Tag: Husky Rescue

Brighton and London-based indie label Catskills Records celebrates their 20 anniversary and just like Fluff and Gravy Records, the label which can trace their origins to its first release by Sonorous Star, featuring label founders Khalid and Amr Mallassi just released a compilation of music from some of their wildly genre-spanning artists, artists who have specialized in electro pop, hip-hop, punk, country, prog rock and others titled Catskills Records: 20 Years of Victory. And along with the retrospective look of where the label has been and their overall aesthetic, the compilation includes two new tracks from label mainstays Pepe Deluxe and Husky Rescue

Finish electronic music act Husky Rescue have developed a reputation across both their native Finland and Scandinavia for a songwriting approach that focuses on restless experimentation — and for material that sonically and aesthetically walks a very careful tightrope between anxious tenseness and childlike innocence.  Now if you had been frequenting this site last year, you may recall that I wrote about two singles off the expanded Long Lost Friend album, “Deep Forest Green,” a track that sonically seemed to draw from Bjork, and Talking Heads while the album’s second single “Far From The Storm” seemed to draw from  Moonbabies fantastic Wizards on the Beach and Radiohead’s “Paranoid Android” — or in other words, cinematic dream pop with an even breezier nature and catchy hooks.

The Finnish act’s contribution to the Catskill Records compilation is the slow-burning and tense “My Shelter,” a single that pairs Ringa Manner’s aching yet powerhouse vocals with gently undulating and twinkling synths, swirling electronics and a cinematic sweep to create a sound that’s reminiscent of Kate Bush and Bjork while being a swooning, romantic ode. As the members of the electronic act explained to the folks at Clash Magazine “‘My Shelter’ is a previously unreleased track we wrote in the midst of a long hiatus. We had recently gotten to know singer Ringa Manner and felt she might have just the right voice for the song. And so she most certainly did: forceful and fragile all at once. Which is pretty much what the song is all about.”

 

 

 

 

Finish electronic music act Husky Rescue have developed a reputation across both their native Finland and Scandinavia for a songwriting approach that focuses on restless experimentation — and for material that sonically and aesthetically walks a very careful tightrope between anxious tenseness and childlike innocence.  The band’s last album The Long Lost Friend will be re-issued worldwide on December 11 as a double album — the first album is comprised of original album’s eight previously released tracks; however, since the initial recording sessions and release of Long Lost Friend, vocalist Johanna Kalén left the band because of health issues, so the second album consists of material written by Marko Nyberg (vocals and production), and Antony Bentley (composer and musical director).

Now if you’ve been frequenting this site over the past month, you may recall that I’ve written about Husky Rescue and Long Lost Friend‘s first single “Deep Forest Green.” But some backstory may be a little necessary: According to press notes, there actually is a real story of a long lost friend that informs the material on original album. As the story goes, the long lost friend in question was someone Nyberg was particularly close to throughout most of his childhood — in fact, the two played music together and had a deep mutual understanding that comes from very close friendships. Sadly, the two friends lost touch with each other through most of their twenties, but while Nyberg was writing the songs on Long Lost Friend, he had regained contact with this dear friend. Reportedly, the material as a whole blends the literal and metaphorical, so the material manages to be about more than just one individual friendships — but varying states of emotional intimacy and how difficult and confusing it is to attain them.

Whereas album single “Deep Forest Green” seemed to sound as though it owed a sonic and thematic debt to the work of Bjork, Talking Heads and others, the album’s latest single “Far From The Storm,”pairs Kalén’s lovely yet ethereal vocals with gently strummed guitar chord sample, twinkling keys and gently undulating synths. The song concludes with coda that’s one part psychedelic and one part ominous as it features a towering and buzzing guitar solo. Sonically and structurally, the song seems as though it draws from Moonbabies fantastic Wizards on the Beach and Radiohead’s “Paranoid Android” — or in other words, cinematic dream pop with an even breezier nature and catchy hooks.

 

 

 

 

 

At one point, comprised of Marko Nyberg (vocals and production), Antony Bentley (composer and musical director) and Johanna Kalen (vocals), the Finnish electronic music act Husky Rescue have developed a reputation across their native Finland and Scandinavia for relentless experimentation  — and for material that walks a careful tightrope between an anxious tenseness and a childlike innocence.

Their last album The Long Lost Friend is being re-issued worldwide as a double album — the first album consisting of the original album’s first eight tracks; however, since the initial recordings and release, vocalist Johanna Kalén has left the band because of health issues, and the second album consists of Husky Rescue’s most recent work between the duo of Nyberg and Bentley.

According to press notes, there is a real story of a long lost friend that informs much of the material on the first album. As the story goes, the long lost friend in question was someone Nyberg was particularly close to throughout most of his childhood — in fact, the two played music together and had a deep mutual understanding that comes from very close friendships. Sadly, the two friends lost touch with each other through most of their twenties, but while Nyberg was writing the songs on Long Lost Friend, he had regained contact with his dear friend. Reportedly, the material as a whole blends the literal and metaphorical, so the material manages to be about more than just one individual friendships — but varying states of emotional intimacy and how difficult and confusing it is to attain them.

Album single “Deep Forest Green” pairs Kalén’s smoky vocals with a sinuous bass line, propulsive drum programming, gently undulating electronics, and a looped whistling sample to create a song that’s tense and anxious and simultaneously breezy. It’s by far some of most eccentrically unique and yet accessible pop I’ve heard to date, sounding as though it owns a sonic and thematic debt to the work of Bjork, Talking Heads and others.