Tag: Maya Killtron Back For More prod by Love Taps

Single Review by William Ruben Helms

Over the past few years, I’ve written quite a bit about the Brampton, ON-born, Toronto, ON-based DJ, violinist, singer/songwriter, sync pop artist and JOVM mainstay Maya Killtron. Now, as you may recall, Killtron received national and international attention with the release of her debut EP, 2012’s Hipster/Gangsta, and as a result of the surrounding buzz around the EP, Killtron made appearances across the North American festival circuit, including appearances at Miami’s Winter Music Conference, Pride Toronto, The Halifax Jazz Festival and CMJ. Adding to a growing profile,  “Back For More,” her collaboration with New York-based production duo Love Taps received praise from Stereogum and Huffington Post for a sound that possessed elements of moomba and R&B. The equally attention-grabbing video showcased a sadly bygone New York. “Back For More” also received the remix treatment from  Smalltown DJs, The Slow Waves, Eyes Everywhere, Brothers In Arms and City Kid Soul — with the City Kid Soul remix being named in the Top 5 at Toronto’s Bestival.

Killtron’s latest full-length effort, Never Dance Alone is slated for a March 22, 2019 release, and the album reportedly was made specifically for dancing through your problems. The album’s latest single “Red Dress” continues a strong run of 80s synth funk/80s R&B-inspired club bangers as it’s centered around layers of arpeggiated synths, thumping, tweeter and woofer rocking beats, an anthemic hook and Killtron’s sultry pop belter vocals  — and while much like its predecessors, the track will bring I Feel for You-era Chaka Khan to mind, the track features a disco-inspired string arrangement that hints at JOVM mainstays Escort. Interestingly, the song is an uplifting, feminist anthem, complete with a much-needed “go out and get it, girl,” vibe.

 

 

 

 

 

 

 

 

Single Review by William Ruben Helms

If you’ve been frequenting this site over the past 12-15 months or so, you’ve likely come across a couple of posts on the Brampton, ON-born, Toronto, ON-based DJ, violinist, singer/songwriter and indie pop artist Maya Killtron. And as you may recall, Killtron first came to attention both nationally and Stateside with the 2012 release of her debut EP Hipster/Gangsta, and as a result of the attention she received, Killtron wound up making the rounds across the North American festival circuit with stops Miami’s Winter Music Conference, Pride Toronto, The Halifax Jazz Festival and CMJ. And adding to a growing profile, her collaboration with NYC-based production duo Love Taps “Back For More” received attention from the likes of Stereogum and Huffington Post for a sound that meshed moomba and R&B – and for visuals that showcased a sadly bygone NYC. Additionally, Smalltown DJs, The Slow Waves, Eyes Everywhere, Brothers In Arms and City Kid Soul have all have remixed “Back For More” — with the City Kid Soul remix being named in the Top 5 at Toronto’s Bestival.

“Bad Decisions,” which I wrote about while in Amsterdam, The Netherlands earlier this year, was a written as a review of some of Killton’s best and worst decisions when it came to affairs of the heart paired with a sound that nodded at 80s synth funk and early 80s disco in a fashion reminiscent of JOVM mainstay act Escort; in fact, that shouldn’t be surprising as Killtron explained in an email to me,  “With ‘Bad Decisions,’ as well as my first single ‘Never Dance Alone,’ I wanted to pay tribute to; but not copy my heroes — Teena Marie, Prince, and The Gap Band.”

“Whiplash,” the third and latest single off Killtron’s Never Dance Alone EP is influenced by a childhood memory of a young Killtron listening to Michael Jackson‘s “PYT‘ for the very first time. “It was my driveway one July and my dad let me take our little radio outside while I washed the car, ” the Brampton-born, Toronto, ON-based pop artist explains. “‘PYT’ jumped out of the speakers and pretty much changed my ears forever. I never listened to the music the same way again.” Sonically, Killtron describes the song as having touches of elastic funk, roller rink dance, New Jack Swing and candy-coated pop paired with modern electronic production — and while that may be true, the song reminds me of Morris Day and The Time‘s “Jungle Love,” The Gap Band’s “You Dropped a Bomb on Me,” Cherelle‘s “Saturday Love,” Chaka Khan‘s “I Feel For You” and others as it features a sinuous bass line and a stomping groove; however, Killton’s latest single is at a much faster BPM than the sources that inspired it. Of course, much like the preceding singles, “Whiplash” is a love song — this time focusing on the sort of swooning love that comes about suddenly and feels so right, even if it’s just for the moment.