Tag: Stuart Sikes

Austin indie outfit High Heavens can trace the bulk of their origins back to 1996: Austin-based emo punk troubadours Glorium were invited to do a southern US tour with DC punk legends Fugazi. During this tour, Glorium’s guitarist Ernest Salaz met and befriended Fugazi’s front of house engineer Nick Pelicciotto, who also played in Edsel and New Wet Kojak.

Salaz went on to play with I Love You But I’ve Chosen Darkness but he remained friends with Pelicciotto. Back in 2017, the duo started High Heavens, a band built on their mutual musical interests over the past decade. The band’s first lineup featured Jeremy Erwin (keys), Crime in Choir’s Jonathan Saggs (bass), and John Matthew Walker (vocals).

Their Stuart Sikes-produced full-length debut, Springtime Don’t Call features album title track “Springtime Don’t Call.” The band was able to play one last year but tensions arose: Erwin had enough of Austin and moved to Colorado; Pelicciotto and Skaggs decided to purse other musical interests. As a result of this massive lineup change, the band itself went through a radical transformation.

Salaz and Walker decided to record a few more songs with Sikes — without a band. Salaz then reached out to his former Glorium bandmate, George Lara who’s now playing with ’60s Chicano soul outfit Eddie & The Valiants and San Antonio-based pop outfit The Please Help to record some bass parts and Lara’s The Please Help bandmate Juan Ramos to record some drum parts. Additional recording was done at The BBQ Shack by Austin-based guitarist Jason Morales, who has played with Tia Carrera, Black Mercy, Migas and Olympia, WA-based Helltrout. The band’s old friend . . . And You Will Know Us By The Trail of Dead’s Conrad Keely contributed sax and Rhodes on “Hundred Bullets” and additional keyboard on their latest single “Life is a Loan Shark.”

“Life is a Loan Shark” is a slow-burning and dreamy bit of nostalgia-inducing pop centered around Walker’s plaintive delivery, twinkling Rhodes, atmospheric synths, supple bass lines and gently strummed guitar. Featuring key work from Jeremy Erwin, “Life is a Loan Shark” is inspired by Angelo Badalamenti‘s Twin Peaks score and Richie Valens — but also seems to nod at Scott Walker, thanks in part to its melancholy and heartbroken air.

The band explains that the song is about boyhood memories and lost love.

High Heavens is currently rehearsing with a new lineup and will be playing shows across Texas in November. So for my Texan friends, be on the lookout.

Perhaps best known as a founding member, primary songwriter and frontwoman of renowned indie rock act Howling Bells, along with Glenn Moule (drums), her brother Joel (lead guitar) and Gary Daines (bass guitar), the Sydney, Australia-born, London-based singer/songwriter and guitarist Juanita Stein has developed a reputation as a solo artist of note with the release of last year’s solo debut America, an album that thematically focused on the iconography and cultural landscapes of a country that had always fascinated her from afar.

Slated for an August 31, 2018 release through Nude Records, Stein’s sophomore album, Until The Lights Fade will further cement her long-held reputation for crafting twangy and old-timey country-tinged indie rock — but this time, the album thematically speaking is concerned with thoughts, feelings, stories and characters rooted far closer to home. “I feel like the two albums are different sides of the same coin,” Stein explain. “If America was the starting point of a journey — the musical equivalent of me spreading my wings, but also treading carefully, trying to figure myself out having come from such an intense period of camaraderie in the band; then this record is me starting to gain a bit more traction, feeling more confident in where I’m coming from and what is I’m doing.” When the opportunity arose last year to spend a week in Austin, TX with Stuart Sikes, who has worked with Cat Power, The White Stripes, Loretta Lynn, Stein grabbed it. “When you reach a certain point in life and moments like that appear, you have to go with it. Up ’til now, everything I’ve done has been planned and laboured over, but this album was very impromptu, very spur of the moment — a couple of the musicians I was working with, I had only met for the first time that week. It was like nothing I’d ever done before.” Naturally, that impromptu nature of the recording sessions wound up influencing the material’s overall sound — and with album single “Easy Street,” there’s a ramshackle and free-flowing vibe that underlies the material’s deliberate attention to craft that brings to mind 70s AM radio rock, thanks in part to the song’s anthemic hooks, twangy power chords. As Stein says of the song, “‘Easy Street’ was written very immediately. Everything about it felt intuitive and direct. Touring the songs off America for the last couple of years has given me some unique insight into people and their situations. You’re clocking up some good miles across various cities and countries, you see people getting by, doing what they can, being inventive with their realities. Hope/desperation isn’t limited to geography, everyone’s looking for an easy way out essentially. This song is about someone running from their reality and trying to find a better life for themselves.”

Adding to a growing profile as a solo artist, Stein had a recent run of dates opening for The Killers that included a SXSW stop — and since then she’s toured with renowned Roxy Music frontman Bryan Ferry, made some stops across the international touring circuit that included Latitude Festival, Green Man Festival, and Black Deer Festival. Building up buzz for her sophomore effort, Stein will be playing a number of dates across the UK. Check out the tour dates below.

Tour Dates 
24th     June     Black Deer Festival, Tunbridge Wells
8th       July      TRNSMT Festival, Glasgow
14th     July      Latitude Festival, Southwold
20th     July      Spain, Benicassim Festival
24th     July      Finland, Helsinki Arena (with The Killers)
26th     July      Luxembourg, Esch-sur-Alzette, Rockhal (with The Killers)
18th     August Green Man Festival, Crickhowell

Perhaps best known as a member of James Arthur’s Manhunt, Sean Morales is a Norfolk, VA-born, Austin, TX-based singer/songwriter and multi-instrumentalist, who started working on his Stuart Sikes-produced solo debut effort, Call It In while he was living alone in Houston. When he returned to Austin, he enlisted several of the city’s most accomplished and renowned musicians to assist him in completing the album, including his wife Erica Barton, a drummer in Faceless Werewolves, who helped shape the songs; Jonathan Horne, a jazz guitarist, known for his work with The Young MothersIchi Ni San Shi and Knest; OBN III’s and Manhunt’s Orville Neely III; Golden Boys‘ Bryan Schmitz; and James Arthur.

Reportedly, Morales wrote and recorded the album with a particular mission in mind, more than an artistic vision —  or in other words, the record was written both as a way to celebrate the ease of life, and much like a comfort to those who feel as though records are like old friends, who provide a little bit of wisdom from time to time, and who you’d like to catch up with when you haven’t thought of them in a while. Slated for a January 12, 2018 release through Super Secret Records, the album’s first official single is a fairly straightforward cover of Chris Spedding‘s easy-going, jangling and twangy “Video Life” that possesses the same, loose, easy-going vibe of a bunch of friends jamming and bullshitting while passing around a bottle of bourbon.