Tag: Funk ‘n’ Feathers

Single Review by William Ruben Helms

Over the past couple of months, I’ve written quite a bit about New Orleans-based funk and brass septet Cha Wa. Led by its founding members and bandleaders, vocalist/percussionist Irving “Honey” Banister, Big Chief of the Creole Wild West Tribe and drummer Joe Gelini, who have both involved with New Orleans’ Mardi Gras Indian scene for years, the members of the septet have developed a reputation for a sound and aesthetic that combines the Mardi Gras Indian tradition, and the area’s long-held reputation for rhythm and blues and funk. After playing countless shows in their hometown, the septet’s long-awaited debut album Funk ‘n’ Feathers was released earlier this month, and the album reportedly draws from the seminal Mardi Gras Indian-inspired work of the 1970s — Wild Magnolias (backed by The Meters), The Neville Brothers and Dr. John‘s Nite Tripper albums; however, the material also was produced by Galactic’s Ben Ellman, who has also worked with Trombone Shorty, and mixed by San Francisco, CA‘s go-to engineer Count, who has worked with DJ Shadow, Radiohead, Lyrics Born and others.

Released just in time for Mardi Gras, the album’s first single was a loose, stomping and swinging cover of Dr. John’s “All On A Mardi Gras Day” that feels as though you’re following a hot and jamming band with the marching Indians in their costumes marching down the streets of Uptown New Orleans — but with a slick, studio polish that doesn’t scrub away the inherently gritty, street-level funk and the ebullient, let the good time roll-feel within the song.  The album’s second was a raucous, percussive, stomping and absolutely swinging rendition of a Mardi Gras and New Orleans standard “Jock-A-Mo (Iko Iko)” that feels like a non-stop party full of hooting and hollering, and hot keyboard and guitar solos; however, where their rendition of “All On A Mardi Gras” felt as though you were following along in a second line, their rendition of “Jock-A-Mo (Iko Iko)” feels as though it were recorded in a tiny, sweaty and packed club — in some way, you can almost feel the floor shaking from feet stomping in time to the rhythm.

Funk ‘N’ Feathers‘ latest single “UPT” is a written for and dedicated to Uptown New Orleans and much like the album’s previous singles, it’s a raucously ebullient the band creates a funky groove with stomping, tribal percussion, twisting, turning and soaring organ chords, an explosive horn section, a blistering guitar solo and chanted call and response vocals. It’s New Orleans-based funk at its finest, done with an enormous, megawatt smile — and if it doesn’t make you get off your ass and dance and shout, you must have a cold, cold heart.

The band has a number of live dates coming up throughout the next few months. Check out tour dates below.

UPCOMING SHOWS:
04/21- Ogden Museum of Southern Art – New Orleans, LA
04/23- New Orleans Jazz & Heritage Festival – New Orleans, LA
04/30- French Broad River Festival – Asheville, NC
06/04- Michael Arnone’s Crawfish Festival – Augusta, NJ

Single Review by William Ruben Helms

Last month, I wrote about New Orleans-based septet Cha Wa. Led by its founding members and bandleaders, vocalist/percussionist Irving “Honey” Banister, Big Chief of the Creole Wild West Tribe and drummer Joe Gelini, who have both involved with New Orleans’ Mardi Gras Indian scene for years, the members of the septet have developed a reputation for a sound and aesthetic that combines the Mardi Gras Indian tradition, and the area’s long-held and beloved reputation for rhythm and blues and funk. After playing countless shows in their hometown, the septet’s long-awaited debut album Funk ‘n’ Feathers is slated for an April 1 release, and the album reportedly draws from the seminal Mardi Gras Indian-inspired work of the 1970s — Wild Magnolias (backed by The Meters), The Neville Brothers and Dr. John‘s Nite Tripper albums; however, the material also has a contemporary twist as the album was produced by Galactic‘s Ben Ellman, who has also worked with the likes of Trombone Shorty, and mixed by San Francisco, CA‘s go-to engineer Count, who has worked with DJ Shadow, Radiohead, Lyrics Born and others.

Released just in time for Mardi Gras, the album’s first single was a loose, stomping and swinging cover of Dr. John’s “All On A Mardi Gras Day” that feels as though you’re following a hot and jamming band with the marching Indians in their costumes marching down the streets of Uptown New Orleans — but with a slick, studio polish that doesn’t scrub away the inherently gritty, street-level funk and the ebullient, let the good time roll-feel within the song.  The album’s second and latest single is a raucously percussive, stomping and absolutely swinging rendition of a Mardi Gras and New Orleans standard “Jock-A-Mo (Iko Iko)” that feels like a non-stop party full of hooting and hollering, and hot keyboard and guitar solos; however, where their rendition of “All On A Mardi Gras” felt as though you were following along in a second line, their rendition of “Jock-A-Mo (Iko Iko)” feels as though it were recorded in a tiny, sweaty and packed club — in some way, you can almost feel the floor shaking from feet stomping in time to the rhythm.

The band has a number of live dates coming up throughout the next few months. Check out tour dates below.

UPCOMING SHOWS:

03/05- Howlin’ Wolf – New Orleans, LA
03/31- Lafayette’s – Memphis, TN
04/01- Blue Nile [Album Release Show] – New Orleans, LA
04/07- French Quarter Fest – New Orleans, LA
04/10- d.b.a – New Orleans, LA
04/21- Ogden Museum of Southern Art – New Orleans, LA
04/23- New Orleans Jazz & Heritage Festival – New Orleans, LA
04/30- French Broad River Festival – Asheville, NC
06/04- Michael Arnone’s Crawfish Festival – Augusta, NJ

Single Review by William Ruben Helms

 

Led by its founding members and bandleaders singer/percussionist Irving “Honey” Banister, Big Chief of the Creole Wild West Tribe and drummer Joe Gelini, who have both been involved with New Orleans‘ Mardi Gras Indians for years, the members of the funk septet Cha Wa have developed a reputation for a sound and aesthetic that combines the Mardi Gras indian tradition and the area’s reputation for rhythm and blues and funk. And after playing countless shows in their beloved hometown, the septet’s long-awaited debut album Funk ‘n’ Feathers is slated for an April 1, and the album reportedly draws from the seminal Mardi Gras Indian-inspired work of the 1970s — Wild Magnolias (backed by The Meters), The Neville Brothers and Dr. John‘s Nite Tripper albums; however, the material also has a contemporary twist as the album was produced by Galactic‘s Ben Ellman, who has also worked with the likes of Trombone Shorty, and mixed by San Francisco, CA‘s go-to engineer Count, who has worked with DJ Shadow, Radiohead, Lyrics Born and others.

The album’s first single is a loose, stomping and swinging cover of Dr. John’s “All On A Mardi Gras Day” that feels as though you’re following a hot and jamming band with the marching Indians in their featured costumes marching down the streets of Uptown New Orleans — but with a slick, studio polish that doesn’t scrub away the inherently gritty, street-level funk and the ebullient, let the good time roll-feel within the song.  If the song doesn’t make you want to stomp around and dance, then you have a cold, cold heart.

The band has a number of live dates coming up throughout the next few months. Check out tour dates below.

UPCOMING SHOWS:

02/08- Riverwalk – New Orleans, LA [Lundi Gras Celebration]
02/08- Tipitina’s Mardi Gras Stands – New Orleans, LA
02/09- 30×90 – New Orleans, LA
02/27- Universal Studios Orlando – Orlando, FL
03/05- Howlin’ Wolf – New Orleans, LA
03/31- Lafayette’s – Memphis, TN
04/01- Blue Nile [Album Release Show] – New Orleans, LA
04/07- French Quarter Fest – New Orleans, LA
04/10- d.b.a – New Orleans, LA
04/21- Ogden Museum of Southern Art – New Orleans, LA
04/23- New Orleans Jazz & Heritage Festival – New Orleans, LA
04/30- French Broad River Festival – Asheville, NC
06/04- Michael Arnone’s Crawfish Festival – Augusta, NJ