Tag: mps

Comprised of primary members, their Milwaukee, WI-born, Los Angeles, CA-based frontman and founder Austen Moret (synths and vocals),  Jace McPartland (bass) and Sab Cahrunas (drums), along with a rotating cast of guitarists including friends and long-time collaborators Anthony Francisco, Dan Beltran and Mike Aguado joining the band for live shows, the Los Angeles, CA-based indie rock act Midnight Divide has gone through several inceptions before settling on a synth-based, power chord and big drum-based sound paired with anthemic hooks inspired by TV on the Radio, Radiohead, Imagine Dragons, Vertical Horizon, Snow Patrol and others as you’ll hear on the gorgeously atmospheric, swooning and anthemic “Talking” off the band’s forthcoming sophomore EP, which features Moret’s earnest vocals throughout. At the core of the song is a plaintive plea to a lover (or friend) to work things out; that better times could be had if they can get on the same page. But just underneath the surface is an embittering realization that things may not work out as planned, that things have at time and place — and the result may be heartbreaking yet necessary.

As the band’s Moret explains press notes “‘Talking’ lived inside me for years before I could accept why it existed. But I now know that’s a good thing because it means what I wrote is truly honest. And that’s how all songs should be.”

 

 

 

 

 

 

With the release of critically applauded singles “Women’s Business” and “Here We Go,” Melbourne, Australia-based quintet Canary have won both national and international attention as the former charted on Hype Machine and the latter received airplay through triple J — and as a result, the band has opened for the likes of Saskwatch, Ainslie Willis, Hein Cooper and LANKS.

Building upon the buzz that they’ve already received, the Australian quintet’s sophomore effort I Am Lion is slated for a July 8, 2016 release and the album’s first single “Fickle Heart” was largely inspired by frontman Matthew Kennealy’s  breakup — and as a result, the song focuses on the bitterly self-righteous feelings of self-destruction and hatred in the aftermath of a relationship’s violent explosion.  Sonically,the band employs sludgy power chords in a song structurally sounds as though it owes a debt to 90s alt rock — as the song alternates between anthemic hooks and quieter, more contemplative sections. And throughout the song’s narrator spends his time reflecting on the nature of a relationship that’s left him heartbroken, bitter and wishing that he never met this person in the first place. Certainly, it’s a sentiment that should feel universally familiar to anyone who’s been through a nasty breakup.