Tag: Stimmerman

Video by William Ruben Helms

New Video: Stimmerman Shares Eerie “Mirror”

Eva Lawitts is a New York-based singer/songwriter, multi-instrumentalist, producer, grizzled local scene veteran and JOVM mainstay: Lawitts began her career with a 14-year run with local, prog rock shredders Sister Helen. Since Sister Helen’s break-up, she has developed a reputation as a go-to session and touring musician, working with Vagabon, Princess Nokia, and others.

Lawitts aslo co-runs Brooklyn-based recording studio, Wonderpark Studios, where she’s a producer and engineer. Adding to a busy schedule, the Brooklyn-based singer/songwriter, multi-instrumentalist and producer played bass on Oceanator‘s Things I Never Said. 

Her recording project Stimmerman — which is simultaneously a band and a solo project — was founded back in 2017 after her previous band Sister Helen split up. “I wanted a project that was all mine and so I picked a family name long-changed for the purposes of assimilating into American Society (what a concept)- Stimmerman,” Lawitts explains in press notes. 

Lawitts’ Stimmerman debut, 2019’s Goofballs which featured “It Shows” and “Dentist vs. Pharmacist.” was ” . . . more or less about loss and survivor’s guilt: it’s a meditation on a friend’s fatal overdose at a young age through that lens.”

Lawitts’ latest album Undertaking is slated for a May 26, 2023 release through Worry Records. The album reportedly sees Lawitts further cementing her reputation for creating boundary pushing work inspired by an eclectic array of music that aims to hold a cathartic space for the listener/audience.

Undertaking‘s latest single “Mirror” is built around a brooding and eerie production featuring twinkling keys paired with sparse skittering beats, swirling guitar textures and Lawitts’ comforting and self-aware crooning. While “Mirror” sonically brings a sleek synthesis of Beacon and Sylvan Esso with a playful nod to lullabies, the song lyrically is an self-aware yet unvarnished and unafraid baring of the soul — and its deepest desires and thoughts.

The accompanying video for “Mirror” was animated and edited by Max McDaniel-Neff features footage of bodies of water with line drawings depicting the song’s lyrics superimposed over the water.

Video by William Ruben Helms

New Video: Stimmerman Shares a Trippy and Unsettling Visual for New Ripper “Geek”

Eva Lawitts is a New York-based singer/songwriter, multi-instrumentalist, producer, grizzled local scene veteran and JOVM mainstay: Lawitts began her varied and interesting career with a 14 year run with local, prog rock shredders Sister Helen. She has simultaneously developed a reputation as a go-to session and touring musician, working with Vagabon, and Princess Nokia.

Lawitts also co-runs Brooklyn-based recording studio, Wonderpark Studios, where she’s a producer and engineer. Adding to a busy schedule, the Brooklyn-based singer/songwriter, multi-instrumentalist and producer played bass on Oceanator‘s Things I Never Said.

Her recording project Stimmerman — which is simultaneously a band and a solo project — was founded back in 2017 after her previous band Sister Helen split up. “I wanted a project that was all mine and so I picked a family name long-changed for the purposes of assimilating into American Society (what a concept)- Stimmerman,” Lawitts explains in press notes.

Lawitts’ Stimmerman debut, 2019’s Goofballs was ” . . . more or less about loss and survivor’s guilt: it’s a meditation on a friend’s fatal overdose at a young age through that lens.” And if you were following JOVM back then, you might recall that Goofballs featured the Bleach-era Nirvana meets PJ Harvey-like “It Shows” and the expansive math rock meets shoegaze meets acid rock-like “Dentist vs. Pharmacist.”

“Geek” is the first bit of original material from Lawitts since Goofballs. Clocking in at about 65 seconds, the new Stimmernan single manages to simultaneously be an expansive and yet breakneck ripper, featuring grungy power chords, thunderous drumming and fluttering synths and feedback paried with Stimmerman’s surrealistic yet visceral lyrics.

Directed and animated by Elenor Kopka, the recently released video features a series of amoeba-like humanoid faces that morph, bend, and melt throughout the video. Interestingly, each face seems marked by some unspoken fear or worry.

“Geek” will appear on Stimmerman’s sophomore album, which is slated for release later this year.

Single Review by William Ruben Helms
Eva Lawitts is a New York-based singer/songwriter, multi-instrumentalist and producer, who has been both a session and touring musician for the likes of Vagabon and Princess Nokia — and she’s also known as one-half of the production and engineering team at
Brooklyn-based Wonderpark Studios.
Lawitts’ recording project Stimmerman finds the New York-based singer/songwriter, multi-instrumentalist and producer stepping out into the limelight as a solo artist — and as a musical force to be reckoned with. Her Stimmerman full-length debut Goofballs is slated for release at the end of the year, and as Lawitts explains in press notes,  “the album is more or less about loss and survivor’s guilt: it’s a meditation on a friend’s fatal overdose at a young age through that lens. Side A of the album focuses on looking back at the environment in which our friendship started — pressures imposed on chidden to be successful, growing up too fast in all the wrong ways, and the often debauched nature of our great and terrible adolescence here in Brooklyn. Side B centers me more as an unreliable narrator, and features songs about grief and culpability in a close friend’s death, some of which are, I believe, misguided.”
“The name ‘Goofballs’ is twofold,” Lawitts continues. “I think this album recaptures some of the sense of humor my other projects have had that the first Stimmerman EP lacked, and of course, there is the drug allusion — ‘Goofballs’ meaning barbiturates or any cocktail thereof.” 
Now, as you may recall, earlier this month I wrote about album single “It Shows.” Centered around a classic, grunge rock song structure — alternating quiet verses and loud choruses — the song features enormous, arena rock friendly power chords, thunderous drumming and howled vocals. And while bearing a resemblance to Bleach-era Nirvana, PJ Harvey and others, the song evoked the uneasy internal struggle of its narrator, a character, who simultaneously strikes out against themselves and others, to no avail or satisfaction. Interestingly, the album’s third and latest single “Dentist vs. Pharmacist” is centered around a expansive, mind-altering arrangement that vacillates between dense and explosive math rock in which the listener is pummeled by thunderous drumming, muscular power chords and howled lyrics, shoegazey dream pop and experimental jazz. But at its core is a seething frustration that comes from being pinned in and forced to be and accept things you can never do.
“I wrote this song directly after having lunch with a friend fm one who went to middle school (Mark Twain) and high school (Laguardia) with me,” Lawitts explained in an interview with Audiofemme,” and it was directly influenced (stolen? I don’t know) by a conversation we had about this kind of half-joke about modern Russian fatalism, which was that so many of the kids we went to middle school with were raised with only two possible tracts they could follow into adulthood — they could become a dentist or they could become a pharmacist. This is the highest achievement you could attain. This was the gleaming dream of our Russian and Jewish cohorts of yesteryear. We were being silly about it, but within that silliness are many real wounds about the expectations of our own parents, their parents, and an examination of how we can possibly honor the sacrifices made by our families while still attempting to function in a world that is basically incalculably different than anything they could have possibly conceived of when they made those sacrifices. Fuck! And also I just wanted to scream.”

 

Single Review by William Ruben Helms

Eva Lawitts is a New York-based singer/songwriter, multi-instrumentalist and producer, who has been both a session and touring musician for the likes of Vagabon and Princess Nokia. Lawitts is also known for being one-half of the production and engineering team at Brooklyn-based Wonderpark Studios.

Lawitts’ recording project Stimmerman finds the New York-based singer/songwriter, multi-instrumentalist and producer stepping out into the limelight as a solo artist — and as a musical force to be reckoned with. Interestingly, Lawitts’ Stimmerman full-length debut Goofballs is slated for release at the end of the this year. And as the New York-based singer/songwriter, multi-instrumentalist and producer explains in press notes, “the album is more or less about loss and survivor’s guilt: it’s a meditation on a friend’s fatal overdose at a young age through that lens. Side A of the album focuses on looking back at the environment in which our friendship started — pressures imposed on chidden to be successful, growing up too fast in all the wrong ways, and the often debauched nature of our great and terrible adolescence here in Brooklyn. Side B centers me more as an unreliable narrator, and features songs about grief and culpability in a close friend’s death, some of which are, I believe, misguided.”

“The name ‘Goofballs’ is twofold,” Lawitts continues. “I think this album recaptures some of the sense of humor my other projects have had that the first Stimmerman EP lacked, and of course, there is the drug allusion — ‘Goofballs’ meaning barbiturates or any cocktail thereof.” 

Goofballs‘ second and latest single “It Shows” is built around a classic grunge rock song structure — alternating quiet verses and loud choruses, featuring enormous, arena rock friendly power chords, thunderous drumming and howled vocals. And while bearing a resemblance to Bleach-era Nirvana, PJ Harvey and others, the song evokes the uneasy internal struggle of its narrator, a character, who simultaneously strikes out against themselves and others, to no avail or satisfaction.

 

 

 

 

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