Tag: Hockey Dad

Over the past couple of months, I’ve written a couple of posts on the up-and-coming Brisbane, Australia-based indie rock quartet Future Haunts, and as you may recall, with the release of their debut EP Rubicon and its follow up single “Make Time,” the Brisbane-based quartet exploded into their homeland’s national scene, landing opening  slots for Middle Kids and Horror My Friend, Hockey Dad, as well as a set at Hidden Lanes Festival.

After making a handful of live appearances last year, the members of Future Haunts spent the bulk of the year writing and self-recording new material at Plutonium Studios that included the anthemic 120 Minutes-like “Weather Vane.” Interestingly, “Fall In Line.” the Aussie indie rock act’s latest single continues a run of hook-driven and anthemic singles — and in this case, while the latest track sonically may remind some listeners of Arctic Monkeys and The Drums among a long list of others, the song may be the most politically charged songs the up-and-coming band has written to date, as the song is directly influenced by recent events in their homeland.

Over the past couple of years in both Sydney and Brisbane, strict lockout laws — laws that force bars, pubs, clubs and music venues to refuse new customers from entry at 1:30AM with a last call at 3:00AM were passed with an objective to reduce and curtail alcohol-fueled violence. While some of the recent data complied by officials in both of those cities have shown that alcohol-fueled violence has decreased, many people, who are involved in nightlife have raised concerns about the impact on the economy and their businesses. “‘Fall In Line’ was written around the time lockout laws were being introduced in Sydney and Brisbane,” the band’s Ben Speight explains in press notes. “The live music community in Brisbane has worked extremely hard to develop one of the best places to go and engage with artists, and there really was a lot of uncertainty what consequences this would have on live music and the broader nightlife scene.

“The song’s a bit of a nod to all those who work hard to create and nurture a positive culture and to keep pushing on no matter what. The message behind the song is still just as relevant today, in the context of other knee-jerk decisions made to placate a few very loud voices in very high places,” Speight says.

 

 

 

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New Audio: Australia’s Hockey Dad Releases an Anthemic 90s Alt Rock Inspired Song

Comprised of Zach Stephenson (guitar, vocals) and Billy Fleming (drums), the Windang, New South Wales, Australia indie rock duo Hockey Dad are lifelong friends, who grew up two doors apart — and as a result, they’re best friends first, bandmates second. With the release of their full-length debut 2017’s Boronia, the duo of Stephenson and Fleming quickly achieved a national and international profile for crafting infectious power pop: the duo wound up embarking on a sold out tour of their native Australia that included a number of shows with Dune Rats and the critically applauded indie act Wavves, some extensive touring across North America with stops at SXSW and elsewhere, before touring across the UK and Europe. 

Hockey Dad’s latest effort, 2018’s sophomore effort, the John Goodmanson-produced Blend Inn was recorded at Seattle’s renowned Robert Lang Studios, where Foo Fighters, Soundgarden, Death Cab For Cutie, Alice in Chains and NirvanaNirvana (who most notably recorded their last song ever there) all recorded seminal material. Interestingly, the Australian duo’s sophomore effort is a much more introspective effort. Blend Inn is the part of your head that you want to go to when you’re overseas and wishing you were back home, it’s within,” Hockey Dad’s Billy Fleming says. “We’re always just trying to be comfortable and semi blending in, so it’s the name we gave to that place you zone out to.”

Thematically, the album is centered around the trials, tribulations and uncertainties of young adulthood — but from the perspective of two young people, who have had an expanded mindset and much more experience in the world, while still retaining the playfulness and enormous hooks that won them international attention. Building upon a growing profile, the duo will continue a busy slate of national and international touring, including a West Coast Stateside tour through February. You can check out the tour dates below. 

In the meantime, anthemic album single “I Wanna Be Everybody” is centered around infectious, crowd pleasing hooks, thunderous drumming and even bigger power chords within an alternating soft, loud, soft song structure. Sonically, the song brings to mind 90s alt rock — in particular, I’m reminded of Local H and others.