Over the past couple of months, I’ve written quite a bit about the Austin, TX-born, Brooklyn-based singer/songwriter, multi-instrumentalist and composer Kris Kelly. Kelly relocated to the New York metropolitan area, when he attended my alma mater, […]
Tag: Kris Kelly Cracked Porcelain
New Video: Kris Kelly Releases a Dream-like Visual for Gorgeous Album Single “Birthplace”
Over the past couple of months, I’ve written a bit about Kris Kelly, an Austin, TX-born, Brooklyn-based singer/songwriter, multi-instrumentalist and composer. Kelly relocated to New York in order to attend my alma mater NYU, where he studied classical vocal performance and music composition. After graduation, he spent several years performing his original compositions for guitar, vocals, flute, violin, bass and percussion at a number of venues across town.
Kelly then spent the next five years traveling through South America with just his guitar and suitcase, spending most of his time residing in Argentina and Brazil. While traveling and living in South America, Kelly met his husband. Unsurprisingly, his experiences traveling and falling in love informed and inspired his recently released self-produced album Runaways. Thematically, the album touches upon finding pure and lasting love, loss, discovery and personal growth among other things.
As the story goes, upon returning to the States, Kelly holed up in studios in New York and Los Angeles recording the album’s material with an all-star casts of session and backing musicians that include Todd Sickafoose (bass), who’s a member of Ani DiFranco‘s backing band; Brian Griffin (drums), who has played in the backing bands for Lana Del Rey, Brandi Carlile and as a member of The Lone Bellow; Dave Levita (electric guitar), who’s a member of Alanis Morisette‘s backing band; Benji Lysaght (electric guitar), who’s a member of Father John Misty’s backing band; and Dave Palmer (keys), who’s played in the backing bands of Fiona Apple and Lana Del Rey. The album also features string, wind and horn arrangements by John Philip Shenale, who has worked with Tori Amos. Now, as you may recall, earlier this summer I wrote about the cinematic and hauntingly gorgeous, Scott Walker-like single “Cracked Porcelain.”
Runaways’ latest single continues a run of gorgeous material. Centered around a shimmering string arrangement, an ethereal flute line, strummed guitar, a soaring hook and Kelly’s gorgeous vocals, the song is a deliberately crafted, 70s AM rock-like gem that’s rooted in deep and hard-fought introspection and longing for someplace and something stable, after a lengthy period of being a restless wanderer.
“’Birthplace’ for me is about our relationship with home. I start writing it while traveling around South America, wandering without a plan, without any expectations or any attachments,” Kelly says of Runaways’ latest single. “I had left everything I knew: friends, family, my band, work, my apartment, all my stuff, everything but some clothes and my guitar. I was drifting from city to city, staying on random people’s couches, and for a period of time I felt an overwhelming sense of freedom. I felt alive and I loved the idea of our birthplace being now and that we have always been here, now in an eternal moment, and any relationship with the past or future only really exists in our head. We’ve always been and always will be here in this moment. And I thought how beautiful it is to surrender to that without wanting more. So the beginning of the song is kind of a representation of that feeling. But toward the end, there is a longing for home, for attachment, to be firmly rooted … to be able to hold onto something. The truth is, I ended up feeling very lost after a while. That dynamic between freedom and attachment runs throughout all the songs on the album.”
“For the ‘Birthplace’ video I explained to video director Adi Halfin what the song meant to me, and she came up with a beautiful concept for the video that I think worked very well,” Kelly adds. “The idea was for the video to unfold like a dream. There is me, the narrator, in a room, away from the outside world, and then we also see these different characters, each one very different from the other, in different emotional states, relating to the environment in different ways. There is struggle, peace, conflict, harmony. There is definitely an element of surrealism and there is not a linear storyline or sense of time. It’s a dream. And like in a dream, to me anyway, the characters all represent different pieces of the main character. I ended up relating to each character in my own personal way, and I think the viewer will have their own experience as well.”
New Video: Singer Songwriter Kris Kelly Releases an Intimate Solo Acoustic Performance of “Cracked Porcelain”
Kris Kelly is an Austin, TX-born, Brooklyn-based singer/songwriter, multi-instrumentalist and composer. Kelly relocated to the New York metropolitan area, when he attended my alma mater, NYU, where he studied classical vocal performance and music composition. For years, he performed his original compositions for guitar, vocals, flute, violin, bass and percussion at a number of venues across town.
Kelly then spent the next five years traveling through South America, primarily living in Argentina and Brazil with just his guitar and a suitcase. And while in South America, he met his husband. As a songwriter, his experiences traveling and falling in love have deeply inspired his forthcoming, self-produced album Runaways — and the album thematically touches upon finding pure and lasting love, loss, discovery and personal growth.
Upon returning to the states, Kelly spent time in studios in NYC and Los Angeles recording the album, which is slated for an August 29, 2019 release with an all-star casts of musicians including Todd Sickafoose (bass), who’s a member of Ani DiFranco’s backing band; Brian Griffin (drums), who has played in the backing bands for Lana Del Rey, Brandi Carlile and as a member of The Lone Bellow; Dave Levita (electric guitar), who’s a member of Alanis Morisette‘s backing band; Benji Lysaght (electric guitar), who’s a member of Father John Misty’s backing band; and Dave Palmer (keys), who’s played in the backing bands of Fiona Apple and Lana Del Rey. The album also features string, wind and horn arrangements by John Philip Shenale, who has worked with Tori Amos.
Runaways‘ latest single is the cinematic and hauntingly gorgeous “Cracked Porcelain.” Centered around a soaring string arrangement, strummed acoustic guitar, shuffling drumming paired with Kelly’s gorgeous vocals, the song — to my ears, at least — reminds me a bit of the late (and somewhat under-appreciated) Scott Walker, whose work was imbued with a similar aching longing and sense of loss. But at the core of the song is a narrator, who’s desperately trying to figure what his romantic relationship meant to him and on his own terms. And of course, it means maneuvering the contradictory push and pull we often feel as we enter romantic relationships with others. Recently Kelly released a live and very intimate, solo, acoustic session featuring “Cracked Porcelain,” that gently pulls and teases out the song’s gorgeous melody — and forces the listener to pay even closer attention to the song’s lyrics.
“‘Cracked Porcelain’ is a story about two gay men who find freedom in defining their relationship in an unconventional, ‘open’ way but who end up getting lost in the revelry and ultimately drive each other apart,” Kelly explains. “I think the LGBTQ community has a unique opportunity to redefine our relationship with sex within our partnerships. Not having forced onto us the traditional ways of defining a healthy partnership gives us the freedom to discover it for ourselves, but it also comes with a great responsibility, and I think we often fail. I failed at least. And that’s ok, because I realized if I wanted to be happy, I had to make a change. I’ve been forced to reevaluate constantly my relationship with my partner and to figure out how to respect each other while maintaining a healthy individuality, and we’re still navigating it to this day.
“The song definitely has an element of the sacred vs. the profane in it. The spiritual vs. the carnal. Monogamy and commitment vs. free love and the expression of uninhibited sexual desire. Attachment (the couple) vs. freedom (the individual), which is a theme that runs throughout the album. In the song, the two men fulfill all their personal desires, and get lost with the help of alcohol and drugs, but forget to care about each other, neglecting the needs of their relationship. In that seductive lifestyle, it’s easy for them to use sex, drugs, and alcohol to cover up a lot of issues they just don’t want to deal with. And it feels like ‘freedom’ but are they really in control? What are the boundaries that protect the relationship? What is ‘good’ and what is ‘bad’ for them?
“In In the end, like everything, I find it all about balance,” Kelly adds. “Yes, gay men pride themselves on being able to separate love and sex, but do we slip into the trap of serving only the quick-fix, instant gratification of anonymous sex, sacrificing the part about ‘love’ and the fulfillment of a deeper, long-term relationship with someone? It’s easy to go unconscious and do whatever feels good in the moment, but without consciously, intentionally taking care of the relationship, it falls apart. There has to be a balance in order to nurture both carnal desires and the spiritual connection with another human being (if that’s something that you value). And when things are out of balance, suffering is inevitable. That’s what happens in ‘Cracked Porcelain’.”
Kris Kelly is an Austin, TX-born, Brooklyn-based singer/songwriter, multi-instrumentalist and composer. Kelly relocated to the New York metropolitan area, when he attended my alma mater, NYU, where he studied classical vocal performance and music composition. For years, he performed his original compositions for guitar, vocals, flute, violin, bass and percussion at a number of venues across town.
Kelly then spent the next five years traveling through South America, primarily living in Argentina and Brazil with just his guitar and a suitcase. And while in South America, he met his husband. As a songwriter, his experiences traveling and falling in love have deeply inspired his forthcoming, self-produced album Runaways — and the album thematically touches upon finding pure and lasting love, loss, discovery and personal growth.
Upon returning to the states, Kelly spent time in studios in NYC and Los Angeles recording the album, which is slated for an August 29, 2019 release with an all-star casts of musicians including Todd Sickafoose (bass), who’s a member of Ani DiFranco‘s backing band; Brian Griffin (drums), who has played in the backing bands for Lana Del Rey, Brandi Carlile and as a member of The Lone Bellow; Dave Levita (electric guitar), who’s a member of Alanis Morisette‘s backing band; Benji Lysaght (electric guitar), who’s a member of Father John Misty’s backing band; and Dave Palmer (keys), who’s played in the backing bands of Fiona Apple and Lana Del Rey. The album also features string, wind and horn arrangements by John Philip Shenale, who has worked with Tori Amos.
Runaways‘ latest single is the cinematic and hauntingly gorgeous “Cracked Porcelain.” Centered around a soaring string arrangement, strummed acoustic guitar, shuffling drumming paired with Kelly’s gorgeous vocals, the song — to my ears, at least — reminds me a bit of the late (and somewhat under-appreciated) Scott Walker, whose work was imbued with a similar aching longing and sense of loss. But at the core of the song is a narrator, who’s desperately trying to figure what his romantic relationship meant to him and on his own terms. And of course, it means maneuvering the contradictory push and pull we often feel as we enter romantic relationships with others.
“‘Cracked Porcelain’ is a story about two gay men who find freedom in defining their relationship in an unconventional, ‘open’ way but who end up getting lost in the revelry and ultimately drive each other apart,” Kelly explains. “I think the LGBTQ community has a unique opportunity to redefine our relationship with sex within our partnerships. Not having forced onto us the traditional ways of defining a healthy partnership gives us the freedom to discover it for ourselves, but it also comes with a great responsibility, and I think we often fail. I failed at least. And that’s ok, because I realized if I wanted to be happy, I had to make a change. I’ve been forced to reevaluate constantly my relationship with my partner and to figure out how to respect each other while maintaining a healthy individuality, and we’re still navigating it to this day.
“The song definitely has an element of the sacred vs. the profane in it. The spiritual vs. the carnal. Monogamy and commitment vs. free love and the expression of uninhibited sexual desire. Attachment (the couple) vs. freedom (the individual), which is a theme that runs throughout the album. In the song, the two men fulfill all their personal desires, and get lost with the help of alcohol and drugs, but forget to care about each other, neglecting the needs of their relationship. In that seductive lifestyle, it’s easy for them to use sex, drugs, and alcohol to cover up a lot of issues they just don’t want to deal with. And it feels like ‘freedom’ but are they really in control? What are the boundaries that protect the relationship? What is ‘good’ and what is ‘bad’ for them?
“In In the end, like everything, I find it all about balance,” Kelly adds. “Yes, gay men pride themselves on being able to separate love and sex, but do we slip into the trap of serving only the quick-fix, instant gratification of anonymous sex, sacrificing the part about ‘love’ and the fulfillment of a deeper, long-term relationship with someone? It’s easy to go unconscious and do whatever feels good in the moment, but without consciously, intentionally taking care of the relationship, it falls apart. There has to be a balance in order to nurture both carnal desires and the spiritual connection with another human being (if that’s something that you value). And when things are out of balance, suffering is inevitable. That’s what happens in ‘Cracked Porcelain’.”
