Comprised of two childhood friends, who discovered that they had independently embark on electronic music careers while in college, the mysterious, Chicago-based electronic production and artist duo The White Panda have dominated the electronic music blogosphere with the release of five, critically applauded full-length albums — all of which have resulted in 35 #1 singles on Hype Machine, over 60 million SoundCloud streams and 25 million YouTube plays while being dubbed “the mash-up kings” by Vibe Magazine, and “a veritable party-mashup machine” by Entertainment Weekly. (At one point, The White Panda was one of SoundCloud’s top five most played artists — ever.)
Adding to an already immense and growing national profile, the duo has headlined several US tours, have played some of the country’s largest festivals including Lollapalooza, Firefly, Electric Zoo, and Bamboozle, and have opened for the likes of Flo Rida, Wale, Nelly, Twenty One Pilots, Dispatch, Steve Aoki, Tiesto, Mac Miller, Mike Posner, Benny Benassi, MGMT and others. And while working on their own original production work, the duo had also spent their time working on and releasing a number of remixes including a gigantic, festival rocking rework of Powers‘ “Beat of My Drum,” that I wrote about a couple of years ago. Now, it’s been some time since I’ve personally written about them; however, the Chicago-based duo have been rather prolific since then, including their latest single, a sultry, club-rocking and anthemic cover/re-work of The 1975‘s “Somebody Else,” that features a guest spot from Brooklyn-based singer/songwriter Verite — and while being a bold, tweeter and woofer rocking rework, the cover manages to retain the atmospheric original’s ache and longing.