Tag: The Black Angels Phosphene Dream

New Audio: JOVM Mainstays The Black Angels Team Up with Thievery Corporation’s LouLou Ghelickhani On a Trippy Yet Loving Ode to French Pop

With five albums under their collective belts, 2006’s Passover, 2008’s Directions to See a Ghost 2010’s Phosphene Dream, 2013’s Indigo Meadow, 2014’s Clear Lake Forest and 2017’s Death Song, the Austin-based psych rock outfit and JOVM mainstays  The Black Angels —  currently Alex Maas (vocals, bass), Christian Bland (guitar), Stephanie Bailey (drums), Jake Garcia (guitar) and multi-instrumentalist Ramiro Verdooren — have firmly cemented a unique take on psych rock that remains true to psych rock forebears like  Syd Barrett, Roky EricksonArthur Lee, and The Velvet Underground, while thematically touching upon contemporary concerns.

During that same period of time, the members of The Black Angeles have also built a global profile in the international psych rock scene, a profile that has been further cemented by their long-running celebration of all things psychedelic, Levitation Festival, which celebrates its 15th anniversary this year. 

2022 is a big year in the band’s almost two decade history: Their sixth album — and first in over five years, Wilderness of Mirrors is slated for a September 16, 2022 release through Partisan Records. Co-produced by the band and Brett Orrison with engineering by John AgnelloWilderness of Mirrors reportedly finds the band attempting to achieve something fresh and new through a gentle and subtle refinement of the sound that has won them fans across the globe. 

Throughout Wilderness of Mirrors‘ material, the band adds mellotron, string arrangements and an assortment of different keyboards to the mix, which adds different textures to their overall sound. Thematically, the album continues upon their long-held reputation for touching upon contemporary concerns — in particular, our uncertain and urgent moment of political tumult, the pandemic, and the ongoing devastation of the environment and its long-term implications to us and our descendants, among others.

Last month, I wrote about the forthcoming album’s first single, “El Jardín,” which at first glance is classic Black Angels: Bailey’s thunderous time keeping, Maas’ plaintive falsetto and supple bass lines paired with layers upon layers of guitar pyrotechnics and effects from Bland and Garcia — but the song’s sparking and brooding bridge sees the band adding bursts of twinkling Rhodes to the mix. Written from the perspective of our dear Mother Earth, “El Jardín” is a forceful and urgent warning to humanity: destroying the environment will ultimately lead to the destruction of humanity. 

Wilderness of Mirrors‘ second and latest single “Firefly” is a loving yet classic Black Angels-like homage to 60s French pop, featuring a guest spot from Thievery Corporation‘s LouLou Ghelickhani, who contributes sultrily delivered vocals in French and English, alongside Maas’ imitable falsetto and paired with a hook-driven arrangement featuring reverb-drenched guitars, Maas’ supple and propulsive bass lines, some simple yet forceful timekeeping from Bailey and twinkling keys.

With the release of their debut seven inch through Third Man Records, the Los Angeles-based indie supergroup Oozelles (pronounced oo-ZELZ) — Dante White Aliano (vocals, guitar), David Orlando (drums), Jada Wagensomer (bass), Samuel Banuelos (guitar, keys, percussion), Gregory Marino (sax, flute, electronic wind instrument) and Philip Minning — exploded into the local and national scenes, receiving attention for a sound that the band describes as “a stickier sub-tropical Birthday Party, Contortions or CAN ghost writing for The Gun Club or The Flesh Eaters.”

Thematically, the band which features former and current members of Warpaint, Starlite Desperation, Dante vs. Zombies, Sex Stains, Detroit Cobras and others, focuses on the dark and murky — and touches upon or makes references to human trafficking, secret doors at weddings, war criminals in mental hospitals, hippie arson, premature burial, vampire sugar parents, pathetic, blood soaked manifestos and pit-bulls attacking pizza deliver drivers.

Building upon a growing profile, the rising Los Angeles-based act’s Dante White Aliano-produced, self-titled debut is slated for a May 1, 2020 release through ORG Music. The album’s first single is the Phosphene Dream-era Black Angels-like “Refill The Swamp.” Centered around propulsive, tribal-like drumming, reverb-drenched guitars, shimmering organ arpeggios, Aliano’s expressive howls and an enormous hook, the song manages to be evoke a creeping and shadowy late night dread — but with the sort of campiness that reminds me of Roger Corman‘s adaptations of Edgar Allan Poe starring Vincent Price and Troma Films.

 

 

 

 

 

 

 

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