Tag: KOPPER Fake It

Kopper · Fake It

Kopper · How Can You Be Sure

KOPPER is a rapidly rising London-based post-punk trio, who have begun to receive attention across the blogosphere for a primal yet melody-driven clashes of power chords and thunderous drumming paired with seemingly off-the-tongue, politically charged lyrics, inspired by the likes of Girl Band, IDLES and Protomartyr.

Last month, the British post-punk trio released the Dion Lunadon-mastered double A-side single “Fake It”/”How Can You Be Sure?” Centered around the sort of arena friendly power chords and thunderous drumming reminiscent of Foo Fighters, “Fake It,” seethes with fury and disgust, yet is probably one of the most ironic songs I’ve come across over the past few months. Based on the grifting, phoniness and influencer culture that created Fyre Festival, the band explains in press notes “We were inspired by the idea of corporations faking wealth to acquire wealth, and how few people question this.” Additionally, the song points out that there’s an overwhelming conformity in the music business, in which the presentation and appearance of the artist wind up being more important than the actual art of the artist. And if you’re doing something unusual or different from the norm, you’ll be fighting an Sisyphean battle for the attention of others.

“How Can You Be Sure” continues in a similar vein as its predecessor — but without the irony, as it’s a incisive commentary on human behavior and moral norms with the song pointing out the spectrum of shifting morality within people, when it serves them and their needs. Certainly, in the age of Trump, “How Can You Be Sure” should feel uncomfortably familiar, as we see some of our leaders’ mores and values shift whenever it’s politically necessary. But it also loudly points out that we should always be distrustful of these leaders and public figures. Fiery and forceful, both of these tunes find this rising band kicking ass, taking names with a self-assuredness and fury that sets them apart from most of their contemporaries.