Tag: Fear of Missing Out Records

New Audio: Acclaimed Singer Songwriter and Producer Yohuna Releases a Hazy and Gorgeous Meditation on Confusing Boundaries and Relationships

Johanne (Yo-HUN-ah) Swanson is a Eau Claire, WI-born, Brooklyn-based singer/songwriter, multi-instrumentalist and producer, who has been writing and releasing music since 2011 with her solo recording project Yohuna, including her full-length debut, 2016’s Patientness, an ode to patience, endurance, and duality.  Swanson’s long-awaited and forthcoming sophomore full-length, Mirroring is slated for a June 7, 2019 release through Orchid Tapes and Fear of Missing Out Records, and reportedly, the album thematically is a reflection on how relationships can distort and refract our sense of self, often creating confused boundaries that allow someone else’s life to become your own — and the difficulties of untangling yourself from all of that. Interestingly, the album’s material was primarily written on guitar and is centered around sweeping and mostly organic arrangements featuring cello, harp, trombone, drums, atmospheric synths and her ethereal vocals. 

The album’s latest single, album title track “Mirroring” is a slow-burning, atmospheric and almost shoegazer-like track built around shimmering guitars, a simple but propulsive backbeat, a languorous hook and Swanson’s ethereal vocals. And while sonically bearing a resemblance to SOFTSPOT’s gorgeous Clearing, the song’s narrator evokes a desperate cycle of being (and feeling) completely lost in a relationship — to the point that she’s forced to wonder if she can remember where she began and where the other ended. 

With the release of their debut single “Johnny,” the Hamilton, Ontario, Canada-based indie rock trio Basement Revolver, comprised of Chrisy Hurn (guitar, vocals), Nimal Agalawatte (bass) and Brandon Munro (drums) saw a rapid career trajectory as they received praise from the likes of DIY Magazine, The FADER and Exclaim! for a sound that draws from 90s alt rock and dream pop — but paired with deeply personal, yearning lyrics. Adding to a growing profile, the band released a handful of Hype Machine, chart topping songs which resulted in the Canadian indie rock trio amassing more than one million streams of their songs.

Recorded at TAPE Studio, where they recorded their first two EPs, their Adam Bentley and Jordan Mitchell-produced full-length debut Heavy Eyes is slated for an August 24, 2018 release through Fear of Missing Out Records and Sonic Unyon Records, and as the band’s Chrisy Hurn explains in press notes, recording in a comfortable environment allowed them to not only hone the sound that has won them international attention, it allowed them freedom to get heavy or more laid-back when the song required it; but perhaps more important, as Hurn says, “It also gave me the confidence as a writer to not take myself so seriously, to let myself get cheesy or goofy with some songs.”

“Dancing,” the buzz-worthy Canadian indie rock trio’s latest single finds the duo pairing buzzing and distorted power chords, propulsive drumming, a soaring hook and yearning lyrics within a song that sounds as though it were influenced by The Cranberries and PJ Harvey — and while subtly uptempo, it manages a buzzing and brooding nature. As the band’s Hurn explains of the song, When I’m feeling down, I like to borrow a car and drive until I am lost – it makes me feel better and distracts me a little. So, yeah, break out of your shell and dance… or get some fresh air.”