Tag: Jaco Jaco Favorite Kind of People

New Audio: Jaco Jaco Shares Meditative “Over When It’s Over”

Tulsa-born, Philadelphia-based musician and visual artist Jacob Theriot is a lifelong singer/songwriter and musician, who first picked up bass when he was 12. His musical career began in earnest when he began writing and recording music in grade school with his brother and childhood friend. Those early efforts led to the acclaimed indie project Sports

After three albums and several international tours with Sports, Theirot relocated to Philadelphia, where began to explore and refine a sound that blends elements of funk, psych pop and 70s AM rock over a period of a handful of years. Those explorations led to Theirot’s solo recording project Jaco Jaco.

The Tulsa-born, Philadelphia-based artist has released two Jaco Jaco albums, 2024’s debut Splat and last year’s Gremlin, which included three singles I wrote about, the Thundercat and 70s jazz fusion/jazz funk-like “Favorite Kind of People,” the Quiet Storm R&B-meets-Steely Dan-like “Woman” and the Tame Impala meets Bobby Oroza-like “I Won’t Bother.”

Building upon a growing profile, the Philadelphia-based JOVM mainstay’s highly anticipated third album, On the Levee is slated for a July 10, 2026 release. The album will include the previously released “Wager,” and its final single, “Over When It’s Over,” “Over Is When It’s Over” is a melancholy, slow-burning tune that — to my ears, at least — sounds like a blend of Tame Impala, 70s AM rock. But at its core, the song is meditation on accepting constant change, with a bit of a sigh.

“The song is about watching the world fly on by, but finding yourself strangely at peace with it,” Theriot says.

New Audio: Philly’s Jaco Jaco Shares Vibey “I Won’t Bother”

Tulsa-born, Philadelphia-based musician and visual artist Jacob Theriot’s career began in earnest when he began writing and recording music in grade school with his brother and childhood friend. Those early efforts led to the acclaimed indie outfit Sports

After three albums and several international tours, Theriot decided to step out into the spotlight as as solo artist and relocated to Philadelphia, where he began to explore and meld a variety of different genres and visual mediums with his current creative project Jaco Jaco.

Theriot’s Jaco Jaco sophomore album Gremlin is slated for a March 21, 2025 release. Gremlin is a reportedly playful album that isn’t directly inspired by 1984’s Joe Dante-directed Gremlins but manages to honor the movie’s use of kitsch and camp to explore a prevailing mood of irreverence and introspection. “This record came from a somewhat confused and lonely state of mind,” Theriot explains. “It’s a journey through reflection and longing for something real—an inner dialogue giving me advice on navigating life when it feels like it’s working against you.”

So far I’ve written about two album singles:

  • Favorite Kind of People,” a seamless synthesis of Thundercat and 70s jazz fusion/jazz funk with the breeziness of Bossa Nova anchored around a strutting bass line, rapid-fire four-on-the-floor, twinkling bursts of Rhodes and shimmering guitar.  “‘Favorite Kind of People’ came out of a phase where I was into some classic Brazilian jazz-funk,” Theriot explained. “I can’t remember which song it was exactly, but I translated the lyrics and loved how simple and earnest they felt. The translation was probably off, but it inspired me to write something direct and real—about just being present with people and not overthinking everything.” 
  • Woman” a slow-burning and meditative synthesis of Quiet Storm-like R&B/funk and Steely Dan-like AM rock anchored around a slippery, a slick bass line, bursts of glistening synths paired with Theriot’s plaintive delivery. The song’s lyrics are abstract, but behind that abstraction, Theriot tackles something deeper: The song explores the complexities and nuances of human relationships. According to the Tulsa-born, Philadelphia-based artist, it’s a meditation on honesty and acceptance, being real with yourself, and being real with your partner. “‘Woman’ was one of those rare, serendipitous type songs that just kinda happened,” Theriot says. “Everything fell into place pretty quick, lyrics and all. I played guitar along to some random breakbeat and out came the guitar riff(s). I was big into Black Messiah (D’Angelo) at the time, so that influence may have seeped in a bit, maybe? No comparison though, of course. I just wanna be like Pino Palladino when I grow up.”

Gremlin‘s third and latest single “I Won’t Bother” is a vibey Tame Impala-meets-Bobby Oroza-like Quiet Storm like number featuring shimmering Rhodes, skittering boom-bap-like rhythms paired with Theriot’s dreamy falsetto.

“I Won’t Bother” is a warm track about coming to terms with life’s impermanence, learning to accept what you can’t control, and taking care of your inner child,” the Tulsa-born, Philadelphia-based artist explains.

New Audio: Jaco Jaco Shares Meditative Yet Soulful “Woman”

Tulsa-born, Philadelphia-based musician and visual artist Jacob Theriot’s career began in earnest when he began writing and recording music in grade school with his brother and childhood friend. Those early efforts led to the acclaimed indie outfit Sports.

After three albums and several international tours, Theriot decided to step out into the spotlight as as solo artist, relocating to Philadelphia, where he began to explore and meld a variety of different genres and visual mediums with his current creative project Jaco Jaco.

Theriot’s Jaco Jaco debut, Splat was released early last year. His Jaco Jaco sophomore album Gremlin is slated for a March 21, 2025 release. Gremlin is a reportedly playful album that isn’t directly inspired by Gremlins but manages to honor the movie’s use of kitsch and camp to explore a prevailing mood of irreverence and introspection. “This record came from a somewhat confused and lonely state of mind,” Theriot explains. “It’s a journey through reflection and longing for something real—an inner dialogue giving me advice on navigating life when it feels like it’s working against you.”

Now, if you were frequenting this site late last year, you might recall that Theriot closed out the year with “Favorite Kind of People,” a seamless synthesis of Thundercat and 70s jazz fusion/jazz funk with the breeziness of Bossa Nova that’s anchored around a strutting bass line, rapid-fire four-on-the-floor, twinkling bursts of Rhodes and shimmering guitar.

“‘Favorite Kind of People’ came out of a phase where I was into some classic Brazilian jazz-funk,” Theriot explained. “I can’t remember which song it was exactly, but I translated the lyrics and loved how simple and earnest they felt. The translation was probably off, but it inspired me to write something direct and real—about just being present with people and not overthinking everything.” 

Slated for a March 21, Gremlin is a reportedly playful album that isn’t directly inspired by Gremlins but manages to honor the movie’s use of kitsch and camp to explore a prevailing mood of irreverence and introspection. “This record came from a somewhat confused and lonely state of mind,” Theriot explains. “It’s a journey through reflection and longing for something real—an inner dialogue giving me advice on navigating life when it feels like it’s working against you.”

Gremlin‘s second and latest single “Woman” is a slow-burning and meditative synthesis of Quiet Storm-like R&B/funk and Steely Dan-like AM rock anchored around a slippery, a slick bass line, bursts of glistening synths paired with Theriot’s plaintive delivery.

The song’s lyrics are abstract, but behind that abstraction, Theriot tackles something deeper: The song explores the complexities and nuances of human relationship. According to the Tulsa-born, Philadelphia-based artist, it’s a meditation on honesty and acceptance, being real with yourself, and being real with your partner.

“‘Woman’ was one of those rare, serendipitous type songs that just kinda happened,” Theriot says. “Everything fell into place pretty quick, lyrics and all. I played guitar along to some random breakbeat and out came the guitar riff(s). I was big into Black Messiah (D’Angelo) at the time, so that influence may have seeped in a bit, maybe? No comparison though, of course. I just wanna be like Pino Palladino when I grow up.”