Tag: Love Taps Back For More feat. Maya Killtron

As you may know, I was in Dordrecht, The Netherlands for business related to my day job and am currently in Amsterdam, The Netherlands for a couple of days to just check things out, maybe catch some live music, and whatever else comes to mind. And from being here a few hours last Sunday morning and returning this afternoon, I can see how easy it could be to fall deeply in love with Amsterdam and this entire country.  So far, the Dutch have proven to be a kind and friendly people. But there’s work to be done so let’s get to it right?

Now, if you’ve been frequenting this site for a while, you may recall that I wrote about the  Toronto, ON-based DJ, violinist and singer/songwriter Maya Killtron. Killtron first came to attention across both her native Canada and across the States with the release of her 2012 debut EP Hipster/Gangsta — and as a result, Killtron wound up touring the festival circuit across North America with stops at Miami’s Winter Music ConferencePride TorontoThe Halifax Jazz Festival and CMJ. Adding to a growing profile, Killtron’s collaboration with NYC-based production duo Love Taps “Back For More” received attention from the likes of Stereogum and Huffington Post for a sound that meshed moomba and R&B – and for a video that showcased a sadly bygone NYC. Additionally, Smalltown DJs, The Slow WavesEyes Everywhere, Brothers In Arms and City Kid Soul have all have remixed the song — with the City Kid Soul remix being named in the Top 5 at Toronto’s Bestival.

Killtron’s latest single “Bad Decisions” as she explained to me via email “is a review of some of my best romances and worst choices in the field of love. It’s honest but light, real but unapologetic, and always dancy.” But interestingly enough, the single is an expansion of the sound that first caught her attention — you’ll hear a sinuous bass line, Nile Rodgers-like funk guitar, squiggling synths and soaring strings paired with Killtron’s sultry vocals in a song that nods both at 80s synth funk, early 80s disco and EDM and the sound of blogosphere darlings Escort.  And that shouldn’t be terribly surprising as Killtron explains in an email “With ‘Bad Decisions,’ as well as my first single ‘Never Dance Alone,’ I wanted to pay tribute to; but not copy my heroes — Teena Marie, Prince, and The Gap Band.”

 

 

 

 

 

Maya Killtron is a Toronto, ON-based DJ, violinist and singer/songwriter who first came to attention across both her native Canada and the States with the 2012 release of her debut EP Hipster/Gangsta, and as a result, Killtron wound up touring the festival circuit across both countries, including appearances at Miami’s Winter Music Conference, Pride Toronto, The Halifax Jazz Festival and CMJ. Adding to a growing profile, Killtron’s collaboration with NYC-based production duo Love TapsBack For More” received attention from the likes of Stereogum and Huffington Post for a sound that meshed moomba and R&B – and for a video that showcased a sadly bygone NYC. Additionally, Smalltown DJs, The Slow Waves, Eyes Everywhere, Brothers In Arms and City Kid Soul have all have remixed the song — with the City Kid Soul remix being named in the Top 5 at Toronto’s Bestival.

Killtron is currently working on a multimedia mixtape project featuring MCP champ and producer Fresh Kills, videographer Diana Piruveska, best known for her work with Nelly Furtado and photographer Natalie Caine; however, in the meantime, her latest single “Never Dance Alone” is reportedly a return to the Canadian singer/songwriter’s roots in funk, pop and R&B — and much like the work of JOVM mainstays Rene Lopez, Dam-Funk, Tuxedo and others, the song sonically sounds as though it could have been a B side to Chaka Khan‘s “I Feel For You” as a sinuous and ridiculously funky bass line, warm and explosive blasts of horns and layers of synths are paired with Killtron’s sultry vocals. Along with that is a breezy bridge that emphasizes the song’s infectious hook. Listening to the song immediately reminded me of being out and about in the summer, whether at a house party, a roof top party or a block party desperately trying to talk up that pretty young thing you’ve wanted since the beginning of summer  — and more distinctly summer 1983.