Tag: Cutters Records

Earlier this year, I had written about Los Angeles, CA-born and based producer and multi-instrumentalist Ronald Kaufman, who began his solo, electronic music recording project Kauf after several experimental rock bands split up — and an eventual return back to his hometown. Kaufman received international attention for the release of his critically applauded As Much Again through Cut Copy‘s Dan Whitford’s highly-regarded indie dance/indie electro pop label Cutters Records. And adding to a growing internationally recognized profile, Kaufman toured with Cut Copy,   Maribou State and others, as well released remixes of the work of PoliçaThe Big Pink and Public Service Broadcasting and others.

Regrowth, Kaufman’s forthcoming full-length debut is slated for a 2017 release and thematically the album’s material reportedly will focus on exploring the small fractures that come about within one’s closest relationships — the ones that have long been there; but have been willfully or ignored or conveniently missed until a situation in which you’re forced to try to repair the relationship before it shatters. And unsurprisingly, as a result the material also focuses on the denial and doubt that can blind and distract you from relationships issues. The album’s first single “Through the Yard” bore a resemblance to Zonoscope-era Cut Copy as the song possessed an ethereal tropicalia — shimmering synths are paired with sweaty, tropical beats and Kaufman’s plaintive and yearning vocals in a song that evokes a sweaty and lingering fever dream full of regret and doubt.

 

 

The album’s latest single “Pacify” is a lush and slickly produced single consisting of shimmering and twinkling synths, swirling and undulating electronics, a sinuous guitar and bass lines paired with Kaufman’s plaintive vocals in a song that describes a relationship, in which every bitter sentiment and feeling has been revealed in a nasty fight  — and it does so with an accuracy in a mid tempo song that sounds as though it could have been released in 1984 while drawing from I Love You It’s Cool-era Bear in Heaven and others.

 

Ronald Kaufman is a Los Angeles, CA-born and based producer and multi-instrumentalist, who began his solo electronic music recording project Kauf after his early experimental rock bands split up and a return back to his hometown. When Cut Copy‘s Dan Whitford released Kaufman’s critically applauded As Much Again through Whitford’s highly-regarded indie dance/indie electronica label Cutters Records, Kaufman quickly received international attention; in fact, Kaufman has toured with the likes of Cut Copy, Maribou State and others — and he’s remixed the work of Poliça, The Big Pink and Public Service Broadcasting and others.

His forthcoming full-length debut Regrowth reportedly will explore the small fractures that come about within one’s closest relationships — the ones that have long been there but have either been willfully ignored or conveniently missed until you recognize that you should try to repair it before it shatters to pieces before your eyes. And as a result much of the material also explores the related themes of denial and doubt but with a sense of hope — that you can actually get things right if you’re truly honest with yourself and about your motivations. The album’s first single “Through the Yard” sonically bears a resemblance to Zonoscope-era Cut Copy as the song possesses an ethereal tropicalia — shimmering synths are paired with sweaty, tropical beats and Kaufman’s plaintive and yearning vocals. In some way the song feels like a sweaty and lingering fever dream; the sort of fever dream that at its core possesses a palpable sense of regret and doubt.