Tag: Kenny Rogers & The First Edition

Single Review by William Ruben Helms

New Audio: RidingEasy Records Releases a Shimmering Psych Rock Anthem from Indianapolis-based Band ICE

Over this site’s 10 year history — 10 years y’all! — Brown Acid, Permanent Records’ and RidingEasy Records’ ongoing collaborative proto-metal and pre-stoner rock compilations from the 1960s and 1970s have become a regularly occurring biannual feature. Each individual edition of the series is based around RidingEasy Records’ founder Daniel Hall’s and Permanent Records co-owner Lance Barresi’s extensive, painstaking research and curation — with Hall and Barresi spending a great deal of time tracking own songs’ creators. The Brown Acid series proves that there’s a massive amount of heavy psych and proto-metal that has managed to be lost to the sands of time, including Indianapolis-based act ICE, who were prominently featured on Brown Acid: The Ninth Trip.

Formed during the late 1960s, the members of the Indianapolis-based quintet — Barry Crawford (vocals, keys) Jim Lee (lead vocals, bass), Mike Saligoe (drums), John Schaffer (lead guitar) and Richard Strange (rhythm guitar, vocals) — grew up in Indianapolis’ West Side. In a relatively short period of time, the members of ICE became one of the first emerging bands from their hometown to tour across the Midwest, playing a set of originals at high schools, college campuses and small clubs. Eventually the band built up enough of a profile regionally that they wound up opening for nationally touring acts like Three Dog Night, SRC,Kenny Rogers & the First Edition, The Nitty Gritty Dirt Band and others in arenas and theaters.

Back in 1970, Crawford, Lee, Saligoe, Schaffer and Strange recorded 10 songs of original material at Chicago’s 8-Track Studios. But shortly after the sessions, the band split up. Confusingly, two of tracks recorded during those sessions were eventually as a 45 in 1972   — but under a completely different band name, Zukus! That 45 managed to receive regional airplay: the A side of that 45 was “Running High,” which appeared on the aforementioned Brown Acid: The Ninth Trip. While Permanent Records and RidingEasy Records were going through the process to license “Running High,” they discovered that ICE had an entire album of material, recorded on 2 inch tape that had languished for over 40+ years on a shelf somewhere.

RidingEasy Records then converted the analog tape tracks to digital files and then remixed them to preserve the original vocals and instrumentation. Packaging the material as The Ice Age, the material will see the light of day for the first time in 50 years with the album’s release next week. The album is 10 songs of hard-edged rock with enormous, arena rock friendly hooks that may remind some listeners of the Grand Funk Railroad, The Guess Who, The Move and others.

So far I’ve written about two of the album’s previously released singles: the Steppenwolf and The Guess Who-like “Run To Me,”  and the album’s shimmering The Byrds-like “Gypsy.” Interestingly, the album’s third and latest single “Satisfy” strikes me as being a synthesis between the shimmering psych rock of its immediate predecessor, the soaring and propulsive organ work of Iron Butterfly’s “In A Gadda Da Vida” and The Doors with a subtle nod to prog rock paired with enormous hooks. Certainly, in an alternate universe, “Gypsy” and “Satisfy” would be in the classic rock canon. 

Single Review by William Ruben Helms

New Audio: Indianapolis-based ICE Releases a Shimmering Arena Rock Friendly Single

Over this site’s 10 year history — 10! — Brown Acid, Permanent Records’ and RidingEasy Records‘ ongoing collaborative proto-metal and pre-stoner rock compilations from the 1960s and 1970s have become a regularly occurring biannual feature. Each individual edition of the series is based around RidingEasy Records’ founder Daniel Hall’s and Permanent Records co-owner Lance Barresi’s extensive, painstaking research and curation — with Hall and Barresi spending a great deal of time tracking own songs’ creators. The Brown Acid series proves that there’s a massive amount of heavy psych and proto-metal that has managed to be lost to the sands of time, including Indianapolis-based act ICE, who were prominently featured on Brown Acid: The Ninth Trip.

Formed during the late 1960s, the members of the Indianapolis-based quintet — Barry Crawford (vocals, keys) Jim Lee (lead vocals, bass), Mike Saligoe (drums), John Schaffer (lead guitar) and Richard Strange (rhythm guitar, vocals) — grew up in Indianapolis’ West Side. In a relatively short period of time, the members of ICE became one of the first emerging bands from their hometown to tour across the Midwest, playing a set of originals at high schools, college campuses and small clubs. Eventually the band built up enough of a profile regionally that they wound up opening for nationally touring acts like Three Dog Night, SRC,Kenny Rogers & the First Edition, The Nitty Gritty Dirt Band and others in arenas and theaters.

Back in 1970, Crawford, Lee, Saligoe, Schaffer and Strange recorded 10 songs of original material at Chicago’s 8-Track Studios. But shortly after the sessions, the band split up. Confusingly, two of tracks recorded during those sessions were eventually as a 45 in 1972   — but under a completely different band name, Zukus! That 45 managed to receive regional airplay: the A side of that 45 was “Running High.” While Permanent Records and RidingEasy Records were going through the process to license “Running High,” they discovered that ICE had an entire album of material, recorded on 2 inch tape that had languished for over 40+ years on a shelf somewhere. 

RidingEasy Records then converted the analog tape tracks to digital files, remixed them to preserve the original vocals and instrumentation. Packaging the material as The Ice Age, the material will see the light of day for the first time in 50 years. The album is 10 songs of hard-edged rock with enormous, arena rock friendly hooks that may remind some listeners of the Grand Funk Railroad, The Guess Who, The Move and others. Now, as you amy recall, earlier this year, I wrote about the album’s explosive first single “Run To Me,” which managed to bring Steppenwolf and The Guess Who to mind.  

The Ice Age’s second and latest single is album opener “Gypsy.” Centered around a chiming and glistening 12 string guitar line, copious amount of cowbell, shimmering organ arpeggios and an enormous yet melodic hook, “Gypsy” manages to sound as though it were indebted to The Byrds — but with a subtly gritty undertone. Throughout the song’s 2:50 or so run time, there’s this gnawing sense that in an alternate universe, that it would be a classic rock radio staple. But alas, fate works in its own way. 

Single Review by William Ruben Helms

New Audio: RidingEasy Records Releases Indianapolis-based Band’s Previously Unreleased Album 50 Years After Its Recording

Over the course of this site’s almost 10 year history — JOVM turns 10 in June — I’ve spilled quit a bit of virtual ink writing about RidingEasy Records’ and Permanent Records’ ongoing Brown Acid compilation series. The series’ 10th edition is slated for an April 20, 2020 release, and much like its predecessors, the forthcoming new edition will remind listeners that there’s a massive amount of incredible heavy psych, proto-metal and proto-stoner rocker that has seemingly been lost to the sands of time — but has been slowly rediscovered by RidingEasy Record and Permanent’s staff. 

During the late 1960s, Barry Crawford (vocals, keyboard), Jim Lee (lead vocals, bass), Mike Saligoe (drums), John Schaffer (lead guitar) and Richard Strange (rhythm guitar, vocals) started a band on Indianapolis’ West Side — and when they started the band they chose what they thought was the coolest name possible: ICE. The quintet quickly became one of the first emerging bands from their hometown to play a set of originals throughout the Midwest, performing at high schools, college campuses and venues. Building upon a growing profile, they eventually opened for national touring acts like Three Dog Night, SRC, Kenny Rogers & the First Edition, The Nitty Gritty Dirt Band and others in arenas and theaters. 

In 1970, the members of the Indianapolis-based psych rock band recored 10 songs of original material at Chicago’s 8-Track Studios, only to break up shortly after the sessions. Two of the album’s tracks were eventually released as a 45 in 1972 — but confusingly under a different band name: Zukus! Interestingly, that 45 managed to receive regional airplay. The A-side of that single “Running High” was featured on Brown Acid: The Ninth Trip. While licensing “Running High” for the ninth edition of Brown Acid, the folks at RidingEasy Records discovered that ICE had recorded an entire album that had been languishing in obscurity, with the 2-inch master tapes had been shelved and forgotten until recently. RidingEasy Records then converted the analog tape tracks to digital files, remixed them to preserve the original vocals and instrumentation, packaging the material as The Ice Age. 

50 years after the initial recording sessions that produced the album will finally be released — and see the light of day. Sonically, the material reportedly features 10 songs of hard-edger rock with enormous, radio friendly pop hooks that recalls Grand Funk Railroad, The Guess Who, and The Move. Centered around fuzzy power chords, shimmering organ arpeggios, propulsive drumming, some dexterous guitar soloing and enormous, arena rock friendly hooks, The Ice Age’s first single “Run to Me” finds the band meshing trippy and ambient-like psychedelia with explosive riffage that manages to recall the aforementioned Grand Funk Railroad and The Guess Who, along with a subtly nod of Steppenwolf. Listening to the track, there’s a sense that ICE if history was a bit more fair, the Indianapolis-based act should have been much larger. 

The Ice Age is slated for a May 15, 2020 release. Be on the lookout.