Tag: Single Review: Willow

 

Comprised of Shahanna Jaffer and Joey LaRosa, the Los Angeles-based duo Junaco can trace their origins to a mutual desire to make music for music’s sake — and to write honest songs that meant something true for themselves, that someone else may be able to make something true for them, as well. Instead of rushing through songs, the duo have a rather deliberate creative approach hat has resulted in a sound that’s moody yet anthemic.

The duo’s forthcoming Omar Yakar-produced EP is slated for release sometime later this year, and the EP’s first single — and the band’s debut single, as well, is the stunning and and cinematic “Willow.” Centered around layers of shimmering and jangling guitar chords, Jaffer gorgeous and lilting vocals, jazz-like drumming and an expansive song structure that features a sweeping, widescreen coda, the song will likely bring comparisons to Caveman, Eliza Shaddad and even Fleetwood Mac — all while possessing a swooning and lovelorn quality.

 

 

 

 

 

New Audio: Portland’s Blackwater Holylight Returns with a Trippy and Expansive Take on 60s Psych Rock

Over the past couple of months, I’ve written a bit about the Portland, OR-based rock act Blackwater Holylight, and as you may recall, the band comprised of founding member Allison “Sunny” Faris (vocals, bass),  Laura Hopkins (guitar, vocals), Cat Hoch (drums) and Sarah McKenna (synth), the band, which can trace its origins to when one of Faris’ previous bands broke up, and she wanted to begin experiment what her own version of what “heavy” should and could be both sonically and emotionally with the primary aim to celebrate vulnerability all of its forms. But along with that, as Faris explains in in press notes, because she was the only female in her previous band, she wanted to see how her “songwriting and vulnerability could glow taking the drivers seat, and working with women.” 

RidingEasy Records will be releasing Blackwater Holylight’s self-titled review on April 6, 2018 and from the Breeders-like alt rock meets shoegaze “Sunrise,” and the Led Zeppelin and Black Sabbath heavy, power chord dirge and strident, feminist anthem “Wave of Conscience,” the Portland-based quartet have shown that their material draws from a wide array of sources with a piss and vinegar-fueled, kick ass and take names sort of self-assuredness. And unsurprisingly, the album’s latest single “Willow” continues in a similar vein while being their most expansive and most 60s psych rock-inspired song they’ve released from the album to date, as the band shifts tempo and mood while centered around some explosive guitar pyrotechnics and ethereal harmonies.