Tag: m3ps

Gold Coast, Australia-based alt rock trio boWsER — Nathan Williams, Otto Miller, Jr. and Brad Weynton – formed well over a decade ago, and when its members met, they recognized an instant connection and a desire to make music that pushed each individual member in new creative directions while crafting an enormous, power chord-driven sound that drew comparisons to Queens of the Stone Age and Them Crooked Vultures.

The trio quickly attained enviable and immediate success: After signing a worldwide publishing deal with EMI, they released their critically applauded debut mini album, 2007’s Modus Operandi, an effort that earned them The Courier-Mail People’s Choice Award nomination in the Rock category and a Q Song Awards nomination. Adding to a rapidly growing profile in their native Australia, boWsER were hand-selected by Triple J Unearthed to open for Eagles of Death Metal during their Australian tour.

The Aussie rock act ended a 13 year hiatus with the release of “People in the TV,” the first single off their forthcoming Steve James-produced sophomore effort Whispers From The Wickerman. The album’s second single “Supersonic” features a classic grunge rock song structure of alternating quiet verses and loud choruses, fuzz pedaled and churning power chord-driven riffs, a sinuous bass line, thunderous drumming and massive, arena rock friendly hooks that — to my ears, at least — reminds me of Queens of the Stone Age’s Songs for the Deaf and Foo FightersOne by One and Wasting Light, delivered with a similar swagger.

Comprised of Los Angeles-born and -based musicians Daniel Davila and Cooper Bell, the pop and funk duo Fabriq with their latest single “Electric Flow,” have an sexy, attention-grabbing sound that clearly draws from contemporary electro pop, 80s synth pop and synth funk in a way that’s reminiscent of Dam-Funk, Boulevards and others, as the song possesses a sinuous bass line, four-on-the-floor drumming and a slick, dance floor rocking hook.




Comprised of Alfred Brown IV (vocals), Justin Smith (guitar), Anthony Rivera (drums), Chris Conde (bass), DANGERS is a Los Angeles, CA-based hardcore punk band, who have developed a reputation for doing things completely in a DIY fashion since their formation in 2005. In fact, since their formation, the quartet have played basements, garages, living rooms, squats, banquet halls, high school auditoriums, Adriatic beach resorts, abandoned Soviet furniture factories and public park gazebos across the US, UK, Australia, Japan and Southeast Asian — and releasing their first two critically applauded full-length efforts through their own label, Vitriol Records; however, the band’s forthcoming third full-length effort, The Bend in the Break finds the band releasing the album through Topshelf Records. And the material on the album finds the band attempting to expand and grow their sound in a way that shows growth while not breaking it.

Interestingly, the album’s blistering and snarling new single “Kiss With Spit” has the band pairing layers of scuzzy and acidic guitar chords, thundering drumming, a persistent bass line and howled vocals in a way that sounds reminiscent of Melvins, Metz and Nirvana — in particular, think of “Dive,” “Radio Friendly Unit Shifter” and “Breed,” complete with a tense, mosh pit worthy fury.

If you’re out on the West Coast throughout late October, check out the tour dates below. In the meantime, we’ll be awaiting some East Coast dates for the band.


* = w/ with Super Unison

OCT 20 – San Francisco, CA @ Thee Parkside
OCT 21 – Oakland, CA @ 1234 Go! Records *
OCT 23 – Los Angeles, CA @ All-Star Lanes *




Led by frontman Bradford Bucknum, Philadelphia, PA-based indie rock quartet Oldermost’s debut single “Honey With Tea” manages to sound as though it were indebted to Nick DrakeWish You Were Here-era Pink Floyd and 70s AM radio friendly rock as layers of twangy pedal guitar, shimmering electric guitar chords, propulsive drumming, a lush and shimmering string arrangement are paired with Bucknam’s plaintive and tender crooning and up-and-coming Philadelphia-based singer/songwriter Rosali’s ethereal yet tender backing vocals in one of the prettier songs I’ve heard this year. And although “Honey With Tea” sounds quite a bit like Psychic Ills‘ equally gorgeous “Baby,” and possesses the sort of lived-in feel that can only come from actual life experiences, the Philadelphia-based quartet’s debut single manages to possess a world weariness behind its psychedelic country leanings. In some way, the song evokes life’s bitter recognitions, uneasy compromises and uncertainties — and how frequently we have to grit our teeth and accept what is and move forward.