever released, it points to one of the most universal experiences any of us will ever know: someone we love, respect and cherish will die, and we’ll brokenheartedly fumble through some portion of our lives, desperately trying to find some larger meaning to all the lingering ghosts of our pasts — or some convenient closure, when there never really is. Yet, we find a way to push on, to find some beauty and occasionally even acceptance within chaos.

Unsurprisingly with the material focusing on death and loss, Logan’s cites Christian Death, Sisters of Mercy and Suicide as inspiring aspects of the album’s sound, and while you’ll hear hints of that on album single “Charm School,” as Logan pairs buzzing and slashing guitars with throbbing, propulsive bass, forceful, industrial-like drum machines and razor sharp hooks; but I also hear hints of Sixousie and the Banshees, The Cure and Dirty Ghosts as the song manages to channel confusion, sorrow and anger — simultaneously and within a turn of a phrase.