Tag: Deep Forest Green

Finish electronic music act Husky Rescue have developed a reputation across both their native Finland and Scandinavia for a songwriting approach that focuses on restless experimentation — and for material that sonically and aesthetically walks a very careful tightrope between anxious tenseness and childlike innocence.  The band’s last album The Long Lost Friend will be re-issued worldwide on December 11 as a double album — the first album is comprised of original album’s eight previously released tracks; however, since the initial recording sessions and release of Long Lost Friend, vocalist Johanna Kalén left the band because of health issues, so the second album consists of material written by Marko Nyberg (vocals and production), and Antony Bentley (composer and musical director).

Now if you’ve been frequenting this site over the past month, you may recall that I’ve written about Husky Rescue and Long Lost Friend‘s first single “Deep Forest Green.” But some backstory may be a little necessary: According to press notes, there actually is a real story of a long lost friend that informs the material on original album. As the story goes, the long lost friend in question was someone Nyberg was particularly close to throughout most of his childhood — in fact, the two played music together and had a deep mutual understanding that comes from very close friendships. Sadly, the two friends lost touch with each other through most of their twenties, but while Nyberg was writing the songs on Long Lost Friend, he had regained contact with this dear friend. Reportedly, the material as a whole blends the literal and metaphorical, so the material manages to be about more than just one individual friendships — but varying states of emotional intimacy and how difficult and confusing it is to attain them.

Whereas album single “Deep Forest Green” seemed to sound as though it owed a sonic and thematic debt to the work of Bjork, Talking Heads and others, the album’s latest single “Far From The Storm,”pairs Kalén’s lovely yet ethereal vocals with gently strummed guitar chord sample, twinkling keys and gently undulating synths. The song concludes with coda that’s one part psychedelic and one part ominous as it features a towering and buzzing guitar solo. Sonically and structurally, the song seems as though it draws from Moonbabies fantastic Wizards on the Beach and Radiohead’s “Paranoid Android” — or in other words, cinematic dream pop with an even breezier nature and catchy hooks.

 

 

 

 

 

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At one point, comprised of Marko Nyberg (vocals and production), Antony Bentley (composer and musical director) and Johanna Kalen (vocals), the Finnish electronic music act Husky Rescue have developed a reputation across their native Finland and Scandinavia for relentless experimentation  — and for material that walks a careful tightrope between an anxious tenseness and a childlike innocence.

Their last album The Long Lost Friend is being re-issued worldwide as a double album — the first album consisting of the original album’s first eight tracks; however, since the initial recordings and release, vocalist Johanna Kalén has left the band because of health issues, and the second album consists of Husky Rescue’s most recent work between the duo of Nyberg and Bentley.

According to press notes, there is a real story of a long lost friend that informs much of the material on the first album. As the story goes, the long lost friend in question was someone Nyberg was particularly close to throughout most of his childhood — in fact, the two played music together and had a deep mutual understanding that comes from very close friendships. Sadly, the two friends lost touch with each other through most of their twenties, but while Nyberg was writing the songs on Long Lost Friend, he had regained contact with his dear friend. Reportedly, the material as a whole blends the literal and metaphorical, so the material manages to be about more than just one individual friendships — but varying states of emotional intimacy and how difficult and confusing it is to attain them.

Album single “Deep Forest Green” pairs Kalén’s smoky vocals with a sinuous bass line, propulsive drum programming, gently undulating electronics, and a looped whistling sample to create a song that’s tense and anxious and simultaneously breezy. It’s by far some of most eccentrically unique and yet accessible pop I’ve heard to date, sounding as though it owns a sonic and thematic debt to the work of Bjork, Talking Heads and others.